Day-glo psychedelic cover, printed inner sleeves, updated liner notes and photos. Deluxe Edition. 2LP vinyl LP housed in a day-glo psychedelic cover: With printed inner sleeves and updated liner notes and photos. Limited edition of 500 copies. "One of Sweden's most obscure psychedelic treasures from the late 1960's. Compiled with newly updated, detailed, historical photos and liner notes by Dungen guitarist, Reine Fiske. Imagine vintage Cream and Syd Barrett-led Pink Floyd morphing into a primeval Hawkwind sonic brain attack and you're on the right track. They just may be the most impressive examples of vintage Swedish psychedelia you're ever likely to hear. "
Tracklist:
Somebody Keeps Calling My Name
Being Is More Than Life
Bergakungen
Being Is More Than Life (2)
St. George's Dragon
St. George's Dragon (2)
Raw Diamond
UPC: 634457239876Label: Subliminal SoundsRelease Date: 4.17.26Format: Vinyl
Vinyl LP pressing. The Melodic Blue is the debut studio album by rapper and producer Baby Keem, originally released in 2021. The album features guest appearances by Kendrick Lamar, Travis Scott, Don Toliver and Brent Faiyaz.Track List
Trademark USA
Pink Panties
Scapegoats
Range Brothers - Baby Keem ; Kendrick Lamar
Issues
Gorgeous
South Africa
Lost Souls - Baby Keem Feat. Brent Faiyaz
Cocoa - Baby Keem Feat. Don Toliver
Family Ties - Baby Keem ; Kendrick Lamar
Scars
Durag Activity - Baby Keem ; Travis Scott
Booman
First Order of Business
Vent
16
Clear Smoke Vinyl. Less than a year after her album Through and Through, Baby Rose returns with Slow Burn, a collection of songs that explode her sonic palette from progressive R&B into a rawer, richer and more sprawling lens of American music. Here, Rose asserts herself as not only a once-in-ten-lifetimes vocalist, but as a formidable songwriter connecting the dots where Muscle Shoals meets psych, psych meets jazz, jazz meets Americana, and the right players bring it all together. Produced by BADBADNOTGOOD, Rose and the band found an instant but seemingly endless well of inspiration; what started as an introduction became a day, became a song, became a night, became Slow Burn.
Baby Rose was already a powerful position player - she can share the stage with Robert Glasper without breaking a sweat, or close an epic film like Creed III, for which she performed the closing credit song, with steely confidence. When Rose first met with BADBADNOTGOOD the idea was to say hello, get acquainted, see what a collaboration could, over time, potentially become. But the connection was instant, and together they put down lead single "One Last Dance" in just that first meeting. It was Rose's first freestyle vocal, and it snapped crucial pieces of her vision into focus. "I've known deep down there were new spaces and sounds that I could rise to," Rose explains. "I've always been into different sounds that bring in those rawer textures." And so while the speed of their collaboration thrilled and surprised Rose, the potential and the end results did not. "We moved quickly," she says, "and it really was a faucet. Once we got 'One Last Dance', it became clear everything was going to flow."
The songs on Slow Burn were inspired in part by Rose's experiences driving between her family's home bases: the noise and chaos of DC and the quiet, Carolina countryside. Rose would crank music and let her mind drift, making room for the internal monologues and imagined dialogues you might not otherwise dare to hear. There's a dreaminess in those moments, and they smolder on Slow Burn: memories lose their realities, feelings replace happenings. Slow Burn's title track, for example, sets soft, ambling drums against Rose's lyrical repetitions, as she traces those recollections-some lives, some felt- with patient, insistent desire.
The standout "One Last Dance" arrives disguised as a love song, but is actually an ode to a lost friendship, and an imagined dream of one more day like the old days. Reality blurs with feeling again, vocals layer into lullaby, and BADBADNOTGOOD's bassist Chester Hansen brings that dreamlike quality to a sneaky, cautious but loving undertone. In fact most of the songs on Slow Burn have that stealthy, shadowed feel, like they're arriving on tiptoe: intimate but a little dangerous, tender but a little mysterious.
