For her debut album, Daria Vasileva immerses us in the world of Alexander Scriabin. Under the inspired hands of the 2025 Young Swiss Artists award winner, we discover the full richness of a unique musical language. This program, both eclectic and remarkably consistent, explores the composer's work through the prism of the four elements, offering a comprehensive insight into his artistry.
Tracklist:
Scriabin: Piano Sonata No. 2 in G-Sharp minor, Op. 19 "Sonata-Fantasy": I. Andante
Scriabin: Piano Sonata No. 2 in G-Sharp minor, Op. 19 "Sonata-Fantasy": II. Presto
Scriabin: 24 Preludes, Op. 11: No. 4 in E minor
Scriabin: 24 Preludes, Op. 11: No. 12 in G-Sharp minor
Scriabin: 24 Preludes, Op. 11: No. 23 in F Major
Scriabin: Piano Sonata No. 1 in F minor, Op. 6: I. Allegro Con Fuoco
Scriabin: Piano Sonata No. 1 in F minor, Op. 6: II. Adagio
Scriabin: Piano Sonata No. 1 in F minor, Op. 6: III. Presto
Scriabin: Piano Sonata No. 1 in F minor, Op. 6: IV. Funèbre
Scriabin: 24 Preludes, Op. 11: No. 5 in D Major
Scriabin: Valse in F minor, Op. 1
Scriabin: Valse in A-Flat Major, Op. 38
Scriabin: 24 Preludes, Op. 11: No. 17 in A-Flat Major
Scriabin: 24 Preludes, Op. 11: No. 22 in G minor
Scriabin: Piano Sonata No. 4 in F-Sharp Major, Op. 30: I. Andante
Scriabin: Piano Sonata No. 4 in F-Sharp Major, Op. 30: II. Prestissimo Volando
Scriabin: 24 Preludes, Op. 11: No. 6 in B minor
Scriabin: 24 Preludes, Op. 11: No. 14 in E-Flat minor
Scriabin: Piano Sonata No. 5, Op. 53
UPC: 5051083228893Label: AparteRelease Date: 6.5.26Format: CD
"For many, Oistrakh remains the violinistic ideal. His winning combination of tonal sumptuousness, clear interpretative focus, musical humility and effortless technical poise across a broad repertoire remains unmatched to this day. When Oistrakh played, one felt there was nothing coming between the composer and the listener... He combined fingers of steel with a heart of gold." The Strad magazine
Tracklist:
Violin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo (Cadenza By Kreisler)
Violin Concerto in D Major, Op. 61: II. Larghetto (Cadenza By Kreisler)
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza By Kreisler)
Triple Concerto in C Major, Op. 56: I. Allegro
Triple Concerto in C Major, Op. 56: II. Largo
Triple Concerto in C Major, Op. 56: III. Rondo Alla Polacca
Violin Concerto in D Major, Op. 77: I. Allegro Non Troppo (Cadenza By J. Joachim)
Violin Concerto in D Major, Op. 77: II. Adagio
Violin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace
Double Concerto for Violin and Cello in a Minor, Op. 102: I. Allegro
Double Concerto for Violin and Cello in a Minor, Op. 102: II. Andante
Double Concerto for Violin and Cello in a Minor, Op. 102: III. Vivace Non Troppo
Adagio for Violin and Orchestra in E Major, K. 261
Violin Concerto in D minor, Op. 47: I. Allegro Moderato
Violin Concerto in D minor, Op. 47: II. Adagio Di Molto
Violin Concerto in D minor, Op. 47: III. Allegro Ma Non Tanto
Symphonie Espagnole in D minor, Op. 21: I. Allegro Ma Non Troppo
Symphonie Espagnole in D minor, Op. 21: II. Scherzando
Symphonie Espagnole in D minor, Op. 21: III. Intermezzo
Symphonie Espagnole in D minor, Op. 21: IV. Andante
Symphonie Espagnole in D minor, Op. 21: V. Rondo
Violin Concerto No. 2 in D Major, K. 211: I. Allegro Moderato
Violin Concerto No. 2 in D Major, K. 211: II. Andante
Violin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro
Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro Moderato
Violin Concerto No. 1 in G minor, Op. 26: II. Adagio
Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro Energico
Violin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro Moderato
Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio
Violin Concerto No. 1 in B-Flat Major, K. 207: III. Presto
Sinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro Maestoso
Sinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante
Sinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: III. Presto
Rondo for Violin and Orchestra in B-Flat Major, K. 269
Violin Concerto No. 3 in G Major, K. 216: I. Allegro
Violin Concerto No. 3 in G Major, K. 216: II. Adagio
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro
Violin Concerto No. 4 in D Major, K. 218: I. Allegro (Cadenza By F. David)
Violin Concerto No. 4 in D Major, K. 218: II. Andante Cantabile (Cadenza By F. David)
Violin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andantino Grazioso - Allegro Ma Non Troppo (Cadenza By F. David)
Violin Concerto No. 5 in a Major, K. 219 "Turkish": I. Allegro Aperto (Cadenza By Joachim)
Violin Concerto No. 5 in a Major, K. 219 "Turkish": II. Adagio (Cadenza By Joachim)
Violin Concerto No. 5 in a Major, K. 219 "Turkish": III. Rondeau. Tempo Di Menuetto - Allegro (Cadenza By Joachim)
Rondo for Violin and Orchestra in C Major, K. 373
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo
Violin Concerto No. 1 in D Major, Op. 19: III. Moderato
Violin Concerto No. 2 in G minor, Op. 63: I. Allegro Moderato
Violin Concerto No. 2 in G minor, Op. 63: II. Andante Assai
Violin Concerto No. 2 in G minor, Op. 63: III. Allegro Ben Marcato
Violin Concerto No. 1 in a Minor, Op. 99: I. Nocturne. Moderato
Violin Concerto No. 1 in a Minor, Op. 99: II. Scherzo. Allegro
Violin Concerto No. 1 in a Minor, Op. 99: III. Passacaglia. Andante - Cadenza
Violin Concerto No. 1 in a Minor, Op. 99: IV. Burlesque. Allegro Con Brio
UPC: 5021732960924Label: Warner ClassicsRelease Date: 5.22.26Format: CD
With her new album, State of Matter, acclaimed Polish cellist and composer Dobrawa Czocher pushes her artistry into new territories. Composed amidst a move from Warsaw to the Baltic coast, surrounded by the ocean's horizon and dense forestry, the album reflects curiously on what lies beyond and embracing the unknown. It is an ode to the courage to grow through uncertainty. The music unfolds as a journey of emotional phases, a narrative arc from the internal introspective questioning of "Monologue," to a sonic leap into motion with the rhythmic propulsion of "Blue", and the cyclical farewell in "Goodbye". Known for her atmospheric, emotionally rich compositions, Czocher has expanded her sound world, while holding true to her classical roots. She uses percussive cello techniques, Moog synthesizers, non-analog electronics, and her own voice instrumentally and without lyrics, creating a texture of expression. Recorded at the historic Studio S4 at Polish Radio in Warsaw with engineer Mateusz Danek, State of Matter balances technical craft with expressive spontaneity, it's driven by Czocher's tension between precision and intuition. It is a work that breathes, pulses, and listens back. State of Matter marks a turning point in Dobrawa Czocher's creative path-an album that reflects not only where she is, but where she dares to go.