As complete and compelling a work as this is, Slow Burn points to a bigger, higher ascent in Baby Rose's future. "I feel boundless," says Rose. "It's one thing carrying the weight of the emotion I'm going to bring as a vocalist and lyricist, but now I feel like I'm the head on a body with all these players and artists and other limbs. I'm in love with that process. When you have the right energy and the right synergy," she says, "all that's left is to trust yourself."Track List
On My Mind
Slow Burn
Caroline
Weekness
It's Alright
One Last Dance
With modern dating being reduced to app-swiping, toxic nonchalance andeven balloon-popping humiliation, we're losing recipes on how to properlyyearn for each other. But while most try to keep their guards up, Baby Rose isstaying devoted to what's real. Fresh off winning her first GRAMMY Award inthe Best R&B Album category for her part on Leon Thomas' MUTT, theunmistakable contralto returns with Yearnalism, her third studio albumsteeped in confidence, care and liberating love.The singer-songwriter-producer defines yearnalism as the process anddocumentation of desire in it's many forms: "Desiring freedom, desiring love,desiring what you can't have, desiringexpansion." This streamlined 12-song LP of soon-to-be classics creates a bumpyroadmap ofdesire free from ego. Rose notes that despite the current trend of "too cool"emotional avoidance in music and entertainment, she pushed herself and hercollaborators to bare a different side of themselves. "If you're coming into mycourt, you're coming to yearn," she declares with a laugh.Three albums in, Yearnalism is a sonic snapshot of Rose at her mostself-assured. "This is mereally honing in and trusting that signature, catching lightning-in-a-bottlesound," she says. "This is kind of a lesson in me really figuring out that myfavorite process is being a part of the crew, being a part of this whole moment."Baby Rose has been building up to this moment, brick by brick, for almost adecade. Raised between Washington D.C. and Fayetteville, N.C. on artists likeNina Simone, Donny Hathaway and Janis Joplin, the musician born JasmineRose Wilson has been a mainstay in alternative R&B since her 2019 debut, ToMyself. That's when the smoky resonance of her voice and awise-beyond-her-years presence first stopped listeners in their tracks. Sincethen, she has held her own on records with Ari Lennox, Big K.R.I.T., Q,BADBADNOTGOOD and J. Cole. She closed out the end credits of Hollywoodblockbuster Creed III and lent her talents to A24's Materialists both onscreenand off by giving the film's soundtrack two songs of aching texture andmoonlighting as a wedding singer in a cameo. She's graced stages witheveryone from Robert Glasper to Vince Staples and made appearances inperformance art at The Museum of Modern Art and ballets at Lincoln Center forthe Performing Arts in arrangements by Misty Copeland's choreographer, thelegendary Kyle Abraham. Her industry admirers include heavyweights like SZA,Alicia Keys, Kendrick Lamar, J. Cole, H.E.R, Kehlani, James Blake and OliviaDean. Plainly put, Rose's name rings bells and her artistry speaks even highervolumes.Getting to the level of self-love that each track of Yearnalism exudes has been ajourney for Rose and one that she plans to keep taking. Rose credits therapy forallowing her to call past bouts of anxiety and depression by their names,friends like SZA for introducing her to methods of breathwork and meditationand keeping God first for helping her stay grounded through her journey. Withher continued study of Yearnalism, Rose reminds the listener that it's worth itto say the hard parts out loud with honesty and to love in spite of fear.