Tracklist:
Monologue
Blue
Phoenix
Sehnsucht
Sirens
Letter from the Soul
Fluctuations
Monologue II
Someone on Your Side
Goodbye
UPC: 600116136626Label: 130701Release Date: 3.27.26Format: CD
In this Schumann anthology, Elisabeth Leonskaja displays the full extent of both her love for the composer and her artistry, with the expressiveness and clarity that characterize her playing, making this recording a true Schumann-esque testament from this great lady of the piano. Many of these works are cycles of short pieces (Papillons, Variations, Symphonic Etudes) or sequences of miniatures, sometimes light and dance-like, sometimes virtuosic, but always imbued with poetry and depth.
Tracklist:
Abegg Variations, Op. 1: Thema
Abegg Variations, Op. 1: Variation I
Abegg Variations, Op. 1: Variation II
Abegg Variations, Op. 1: Variation III
Abegg Variations, Op. 1: Variation IV
Abegg Variations, Op. 1: Finale Alla Fantasia
Papillons, Op. 2: Introduzione
Papillons, Op. 2: No. 1, Allegro Comodo
Papillons, Op. 2: No. 2, Prestissimo
Papillons, Op. 2: No. 3, Allegro Molto
Papillons, Op. 2: No. 4, Presto
Papillons, Op. 2: No. 5, Più Andante
Papillons, Op. 2: No. 6, Allegro Molto - Poco Più Tranquillo
Papillons, Op. 2: No. 7, Semplice
Papillons, Op. 2: No. 8, Allegro Feroce - Poco Meno Mosso
Papillons, Op. 2: No. 9, Prestissimo
Papillons, Op. 2: No. 10, Vivo - Più Lento
Papillons, Op. 2: No. 11, Allegro Maestoso - Più Lento - in Tempo
Papillons, Op. 2: No. 12, Finale. Con Brio - Più Lento
Symphonic Etudes, Op. 13: Theme
Symphonic Etudes, Op. 13: Variation I
Symphonic Etudes, Op. 13: Variation II
Symphonic Etudes, Op. 13: Variation III
Symphonic Etudes, Op. 13: Variation IV
Symphonic Etudes, Op. 13: Variation V
Symphonic Etudes, Op. 13: Theme. Andante
Symphonic Etudes, Op. 13: Etude I
Symphonic Etudes, Op. 13: Etude II
Symphonic Etudes, Op. 13: Etude III
Symphonic Etudes, Op. 13: Etude IV
Symphonic Etudes, Op. 13: Etude V
Symphonic Etudes, Op. 13: Etude VI
Symphonic Etudes, Op. 13: Etude VII
Symphonic Etudes, Op. 13: Etude VIII
Symphonic Etudes, Op. 13: Etude IX
Symphonic Etudes, Op. 13: Etude X
Symphonic Etudes, Op. 13: Etude XI
Symphonic Etudes, Op. 13: Etude XII
Theme and Variations in E-Flat Major, Woo 24 "Geistervariationen": Theme
Theme and Variations in E-Flat Major, Woo 24 "Geistervariationen": Variation I
Theme and Variations in E-Flat Major, Woo 24 "Geistervariationen": Variation II
Theme and Variations in E-Flat Major, Woo 24 "Geistervariationen": Variation III
Theme and Variations in E-Flat Major, Woo 24 "Geistervariationen": Variation IV
Theme and Variations in E-Flat Major, Woo 24 "Geistervariationen": Variation V
Piano Sonata No. 1 in F-Sharp minor, Op. 11: I. Un Poco Adagio - Allegro Vivace
Piano Sonata No. 1 in F-Sharp minor, Op. 11: II. Aria. Senza Passione, Ma Espressivo
Piano Sonata No. 1 in F-Sharp minor, Op. 11: III. Scherzo. Allegrissimo
Piano Sonata No. 1 in F-Sharp minor, Op. 11: IV. Finale. Allegro Un Poco Maestoso
Piano Sonata No. 2 in G minor, Op. 22: I. So Rasch Wie Möglich
Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen
Piano Sonata No. 2 in G minor, Op. 22: III. Scherzo. Sehr Rasch Und Markiert
Piano Sonata No. 2 in G minor, Op. 22: IV. Rondo. Presto
UPC: 5021732875679Label: Warner ClassicsRelease Date: 4.10.26Format: CD
Mozart composed the concerto for two pianos in 1779, and performed it with his sister Nannerl. It is a less adventurous work than the previous concerto, No.9 K271, but it is an altogether more successful work than No.7 for three pianos K242, which the composer arranged for two pianos. It is brilliant in nature, especially the finale. It foreshadows in places the great Sinfonia Concertante K364, but does not match the grandeur of that work. No.24 K491 from 1786 is one of the greatest of Mozart's concertos. The dark, turbulent and tragic mood undoubtedly had an influence on Beethoven's C minor concerto. UPC: 5061094590049Label: RubiconRelease Date: 4.24.26Format: CD
A striking new debut from the Emissary Quartet, [moment]um explores movement, change, and momentum through a program of contemporary works for flute quartet. Inspired by the Japanese concept of "Jo-Ha-Kyu" - a progression from calm beginnings to rapid culmination - the album unfolds as a carefully shaped arc, moving from the stillness of Herman Beeftink's Frequency to the driving energy of Jennifer Higdon's Steeley Pause. The program features music by living composers including Nicky Sohn, Heike Beckmann, Sung-Hyun Yun, and Kai-Young Chan, while showcasing the unique sound world of the flute quartet. Delicate lyricism, rhythmic intensity and percussive effects all contribute to the album's sense of forward motion. Founded in 2009, Emissary Quartet has established itself as a leading flute quartet, with a strong commitment to contemporary music and collaboration. The ensemble has performed and taught across the United States, appeared at the National Flute Association Convention and Mid-Atlantic Flute Convention, and was among the few flute ensembles ever to reach the live quarterfinal round of the prestigious Fischoff National Chamber Music Competition.