Tracklist:
When I'm Gone
But, NVM
Is This Love (Feat. Elmiene)
Dressed in Metal
Let Me Go
Better
Friends Again (Feat. Leon Thomas)
Sunday
Believe Me
The Reason
All My Love
Jasmine's Sonnet
UPC: 656605049427Label: Secretly CanadianRelease Date: 7.10.26Format: CD
With modern dating being reduced to app-swiping, toxic nonchalance andeven balloon-popping humiliation, we're losing recipes on how to properlyyearn for each other. But while most try to keep their guards up, Baby Rose isstaying devoted to what's real. Fresh off winning her first GRAMMY Award inthe Best R&B Album category for her part on Leon Thomas' MUTT, theunmistakable contralto returns with Yearnalism, her third studio albumsteeped in confidence, care and liberating love.The singer-songwriter-producer defines yearnalism as the process anddocumentation of desire in it's many forms: "Desiring freedom, desiring love,desiring what you can't have, desiringexpansion." This streamlined 12-song LP of soon-to-be classics creates a bumpyroadmap ofdesire free from ego. Rose notes that despite the current trend of "too cool"emotional avoidance in music and entertainment, she pushed herself and hercollaborators to bare a different side of themselves. "If you're coming into mycourt, you're coming to yearn," she declares with a laugh.Three albums in, Yearnalism is a sonic snapshot of Rose at her mostself-assured. "This is mereally honing in and trusting that signature, catching lightning-in-a-bottlesound," she says. "This is kind of a lesson in me really figuring out that myfavorite process is being a part of the crew, being a part of this whole moment."Baby Rose has been building up to this moment, brick by brick, for almost adecade. Raised between Washington D.C. and Fayetteville, N.C. on artists likeNina Simone, Donny Hathaway and Janis Joplin, the musician born JasmineRose Wilson has been a mainstay in alternative R&B since her 2019 debut, ToMyself. That's when the smoky resonance of her voice and awise-beyond-her-years presence first stopped listeners in their tracks. Sincethen, she has held her own on records with Ari Lennox, Big K.R.I.T., Q,BADBADNOTGOOD and J. Cole. She closed out the end credits of Hollywoodblockbuster Creed III and lent her talents to A24's Materialists both onscreenand off by giving the film's soundtrack two songs of aching texture andmoonlighting as a wedding singer in a cameo. She's graced stages witheveryone from Robert Glasper to Vince Staples and made appearances inperformance art at The Museum of Modern Art and ballets at Lincoln Center forthe Performing Arts in arrangements by Misty Copeland's choreographer, thelegendary Kyle Abraham. Her industry admirers include heavyweights like SZA,Alicia Keys, Kendrick Lamar, J. Cole, H.E.R, Kehlani, James Blake and OliviaDean. Plainly put, Rose's name rings bells and her artistry speaks even highervolumes.Getting to the level of self-love that each track of Yearnalism exudes has been ajourney for Rose and one that she plans to keep taking. Rose credits therapy forallowing her to call past bouts of anxiety and depression by their names,friends like SZA for introducing her to methods of breathwork and meditationand keeping God first for helping her stay grounded through her journey. Withher continued study of Yearnalism, Rose reminds the listener that it's worth itto say the hard parts out loud with honesty and to love in spite of fear.
Tracklist:
When I'm Gone
But, NVM
Is This Love (Feat. Elmiene)
Dressed in Metal
Let Me Go
Better
Friends Again (Feat. Leon Thomas)
Sunday
Believe Me
The Reason
All My Love
Jasmine's Sonnet
UPC: 656605049434Label: Secretly CanadianRelease Date: 7.10.26Format: Vinyl
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good (VG)
Vinyl & cover are good shape.
Notes:
A1. My Kinda Girl (Scratch Mix) 7:09A2. My Kinda Girl (Radio Mix) 5:08A3. My Kinda Girl (Racquet Gass Dub) 6:09B1. My Kinda Girl (L.A. Face Bonus Beats) 5:28B2. My Kinda Girl (Single Version) 4:10B3. My Kinda Girl (Instrumental) 4:30B4. My Kinda Girl (Dope Dutt Dub Mix) 5:30
Barcode and Other Identifiers:
Data provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD is shiny, looks nearly new. Inserts are in great shape. Case has light shelf wear.
Notes:
This version is differentiated from the other version with the same catalog number in that this one was pressed by Columbia Records Pressing Plant, Pitman, as evidenced by the "CMU P 64" in the mould area on the disc.
Issued in a standard jewel case with front and rear inserts, black disc tray.