Tracklist:
Beeftink: Frequency
Yun: Recurrence
Sohn: Left on Sweetleaf I. Horizontal blue
Sohn: Left on Sweetleaf II. Lime thief
Sohn: Left on Sweetleaf III. Rainbow road
Sohn: Left on Sweetleaf IV. Sunday clean
Beckmann: Levada
Higdon: Steeley Pause
Chan: Jo-Ha-Kyu
UPC: 5060189569083Label: Orchid ClassicsRelease Date: 7.24.26Format: CD
Handel's sacred oratorio Messiah is the iconic work the Monteverdi Choir and English Baroque Soloists have chosen to launch their joint partnership with harmonia mundi. Directed by Christophe Rousset, they have combined forces with a stellar vocal quartet of soloists to present Handel's masterpiece in all it's dramatic power, eloquence and fervent exultation.
Tracklist:
Messiah, HWV 56, Part I: Symphony
Messiah, HWV 56, Part I: Recitative. Comfort Ye, My People
Messiah, HWV 56, Part I: Air. Ev'ry Valley Shall Be Exalted
Messiah, HWV 56, Part I: Chorus. And the Glory of the Lord Shall Be Revealed
Messiah, HWV 56, Part I: Accompagnato. Thus Saith the Lord of Hosts
Messiah, HWV 56, Part I: Air. But Who May Abide the Day of His Coming
Messiah, HWV 56, Part I: Chorus. And He Shall Purify the Sons of Levi - Recitative. Behold, a Virgin Shall Conceive
Messiah, HWV 56, Part I: Air. O Thou That Tellest Good Tidings to Zion
Messiah, HWV 56, Part I: Accompagnato. for Behold, Darkness Shall Cover the Earth
Messiah, HWV 56, Part I: Air. the People That Walked in Darkness Have Seen a Great Light
Messiah, HWV 56, Part I: Chorus. for Unto Us a Child Is Born
Messiah, HWV 56, Part I: Pifa. ""Pastoral Symphony"" - Recitative. There Were Shepherds Abiding in the Field
Messiah, HWV 56, Part I: Accompagnato. And Lo, the Angel of the Lord Came Upon Them - Recitative. And the Angel Said Unto Them,
Messiah, HWV 56, Part I: Accompagnato. And Suddenly There Was with the Angel
Messiah, HWV 56, Part I: Chorus. Glory to God in the Highest
Messiah, HWV 56, Part I: Air. Rejoice Greatly, O Daughter of Zion - Recitative. Then Shall the Eyes of the Blind Be Open'd
Messiah, HWV 56, Part I: Air. He Shall Feed His Flock Like a Shepherd
Messiah, HWV 56, Part I: Chorus. His Yoke Is Easy, His Burthen Is Light
Messiah, HWV 56, Part II: Chorus. Behold the Lamb of God
Messiah, HWV 56, Part II: Air. He Was Despised and Rejected of Men
Messiah, HWV 56, Part II: Chorus. Surely, He Hath Borne Our Griefs
Messiah, HWV 56, Part II: Chorus. And with His Stripes We Are Healed
Messiah, HWV 56, Part II: Chorus. All We Like Sheep Have Gone Astray
Messiah, HWV 56, Part II: Accompagnato. All They That See Him, Laugh Him to Scorn
Messiah, HWV 56, Part II: Chorus. He Trusted in God That He Would Deliver Him
Messiah, HWV 56, Part II: Accompagnato. Thy Rebuke Hath Broken His Heart
Messiah, HWV 56, Part II: Arioso. Behold, and See If There Be Any Sorrow Like Unto His Sorrow
Messiah, HWV 56, Part II: Accompagnato. He Was Cut Off Out of the Land of the Living
Messiah, HWV 56, Part II: Air. But Thou Didst Not Leave His Soul in Hell
Messiah, HWV 56, Part II: Chorus. Lift Up Your Heads, O Ye Gates - Recitative. Unto Which of the Angels Said He at Any Time
Messiah, HWV 56, Part II: Chorus. Let All the Angels of God Worship Him
Messiah, HWV 56, Part II: Air. Thou Art Gone Up on High
Messiah, HWV 56, Part II: Chorus. the Lord Gave the Word
Messiah, HWV 56, Part II: Air. How Beautiful Are the Feet of Them That Preach the Gospel of Peace
Messiah, HWV 56, Part II: Chorus. Their Sound Is Gone Out Into All Lands
Messiah, HWV 56, Part II: Air. Why Do the Nations So Furiously Rage Together
Messiah, HWV 56, Part II: Chorus. Let Us Break Their Bonds Asunder - Recitative. He That Dwelleth in Heaven Shall Laugh Them to
Messiah, HWV 56, Part II: Air. Thou Shalt Break Them with a Rod of Iron
Messiah, HWV 56, Part II: Chorus. Hallelujah!
Messiah, HWV 56, Part III: Air. I Know That My Redeemer Liveth
Messiah, HWV 56, Part III: Chorus. Since By Man Came Death
Messiah, HWV 56, Part III: Accompagnato. Behold, I Tell You a Mystery
Messiah, HWV 56, Part III: Air. the Trumpet Shall Sound - Recitative. Then Shall Be Brought to Pass
Messiah, HWV 56, Part III: Duet. O Death, Where Is Thy Sting?
Messiah, HWV 56, Part III: Chorus. But Thanks Be to God
Messiah, HWV 56, Part III: Air. If God Be for Us, Who Can Be Against Us?
Messiah, HWV 56, Part III: Chorus. Worthy Is the Lamb That Was Slain. Amen
UPC: 3149020977460Label: Harmonia MundiRelease Date: 10.2.26Format: CD
These two albums, originally released in 2015 and 2016, are among the finest of the benchmark recordings that Brad Lubman and his Ensemble Signal have devoted to Steve Reich. They reveal in their inexorable pulse and clarity of texture all the profundity of this music. Far beyond brilliant precision, here is a gripping sense of radiant vitality - a welcome return to the catalog to celebrate the 90 years of this Grand Old Man of the music of our time.
Tracklist:
Reich: Music for 18 Musicians: Pulses
Reich: Music for 18 Musicians: Section I
Reich: Music for 18 Musicians: Section II
Reich: Music for 18 Musicians: Section III a
Reich: Music for 18 Musicians: Section III B
Reich: Music for 18 Musicians: Section IV
Reich: Music for 18 Musicians: Section V
Reich: Music for 18 Musicians: Section VI
Reich: Music for 18 Musicians: Section VII
Reich: Music for 18 Musicians: Section VIII
Reich: Music for 18 Musicians: Section IX
Reich: Music for 18 Musicians: Section X
Reich: Music for 18 Musicians: Section XI
Reich: Music for 18 Musicians: Pulses
Reich: Double Sextet: I. Fast
Reich: Double Sextet: II. Slow
Reich: Double Sextet: III. Fast
Reich: Radio Rewrite: I. Fast
Reich: Radio Rewrite: II. Slow
Reich: Radio Rewrite: III. Fast
Reich: Radio Rewrite: IV. Slow
Reich: Radio Rewrite: V. Fast
UPC: 3149020958261Label: Harmonia MundiRelease Date: 8.28.26Format: CD
Produced during the astonishingly fruitful year before the composer's death aged 31, the Impromptus are short, lyrical miniatures of contrasting mood and character which create a musical narrative whose imaginative reach transports the listener far beyond the 19th-century drawing room. They have been core components of Eric Lu's repertoire for several years, but the pianist decided to wait before recording them. "I have a real sense of a journey with these works, in particular with Op.90, having lived with them intensely in preparation, on stage and, finally, in the recording studio," he says. "For me, the Impromptus are some of the greatest jewels in the piano literature. They are magnificent, deep pieces of music, and the very essence of Schubert."
Tracklist:
4 Impromptus, Op. 90, D. 899: No. 1 in C Minor
4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major
4 Impromptus, Op. 90, D. 899: No. 4 in A-Flat Major
4 Impromptus, Op. Posth. 142, D. 935: No. 1 in F Minor
4 Impromptus, Op. Posth. 142, D. 935: No. 2 in A-Flat Major
Schubert: 4 Impromptus, Op. Posth. 142, D. 935: No. 3 in B-Flat Major
4 Impromptus, Op. Posth. 142, D. 935: No. 4 in F Minor
UPC: 5021732869319Label: Warner ClassicsRelease Date: 2.27.26Format: CD
Double Concertos brings together three works by composer and conductor Eric Nathan, each exploring the expressive possibilities of paired solo voices in dialogue with space, memory, and one another. Written between 2019 and 2023, the pieces on this album grew from Nathan's long-standing fascination with how two individuals interact through sound-coming together, diverging, supporting, and remembering. The Double Concertos for violin and clarinet, and for two violas, are shaped by close personal relationships between the soloists, while Just a Moment for two antiphonal oboes reflects on distance and connection, both physical and emotional. Across the album, Nathan sets present-day musical language in conversation with older forms and gestures, drawing on spatial placement, texture, and timbre to create music that is intimate in scale yet expansive in feeling. Themes of mentorship, partnership, love, and loss run quietly through these works, performed here by long-time collaborators and musicians closely connected to the music's origins.
Tracklist:
Nathan: Double Concerto for solo violin, solo clarinet and strings Double Concerto for solo violin, solo clarinet and strings
Nathan: Just a Moment for two antiphonal oboes
Nathan: Double Concerto No. 2 for two solo violas and strings
Nathan: Double Concerto No. 2 for two solo violas and strings I. A dialogue; intimately
Nathan: Double Concerto No. 2 for two solo violas and strings II. Brilliantly; vibrantly
Nathan: Double Concerto No. 2 for two solo violas and strings III. Vigorously; racing
Nathan: Double Concerto No. 2 for two solo violas and strings IV. Embracing; with warmt
Nathan: Double Concerto No. 2 for two solo violas and strings V. Dancing; joyous
UPC: 5060189568802Label: Orchid ClassicsRelease Date: 4.24.26Format: CD
The term 'spectrum' is usually associated with physics. When white light hits a prism, it breaks down into the full spectrum of rainbow colors. These colors have always existed but only become visible through refraction. Music is similar. The pieces on this album are like a prism, unfolding the fundamental human emotions into their infinite facets, and creating a tribute to the timeless power of music, that resonates with the entire color palette of the human soul. The selection of pieces therefore follows an inner logic: that of emotion, timbre, and the moment. Each piece unfolds it's own microcosm and invites the listener to lose themselves within it. Esther Birringer's new album is a must for lovers of the piano, and an essential playlist addition.