1. It's No Crime 4:012. Tender Lover 4:163. Let's Be Romantic 5:004. Can't Stop My Heart 4:305. My Kinda Girl 4:356. Where Will You Go (Prelude) 0:387. Whip Appeal 5:468. Soon As I Get Home 5:069. Given A Chance 4:2110. Sunshine 5:0911. Where Will You Go 5:04
Barcode and Other Identifiers:
Barcode 074644528824Barcode 0 7464-45288-2SPARS Code AADMatrix / Runout 1A ZK45288 11 APressing Plant ID CMU P 64Matrix / Runout 1A ZK45288 03Pressing Plant ID CMU P 53Matrix / Runout 1A ZK45288 01Pressing Plant ID CMU P 18Matrix / Runout 1A ZK45288 01Pressing Plant ID CMU P 56Matrix / Runout 1A ZK45288 07 APressing Plant ID CMU P 62
Copyright (c) CBS Records Inc.Phonographic Copyright (p) CBS Records Inc.Manufactured By CBS Records Inc.Distributed By CBS Records Inc.Produced For LaFace Inc.Recorded At Elumba StudiosRecorded At Galaxy Sound StudiosRecorded At M'Bila StudiosPressed By Columbia Records Pressing Plant, PitmanData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD has extremely slight superficial wear, close to NM. Inserts are in great shape. Case is solid with light shelf wear, hype sticker.
Notes:
Produced by Babyface for ECAF Productions, Inc.
Track 5 Produced by Babyface & Co-Produced by Bradley for OS Productions
1. Every Time I Close My Eyes 4:562. Talk To Me 4:543. I Said I Love You 4:054. When Your Body Gets Weak 5:405. Simple Days 4:316. All Day Thinkin' 4:237. Seven Seas 4:028. The Day (That You Gave Me A Son) 4:299. How Come, How Long 5:1110. This Is For The Lover In You 4:01
Barcode and Other Identifiers:
Barcode 0 7464-67293-2 8Barcode 074646729328Matrix / Runout EK-67293 F2 2A 02Matrix / Runout EK-67293 F4 2A 06 IFPI L424 [barcode]Pressing Plant ID P 116Mastering SID Code IFPI L422Mastering SID Code IFPI L424Mould SID Code IFPI 7237Mould SID Code IFPI 7255Other 67293 S1Other DIDP 091218
Record Company Epic Records GroupRecord Company Sony MusicManufactured By EpicProduced For ECAF Productions, Inc.Produced For OS ProductionsPhonographic Copyright (p) Sony Music Entertainment Inc.Copyright (c) Sony Music Entertainment Inc.Pressed By DADC, PitmanData provided by Discogs
Formed in 1987 in the San Francisco Bay Area, Babylon A.D. quickly made a name for themselves with powerful live performances and infectious songwriting. Originally performing as The Persuaders, they caught the attention of Clive Davis, who signed them to Arista Records in 1989 after an explosive live showcase.Their self-titled 1990 debut included the hard rock staples "Bang Go the Bells," "Hammer Swings Down," and "The Kid Goes Wild" (featured in RoboCop 2 with comedian Sam Kinison). The album went gold, spent 38 weeks on the Billboard Top 200, and delivered three #1 songs at metal radio. Their 1992 follow-up, Nothing Sacred, produced by Tom Werman, brought more fan favorites including "Bad Blood" and "So Savage the Heart."Through the 90s and 2000s the band released Live in Your Face (1999), American Blitzkrieg (2002), and In the Beginning (2008). After regrouping in 2014, they issued the EP Lost Sessions and signed to Frontiers Records for Revelation Highway.Recent years saw the release of Live Lightning (2023) and the 5th studio album Rome Wasn't Built In A Day (2024). Now, with When The World Stops in 2025, Babylon A.D. once again proves that true hard rock never dies.
Tracklist:
When the World Stops
Come on Let's Roll
Don't Ask Questions
Love Is Cruel
Toxic Baby
I Don't Believe in You
Power of Music
Torn
The Damage Is Done
Oh Suki
Sadness Madness
UPC: 798576415990Label: Kivel RecordsRelease Date: 1.2.26Format: CD
Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)
Completely sealed.MINT. INDIE Record Store leftover. Family Owned. Shop small.
Notes:
Record Store Day Exclusive. Limited to 3000 copies
A1. Babymetal Death A2. Pa Pa Ya!! A3. Metali!! A4. Sunset Kiss B1. Ratatata B2. Gimme Chocolate! B3. From Me To U B4. Road Of Resistance
Barcode and Other Identifiers:
Barcode 199957306232
Phonographic Copyright (p) BABYMETAL WORLD, LLCCopyright (c) BABYMETAL WORLD, LLCData provided by Discogs
BABYMETAL return with their powerful new album METAL FORTH, a bold evolution of their genre-defying fusion of J-pop and heavy metal, including features from Poppy, Slaughter To Prevail, Tom Morello and Bloodywood. Following the conceptual depths of The Other One, METAL FORTH signals a new chapter, blending thunderous riffs, soaring vocals, and high-energy choreography. Building on their global legacy this release reaffirms BABYMETAL’s status as pioneers pushing metal into the future.
Tracklist:
from me to u (feat. Poppy)
RATATATA (BABYMETAL, Electric Callboy)
Song 3 (BABYMETAL, Slaughter to Prevail)
Kon! Kon! (feat. Bloodywood)
KxAxWxAxIxI
Sunset Kiss (feat. Polyphia)
My Queen (feat. Spiritbox)
Algorism - 3:37
METALI!! (feat. Tom Morello)
White Flame ????
UPC: 602478153549Label: CapitolRelease Date: 8.8.25Format: Vinyl
Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany made significant noise in 2024 when French film Anatomy of a Fall won an Academy Award for best original screenplay. Bacao's cover of 50 Cent's "PIMP" was featured so heavily in the film and plays such a huge role in the storyline that it became synonymous with it's success. Subsequently, they ushered in the first appearance of steel pans in the orchestra pit at the Academy Awards so they could play the tune as director Justine Triet walked on stage to accept the award. All of this brought a lot of new fans to Bacao and pushed the streaming numbers of "PIMP" well past 40 million. For those in the know, this tune made it's way into underground fame back in 2008 when it was first pressed on band leader Bjorn Wagner's own Mocambo imprint and was often mistaken for the original sample source from which 50 made his hit.
All accolades and international fame aside, "PIMP" is literally just the tip of the Bacao iceberg. With four full length albums and a tall stack of 7" singles that have become staples to DJs around the world, they have been prolific since signing with Big Crown in 2014. Despite the constant releases and elaborate catalog, every recording session has borne more fruit than could fit on an album, leaving a handful of tunes in the recording vault. Here on Big Crown Vaults Vol. 4 we open up that vault and give all (well, most of) those tunes a proper pressing and release.
The album opens up with their cover of the Bob James uber-classic breakbeat "Nautilus" and they put a spin on the original that puts it directly in the must have category for all hip hop and breakbeat enthusiasts. Keeping their foot on the gas, they give the BRSB treatment to the Khruangbin classic "Maria También" with their signature bottom heavy drums taking the energy of the tune to a whole new place. Infamous for digging deep in the crates when picking material to reinterpret, they next take on Royce the 5'9"'s J Dilla produced "Let's Grow". Originally the B side to the first pressing of "PIMP" (and making an appearance on the very limited first 2LP pressing of their debut album 55) we put the "PIMP (Version)" on here where they give their original recording the proper dub treatment with melodica and tape echo galore. They turn up the tempo and the funk covering the Jackson 5's "Great To Be Here" and again dive deep into obscurity with the Billy Jones dancefloor burner "Lookout Baby (Here I Come)". While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they are going to take on, it is equally intriguing to see what original tunes they've cooked up. While BCR Vaults Vol. 4 only has one original, "Kaiso Noir", it's an uptempo crowd-pleaser that sounds like a mix between a b-boy break and a James Bond score.