Tracklist:
Bach: Chorale 'Herz Und Mund Und Tat Und Leben'
Moszkowski: Étincelles Op.36, No.6
Einaudi: Primavera
Schubert: Impromptu in a Flat Major D899 No.4
Gershwin: The Man I Love (From Strike Up the Band)
Handel: Passacaglia from Suite No.7, HWV 432
Debussy: La Plus Que Lente (Valse) CD 128
Ravel: Miroirs: No.4 (Alborado Del Gracioso), M43
Sivestrov: Bagatelle Op.1 No.1
Liszt: Etude de Concert No.3 'Un Sospiro' S.144
Sibelius: Valse Triste Op.44
Chopin: Ballade No.4 in F-Minor, Op.52
Auerbach: Prelude Op.41, No.5
Beethoven: Bagatelle Wo0 59 'FÜR Elise'
Balakirev: Islamey - An Oriental Fantasy
UPC: 5061094590070Label: RubiconRelease Date: 4.17.26Format: CD
Eduard Tubin stands among the most significant symphonic voices of the twentieth century, a composer whose music draws deeply on Nordic landscape, folklore and myth while speaking with a powerful modern voice. This recording with the Estonian National Symphony Orchestra and conductor Mihhail Gerts explores the formative years of Tubin's creative life. At it's centre is the Symphony No. 2, "Legendary" (1937), a work that established Tubin's distinctive voice, moving from a mysterious opening through sombre reflection to a fiercely driven finale. Alongside it appears the Suite on Estonian Motifs, his first major orchestral composition, presented here in it's first recording. Completing the program are two early Piano Preludes from 1926, performed by Mihhail Gerts, offering a glimpse of Tubin at the very beginning of his compositional journey. Together these works trace the emergence of a composer who would go on to become one of Estonia's most important musical figures.
Tracklist:
Tubin: Suite on Estonian Motifs (Etw 13) I. Prelude
Tubin: Suite on Estonian Motifs (Etw 13) II. Ostinato
Tubin: Suite on Estonian Motifs (Etw 13) III. Intermezzo
Tubin: Suite on Estonian Motifs (Etw 13) IV. Finale
Tubin: Symphony No. 2 (Etw 2) I. Legendaire
Tubin: Symphony No. 2 (Etw 2) II. Sostenuto Assai, Grave E Funebre
Tubin: Symphony No. 2 (Etw 2) III. Tempestoso Ma Non Troppo Allegro (Quasi Toccata)
Tubin: Prelude No. 1: Con Calmo (Etw 30-1) Prelude No. 1: Con Calmo (Etw 30-1)
Tubin: Prelude No. 2: Moderato, Con Espressione (Etw 30-2) Prelude No. 2: Moderato, Con Espressione (Etw 30-2)
UPC: 5060189569212Label: Orchid ClassicsRelease Date: 6.5.26Format: CD
Fazil Say brings together two, highly contrasted Viennese piano sonatas, composed at either end of the Romantic era. Conceived on an epic scale in four movements, Schubert's Sonata in B flat major was written shortly before his death in 1828, while in 1909 Alban Berg ushered in Modernism with his opus 1, the compact, haunting Piano Sonata in B minor. "Schubert was only thirty when he died," writes Fazil Say. "There is unique depth of sorrow and melancholy here, the pain of parting from this world. At the same time, we feel Schubert's joy of life, his vitality, his attachment, his passion, even his defiance." While the Schubert sonata is a recent addition to Say's repertoire, he explains that "I first encountered Alban Berg's piano sonata at the age of 15, and I performed it as a student in Ankara... he became one of the main figures who opened the door for me to contemporary music... His opus 1, while anchored in B minor, sails boldly toward atonality and modern expression... The piano is used almost orchestrally, full of colour and intensity. It is a remarkably beautiful piece."
Tracklist:
Piano Sonata in B Minor, Op. 1
Piano Sonata No. 21 in B-Flat Major, D. 960: I. Molto moderato
Piano Sonata No. 21 in B-Flat Major, D. 960: II. Andante sostenuto
Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo. Allegro vivace con delicatezza
Piano Sonata No. 21 in B-Flat Major, D. 960: IV. Allegro ma non troppo
UPC: 5054197697487Label: Warner ClassicsRelease Date: 4.24.26Format: CD
Venezuelan trumpet virtuoso Pacho Florez wowed the packed Royal Albert Hall at the BBC Proms concert given by the Royal Liverpool Philharmonic Orchestra under their chief conductor Domingo Hindoyan last year. Pacho and Domingo have a real chemistry on stage, they are old friends going back to their time in the Simon Bolivar Orchestra. This album showcases Pacho as composer as well as soloist - his own brilliant concerto Albares is vibrant, rhythmic and wonderfully written for the instrument. It, like the two other concertos on the album by Sierra and Ortiz have more than their fair share of ear worm tunes, and you won't be able to resist smiling and swaying to the infectious music. UPC: 880040427223Label: Onyx ClassicsRelease Date: 4.24.26Format: CD
In 1696, the Salzburg court conductor Heinrich Ignaz Franz Biber described his print of seven chamber suites ("Partien") for two string instruments and basso continuo as "artful vocal harmony" in ornate Latin. These trio sonatas are of a special kind, because the two upper voices are not limited to the typical imitations practised in Italy at that time, but Biber allows the solo voices to be played in a free, expressive manner. He allows them to shine in a different light in virtuoso interplay above the bass foundation, repeatedly in full-bodied polyphony or in chords. In addition, new timbres are created through the use of the violin, viola and viola d'amore in various combinations and the 'detuning' of the strings (scordatura) to achieve different string tensions and thus give the instruments a sharper or softer sound. This recording is the third installment of the Biber recordings with Harmonie Universelle.