This collection of songs spans from 2008 to 2023 and runs a variety of genres from hip hop to jazz to soul and pop through the Bacao lens. The band is already at work on their 5th full length studio album and this compilation should be the perfect thing to hold fans over until it arrives.Track List
Nautilus
Maria También
Let's Grow
Pimp (Version)
Look Out Baby (Here I Come)
Great to Be Here
Juicy Fruit
8th Wonder
Murkit Gem
All for the Cash
Kaiso Noir
Guess Who's Back
Giana Sisters
"Never has Bach seemed less dry and more full of fantasy," stated The Telegraph. Mahan Esfahani's mammoth project to record the complete keyboard works of Bach reaches it's zenith with The Complete Keyboard Concertos. At every stage in the series, Esfahani has sought to challenge long-held assumptions about the composer we seek to know. By teaming up with the Britten Sinfonia, he dispels any assumptions that the harpsichord might be seen as an "ancient" instrument, eschewing period instruments in favor of modern ones. In his typically scholarly but engaging liner notes, Esfahani writes of Bach the trendsetter, putting the keyboard front and center in a concerto for the first time. In addition to his roles as harpsichordist and director, Esfahani adds a compositional feather to his cap with the first recording of his own reconstruction of the "lost concerto" No. 8 (BWV1059), once available only as a small fragment. 2-CD set. UPC: 034571284811Label: HyperionRelease Date: 7.10.26Format: CD
Stephen Layton and his Trinity College Choir forces bring their superabundant talents to bear on the 'B Minor Mass'. The results - as only to be expected from this team - are wonderfully good.
Tracklist:
Kyrie Eleison
Christe Eleison
Kyrie Eleison
Gloria in Excelsis Deo
Et in Terra Pax Hominibus
Laudamus Te
Gratias Agimus Tibi
Domine Deus
: Qui Tollis Peccata Mundi
Qui Sedes Ad Dexteram Patris
Quoniam Tu Solus Sanctus
Cum Sancto Spiritu
Credo in Unum Deum
Patrem Omnipotentem
Et in Unum Dominum
Et Incarnatus Est
Crucifixus Etiam Pro Nobis
Et Resurrexit Tertia Die
Et in Spiritum Sanctum
Confiteor Unum Baptisma
Et Exspecto Resurrectionem
Sanctus
Osanna in Excelsis
Benedictus
Osanna in Excelsis
Agnus Dei
Dona Nobis Pacem
UPC: 034571995656Label: HyperionRelease Date: 6.19.26Format: Vinyl
Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a uniquely varied career as a soloist, chamber musician, educator, author and broadcaster. He appears with the world's leading orchestras and conductors and gives recitals in major musical centers. Steven's wide-ranging discography includes J.S. Bach's complete solo cello suites (Gramophone's Instrumental Album of the Year), Beethoven's complete works for cello and piano, concertos by C.P.E. Bach and Haydn, the Elgar and Walton concertos, and the Brahms double concerto with Joshua Bell and the Academy of St. Martin in the Fields. Steven's honors and awards include a CBE for services to music, the Schumann Prize of the City of Zwickau, the Piatigorsky Prize and Maestro Foundation Genius Grant in the US, the Glashutte Award in Germany, the Gold Medal awarded by the Armenian Ministry of Culture, and the Wigmore Medal. This 3-LP set is pressed on 180g vinyl. UPC: 034571995724Label: HyperionRelease Date: 3.27.26Format: Vinyl
Masaaki Suzuki and the Bach Collegium Japan, renowned for their definitive interpretations of Bach's vocal music, have also garnered critical acclaim for their recordings of major choral and orchestral works, including Mozart's Requiem and the Mass in C minor, Beethoven's Missa Solemnis and Symphony No. 9, and Brahms's Ein deutsches Requiem. Their latest venture sees them turn their expertise to Felix Mendelssohn's symphony-cantata, Symphony No. 2 'Lobgesang' (Hymn of Praise). Scored for soloists, choir and orchestra, the work comprises three symphonic movements and a final chorus - a design that clearly echoes Beethoven's Ninth Symphony. Yet, Mendelssohn takes this concept further, with the concluding cantata section occupying two-thirds of the entire work's duration. It's text draws from biblical excerpts and specially commissioned poems. The initial symphonic movements, steeped in German Romanticism, deftly alternate with chorale-like passages, establishing a profound link to the ancient cantata tradition that defines the monumental finale.Premiered at St Thomas' Church in Leipzig (the same church where Mendelssohn's hero, Johann Sebastian Bach, once worked), the work celebrates the 400th anniversary of Gutenberg's invention of the printing press. It proved an immediate and resounding success, quickly becoming one of the most frequently performed works during Mendelssohn's lifetime. UPC: 7318599927619Label: BisRelease Date: 4.3.26Format: CD
Media Condition: Very Good (VG)
Sleeve Condition: Very Good (VG)
Few scuffs and scratches on either side of vinyl. Some shelf wear on sleeve.
Notes:
A1. Blown 4:17A2. Welcome Home 5:32A3. Stonegates 3:50A4. Let It Ride 4:21B1. Give It Time 5:44B2. Tramp 4:03B3. I Don't Have To Hide 4:24B4. Takin' Care Of Business 4:51
Barcode and Other Identifiers:
Matrix / Runout SRM-1-696A-CP3Matrix / Runout SRM-1-696B-CP4Matrix / Runout G.K.Matrix / Runout SRM-1-696A-CP4 G.K.Matrix / Runout SRN-1-696B-CP3 G.K.Rights Society BMIRights Society CAPAC
Manufactured By Phonogram, Inc.Copyright (c) Phonogram, Inc.Distributed By Phonogram, Inc.Recorded At Kaye-Smith StudiosPressed By Columbia Records Pressing Plant, PitmanPublished By Eventide Music (2)Published By Ranbach MusicPublished By Top Soil MusicPhonographic Copyright (p) Phonogram, Inc.Recorded At Kaye-Smith StudiosMixed At Kaye-Smith StudiosData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Notes:
Columbia, Santa Maria pressing with label variantions.
Early re-issue; "Chicago Skyline" labels.
Recorded and Mixed at Kaye-Smith Studios, Seattle, Washington
℗ 1973 Phonogram Inc.
A1, A4 published by Eventide Music (CAPAC)-Ranbach Music & Top Soil Music (BMI)
A2, B2, B4 published by Ranbach Music & Top Soil Music (BMI)
A3, B1, B3 published by Eventide Music (CAPAC)
A1. Blown 4:17A2. Welcome Home 5:32A3. Stonegates 3:50A4. Let It Ride 4:21B1. Give It Time 5:44B2. Tramp 4:03B3. I Don't Have To Hide 4:24B4. Takin' Care Of Business 4:51
Barcode and Other Identifiers:
Matrix / Runout SRM-1-696A-CS5 2S G.K.Matrix / Runout SRM-1-696B-CS5 2S G.K.Rights Society ASCAPRights Society CAPACMatrix / Runout SRM-1-696B-CS5 2 G.KMatrix / Runout SRM-1-696B-CS6 2 G.KMatrix / Runout SRM-1-696A-CS6 1 G.K.Matrix / Runout SRM-1-696B-CS6 1 G.K
Manufactured By Phonogram, Inc.Distributed By Phonogram, Inc.Pressed By Columbia Records Pressing Plant, Santa MariaPhonographic Copyright (p) Phonogram, Inc.Published By Eventide Music (2)Published By Ranbach MusicPublished By Top Soil MusicRecorded At Kaye-Smith StudiosMixed At Kaye-Smith StudiosData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Shiny record with a couple light scuffs, plays VG++. Sleeve has a little shelf wear to cover, edges, and corners.