Tracklist:
Biber: Partia I in D minor: Sonata. Adagio - Presto - Adagio
Biber: Partia I in D minor: Allamande
Biber: Partia I in D minor: Gigue. Variatio I - Variatio II
Biber: Partia I in D minor: Aria
Biber: Partia I in D minor: Sarabande. Variatio I - Variatio II
Biber: Partia II in B minor: Praeludium
Biber: Partia II in B minor: Allamande. Variatio
Biber: Partia II in B minor: Balletto
Biber: Partia II in B minor: Aria. Presto
Biber: Partia II in B minor: Gigue. Presto
Biber: Partia III in a Major: Praeludium. Allegro
Biber: Partia III in a Major: Allamande
Biber: Partia III in a Major: Amener. Presto
Biber: Partia III in a Major: Balletto
Biber: Partia III in a Major: Gigue
Biber: Partia III in a Major: Ciacona. Canon in Unisono
Biber: Partia IV in E-Flat Major: Sonata. Adagio - Allegro - Adagio
Biber: Partia IV in E-Flat Major: Allamande
Biber: Partia IV in E-Flat Major: Trezza. Presto
Biber: Partia IV in E-Flat Major: Aria
Biber: Partia IV in E-Flat Major: Canario
Biber: Partia IV in E-Flat Major: Gigue. Presto
Biber: Partia IV in E-Flat Major: Pollicinello. Presto
Biber: Partia V in G minor: Intrada. Alla Breve
Biber: Partia V in G minor: Aria. Adagio
Biber: Partia V in G minor: Balletto. Presto
Biber: Partia V in G minor: Gigue
Biber: Partia V in G minor: Passacaglia
Biber: Partia VI in D Major: Praeludium. Adagio - Allegro
Biber: Partia VI in D Major: Aria. Variatio I - XIII - Finale. Adagi -Presto
Biber: Partia VII in C minor: Praeludium. Grave-Presto
Biber: Partia VII in C minor: Allamande
Biber: Partia VII in C minor: Sarabande
Biber: Partia VII in C minor: Gigue. Presto
Biber: Partia VII in C minor: Aria
Biber: Partia VII in C minor: Trezza
Biber: Partia VII in C minor: Arietta Variata
UPC: 3149020957783Label: AccentRelease Date: 5.15.26Format: CD
Maksimal brings together three major works by Daniel Temkin, music shaped by vivid physical images and a search for the forces that connect experience, memory, and place. At it's center is the violin concerto Maksimal, written for and performed here by Francisco Fullana with Ryan McAdams and the Maksimal Ensemble. Bright, agile, and rhythmically charged, the three movements balance solo virtuosity with quicksilver ensemble dialogue, nodding to Baroque concerto principles while stretching them into larger, continuous arcs. Dreamed Landscapes turns to the piano, with Ryan MacEvoy McCullough tracing three impressionistic studies inspired by galaxies, glaciers, and canyon horizons. Rather than literal depiction, the music focuses on colour, resonance, and the inner sensation of inhabiting these spaces. Completing the program is Ocean's Call, performed by the Aizuri Quartet, a work inspired by California's Pacific coast. From misty harmonics and brittle wind textures to expansive, storm-driven waves, the piece unfolds as a meditation on nature's power and calm. Recorded across Houston and New York, Maksimal is Temkin's second solo album on Orchid Classics: a focused, immersive portrait of a composer drawn to sound as landscape, motion, and shared human experience.
Tracklist:
Temkin: Maksimal I. White Heat
Temkin: Maksimal II. Continuum
Temkin: Maksimal III. Circle Games
Temkin: Dreamed Landscapes I. Starfield
Temkin: Dreamed Landscapes II. Glaciers crumbling, assembling
Temkin: Dreamed Landscapes III. Echoes of the Horizon
Temkin: Ocean's Call I. Hanging Cliffs, Rising Mist
Temkin: Ocean's Call II. The Bitter Salt of the Sea
Temkin: Ocean's Call III. Lullaby Waves
UPC: 5060189564743Label: Orchid ClassicsRelease Date: 5.8.26Format: CD
What if Bach were to enter an imaginary club that played jazz as well as classical music, improvisation and contemporary sounds? Vincent Peirani and François Salque have invited Villa-Lobos, Mendelssohn, Brad Mehldau, Peteris Vasks, Samuel Strouk and Vincent Lê Quang to a jam session with the great Cantor: a poetical, virtuosic program born of the duo's two decades of musical partnership.
Tracklist:
Strouk: Bach Lines
Villa-Lobos: Bachianas Brasileiras No. 1: II. Prelúdio (Modinha)
Mehldau: After Bach: Rondo
LÊ Quang: Blue Inventions
Peirani: Leipzig Club
Bach: Viola Da Gamba Sonata No. 3 in G minor, BWV 1029: III. Allegro
Mendelssohn: Cello Sonata No. 2 in D Major, Op. 58: III. Adagio
Vasks: Castillo Interior
UPC: 3149020958070Label: Harmonia MundiRelease Date: 10.9.26Format: CD
This new recording brings together violinist Gil Shaham, conductor Eric Jacobsen, and the Virginia Symphony Orchestra in a program exploring the violin concerto as a vehicle for cultural memory and continuity. The album pairs Samuel Coleridge-Taylor's Violin Concerto in G minor, Op. 80, and AntonÃn Dvorák's Violin Concerto in A minor, Op. 53, with the world-premiere recording of "F. Harper," from The Famous People by Curtis Stewart. Coleridge-Taylor's concerto reveals a Romantic voice shaped by lyricism and rhythmic vitality, while Dvorák's work reflects folk influence and communal musical expression. Stewart's F. Harper responds through a contemporary lens, engaging questions of naming, lineage, and identity. Inspired by the layered meanings of "Slavonic," the work draws parallels between European histories of enslavement and the ways Black Americans continue to shape pride and cultural legacy today. Together, these works connect past and present through sound.
Tracklist:
Coleridge-Taylor: Violin Concerto in G minor, Op.80I. Allegro maestoso
Coleridge-Taylor: Violin Concerto in G minor, Op.80II. Andante semplice - Andantino
Coleridge-Taylor: Violin Concerto in G minor, Op.80III. Allegro molto - Moderato
Dvorák: Violin Concerto in A minor, Op. 53, B. 108 I. Allegro ma non troppo
Dvorák: Violin Concerto in A minor, Op. 53, B. 108II. Adagio ma non troppo
Dvorák: Violin Concerto in A minor, Op. 53, B. 108 III. Finale: Allegro giocoso ma non troppo
Stewart: The Famous People; 4
- F. Harper
UPC: 5060133300205Label: Canary ClassicsRelease Date: 3.27.26Format: CD
Vivaldi's famous Four Seasons are dedicated to Count Wenzel von Morzin from Prague. In 1718, he traveled to Venice with his 'virtuosissimo orchestra' and hired Vivaldi as 'maestro di musica italiano'. This marked the beginning of an era of close musical exchange between Venice and Prague. This relationship, which shaped an entire generation of Czech composers, is the focus of Vivaldi in Prague. The program includes concertos by Frantisek Jiránek, who was employed in Count Morzin's chapel and studied in Vivaldi's circle in Venice from 1724 to 1726, and by AntonÃn Reichenauer, whose musical thinking was strongly influenced by Vivaldi's school. The program is complemented by a bassoon concerto by Vivaldi dedicated to Count Morzin, an aria from a Vivaldi opera performed in Prague in 1730, and two arias from Vivaldi pasticcios reconstructed by Robert Rawson for this production. These pasticcios were compiled by the Venetian impresario Antonio Denzio from popular Vivaldi operas and presented to Prague audiences with new texts, including some in Czech.
Tracklist:
Vivaldi: Praga Nascente Da Libussa E Primislao (Prague, 1734): Aria. La Cervetta
Reichenauer: Concerto for Violin, Strings ; B.C. in C minor: I. Allegro
Reichenauer: Concerto for Violin, Strings ; B.C. in C minor: II. Adagio
Reichenauer: Concerto for Violin, Strings ; B.C. in C minor: III. Allegro
Vivaldi: Il Confronto Dell'amor Coniugale (Prague 1727): Aria. We Are Cheerful, and Sing
Vivaldi: Concerto Per Morzin, for Bassoon, Strings ; B.C. RV 496: I. [Allegro]
Vivaldi: Concerto Per Morzin, for Bassoon, Strings ; B.C. RV 496: II. Largo
Vivaldi: Concerto Per Morzin, for Bassoon, Strings ; B.C. RV 496: III. [Allegro]
Vivaldi: Argippo RV 697-B (Prague 1730): Aria. Gelido in Ogni Vena
Reichenauer: Concerto for Oboe, Bassoon, Strings ; B.C. RK 16: I. Allegro
Reichenauer: Concerto for Oboe, Bassoon, Strings ; B.C. RK 16: II. Adagio
Reichenauer: Concerto for Oboe, Bassoon, Strings ; B.C. RK 16: III. Allegro
Mica: The Four Elements (1734): As the Flame Rises Up
Jiránek: Concerto for Violin, Strings ; B.C in D minor: I. Allegro Non Molto
Jiránek: Concerto for Violin, Strings ; B.C in D minor: II. Grave
Jiránek: Concerto for Violin, Strings ; B.C in D minor: III. Allegro - Presto Assai
Reichenauer: Cantata de B.V.M. Ad Montem Sanctum "Quae Est Ista"
UPC: 3149020957820Label: AccentRelease Date: 5.15.26Format: CD
As a tribute to the artistry of Lorraine Hunt Lieberson (1954-2006), this retrospective gathers together many of the finest recordings of arias and duets made during her acclaimed association with harmonia mundi. "A riveting singer known for her fearsome vocal and dramatic power, whether in opera or the cantatas of Bach." (The Los Angeles Times)
Tracklist:
Handel: Ariodante, HWV 33, Act I Scene 5: Arioso. Quì D'amor (Ariodante)
Handel: Ariodante, HWV 33, Act I Scene 8: Aria. Con L'ali Di Costanza (Ariodante)
Handel: Ariodante, HWV 33, Act II Scene 3: Recit. E Vivo Ancora? (Ariodante)
Handel: Ariodante, HWV 33, Act II Scene 3: Aria. Scherza Infida (Ariodante)
Handel: Ariodante, HWV 33, Act III Scene 9: Aria. Dopo Notte, Atra E Funesta (Ariodante)
Handel: Theodora, HWV 68, Act I: Air. Angels, Ever Bright and Fair (Theodora)
Handel: Theodora, HWV 68, Act II: Recit. O Thou Bright Sun (Theodora)
Handel: Theodora, HWV 68, Act II: Air. with Darkness, Deep
Handel: Theodora, HWV 68, Act II: Air. Oh! That I on Wings Could Rise (Theodora)
Handel: Theodora, HWV 68, Act II: Duet. to Thee, Thou Glorious Son (Theodora, Didimus)
Handel: Messiah, HWV 56, Part II: Air. Rejoice Greatly, O Daughter of Zion (Theodora)
Handel: Messiah, HWV 56, Part II: Air. But Who May Abide the Day of His Coming
Handel: Messiah, HWV 56, Part II: Air. He Was Despised... (Alternate Version)
Handel: Messiah, HWV 56, Part II: Air. I Know That My Redeemer Liveth
Purcell: Dido and Aeneas, Z. 626, Act III: Thy Hand, Belinda - When I Am Laid in Earth (Dido)
Handel: Clori, Tirsi E Fileno, HWV 96, Part I: Arioso. Va Col Canto (Clori)
Handel: Clori, Tirsi E Fileno, HWV 96, Part II: Aria. Barbaro! (Clori)
Handel: Susanna, HWV 66, Part I: Recit. on Joacim May Every Joy Attend
Handel: Susanna, HWV 66, Part I: Air. Bending to the Throne of Glory
Handel: Susanna, HWV 66, Part II: Recit. Lead Me to Some Cool Retreat
Handel: Susanna, HWV 66, Part II: Air. Crystal Streams in Murmurs Flowing
Handel: Susanna, HWV 66, Part II: Air. If Guiltless Blood Be Your Intent
Handel: Susanna, HWV 66, Part III: Air. Guilt Trembling Spoke My Doom
Handel: Radamisto, HWV 12, Act III: Recit. Oh Dio! (Zenobia)
Handel: Radamisto, HWV 12, Act III: Aria. Qual Nave Smarrita (Zenobia)
Handel: Ottone, HWV 15, Act II: Recit. Ben a Ragion (Ottone)
Handel: Ottone, HWV 15, Act II: Aria. Vieni, O Figlio (Ottone)
Handel: Giulio Cesare in Egitto, HWV 17, Act I: Recit. Vani Sono I Lamenti
Handel: Giulio Cesare in Egitto, HWV 17, Act I: Aria. Svegliatevi Nel Core (Giulio Cesare)
Handel: Arianna in Creta, HWV 32, Act II: Qual Leon
Bach: The Notebook of Anna Magdalena Bach (1725): Aria. Bist Du Bei Mir, BWV 508
UPC: 3149020959534Label: Harmonia MundiRelease Date: 6.26.26Format: CD
Elements explores the distinctive sound world of saxophone and harp in a program that moves between Baroque masterworks and newly commissioned music inspired by the four classical elements: Earth, Air, Fire and Water. Performed by saxophonist Huw Wiggin and harpist Oliver Wass, the album places Bach, Purcell, Vivaldi and Couperin alongside contemporary works written specially for the duo. Each commission reflects a different elemental idea, from the luminous textures of Charlotte Harding's Euphotic to the volatile energy of Laura Bowler's Caesium and the wind-driven virtuosity of David Wallace's blowing A gale. Interwoven throughout are inventive arrangements of Baroque works, drawing subtle connections across centuries. The pairing of saxophone and harp creates a sound palette that is intimate and richly coloured, capable of lyric stillness and brilliant display. Praised for his "liquid gold tones" by The Times, Wiggin joins forces with leading harpist Oliver Wass in a programme that moves between reflection, drama and radiant beauty.
Tracklist:
Couperin: Le Rossignol en Amour
Harding: Euphotic
Bach: Goldberg Aria - Aria Mit Versheidenen Veränderungen, BWV 988
Purcell: Dido and Aeneas, Z. 626, Act 3
Perinpanayagam: The Weary Soil and the Greedy Shoot
Vivaldi: The Four Seasons, Concerto No. 1 in E Major "La Primavera" (Spring), Op. 8 RV 269
Wallace: Blowing a Gale
Bach: Orchestral Suite No. 3, BWV 1068
Rowland-Jones: Silent Air
Bach: French Suite No. 3 in B minor for Solo Harp, BWV 814
Corelli la Follia, Op. 5 No. 12
Bowler: Caesium
Bach: Two Part Invention in F Major, No. 8, BWV 779
Scott: Sussurros Brasileiros
Corelli: Sonata No. 4 in F Major
Bowler: With You
UPC: 5060189569250Label: Orchid ClassicsRelease Date: 5.29.26Format: CD
Combining the vigorous forces of the Insula Orchestra and Insula camerata, Laurence Equilbey revives a historic tradition: that of the double orchestra. Beethoven, who was familiar with this principle, composed with the great festivals in mind at which orchestras could muster large numbers, often exceeding a hundred players. A unique musical experience.
Tracklist:
Beethoven: Symphony No. 5 in C minor, Op. 67 (Arr. for Double Orchestra By Laurence Equilbey): I. Allegro Con Brio
Beethoven: Symphony No. 5 in C minor, Op. 67 (Arr. for Double Orchestra By Laurence Equilbey): II. Andante Con Moto
Beethoven: Symphony No. 5 in C minor, Op. 67 (Arr. for Double Orchestra By Laurence Equilbey): III. Allegro - Trio
Beethoven: Symphony No. 5 in C minor, Op. 67 (Arr. for Double Orchestra By Laurence Equilbey): IV. Allegro
Beethoven: Symphony No. 7 in a Major, Op. 92 (Arr. for Double Orchestra By Laurence Equilbey): I. Poco Sostenuto - Vivace
Beethoven: Symphony No. 7 in a Major, Op. 92 (Arr. for Double Orchestra By Laurence Equilbey): II. Allegretto
Beethoven: Symphony No. 7 in a Major, Op. 92 (Arr. for Double Orchestra By Laurence Equilbey): III. Presto
Beethoven: Symphony No. 7 in a Major, Op. 92 (Arr. for Double Orchestra By Laurence Equilbey): IV. Allegro Con Brio
UPC: 3149020958179Label: Harmonia MundiRelease Date: 9.11.26Format: CD