Notes:
A1. For The Weekend 4:18A2. Just Look At Me Now 4:40A3. My Sugaree 3:45A4. City's Still Growin' 5:44B1. Another Fool 5:30B2. Lost In A Fantasy 4:14B3. Toledo 4:10B4. Service With A Smile 4:35
Barcode and Other Identifiers:
Matrix / Runout CPL-1-1010A SM-1 EDP M 3Matrix / Runout CPL-1-1010B SM-1 EDP M 3Rights Society BMI
Marketed By Compleat Entertainment CorporationManufactured By Compleat Entertainment CorporationDistributed By PolyGram Records, Inc.Phonographic Copyright (p) Compleat Entertainment CorporationCopyright (c) Compleat Entertainment CorporationPublished By Randy Bachman MusicPublished By Paxton MusicPublished By Turnup Music Ltd.Recorded At Little Mountain Sound StudiosMixed At Little Mountain Sound StudiosData provided by Discogs
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good (VG)
Vinyl still in great shape, solid NM- with only a couple very light marks. Minor shelf wear on sleeve.
Notes:
℗ 1977 Phonogram Inc.
Original release label variations:
1. Artist on top, on 2 lines; title underneath
2. Cat# at left, STEREO at right
3. Side indicator numeric
Custom (cardstock) inner sleeve contains lyrics, credits
Recorded at Phase One Studios, Scarborough, Ontario, Canada
All selections published by Ranbach Music & Top Soil Music
A1. Can We All Come Together 5:54A2. Life Still Goes On (I'm Lonely) 4:14A3. Shotgun Rider 5:17A4. Just For You 4:43B1. My Wheels Won't Turn 5:20B2. Down, Down 4:13B3. Easy Groove 5:00B4. Freeways 4:53
Barcode and Other Identifiers:
Pressing Plant ID CPMatrix / Runout SRM-1-3700 A-CP6 G.K. MASTERDISKMatrix / Runout SRM-1-3700 B-CP4 G.K. MASTERDISKMatrix / Runout P SRM-1-3700 A-CP5 MASTERDISK G.K. 3AMatrix / Runout P SRM-1-3700 B-CP4 MASTERDISK G.K. 3C
Recorded At Phase One StudiosMastered At MasterdiskPressed By Columbia Records Pressing Plant, PitmanManufactured By Phonogram, Inc.Distributed By Phonodisc, Inc.Published By Ranbach MusicPublished By Top Soil MusicPhonographic Copyright (p) Phonogram, Inc.Copyright (c) Phonogram, Inc.Data provided by Discogs
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good (VG)
Shiny record, no scratches, great sound. Sleeve has shelf wear to edges and corners, bottom left corner is cut.
Notes:
Recorded at Phase One Studios, Scarbarough, Ontario, Canada
Runouts are etched, except for "MASTERDISK", which is stamped.
Promotional copies come with a press kit.
A1. Can We All Come Together 5:54A2. Life Still Goes On (I'm Lonely) 3:55A3. Shotgun Rider 5:17A4. Just For You 4:43B1. My Wheels Won't Turn 5:20B2. Down, Down 4:13B3. Easy Groove 5:00B4. Freeways 4:53
Barcode and Other Identifiers:
Rights Society BMICRights Society BMIPrice Code 0798Pressing Plant ID TMatrix / Runout SRM-1-3700 A-CT1 IT MASTERDISK G.K.Matrix / Runout SRM-1-3700 B-CT3 2T MASTERDISK G.K.Matrix / Runout SRM-1-3700 A-CP6 MASTERDISK G.K.Matrix / Runout SRM-1-3700 I T G.K. Matrix / Runout SRM-1-3700 A-CT1 2 T G.K. MASTERDISKMatrix / Runout SRM-1-3700 A-CP6 G.K. MASTERDISKMatrix / Runout SRM-1-3700 A-CT2 1T G.K. MASTERDISKMatrix / Runout SRM-1-3700 B-CT3 2T G.K. MASTERDISK
Distributed By Phonodisc, Inc.Manufactured By Phonogram, Inc.Phonographic Copyright (p) Phonogram, Inc.Copyright (c) Phonogram, Inc.Pressed By Columbia Records Pressing Plant, Terre HautePublished By Ranbach MusicPublished By Top Soil MusicRecorded At Phase One StudiosMastered At MasterdiskData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Good Plus (G+)
Strong VG+ much closer to NM- with only a few light scuffs on either side, no scratches! Sleeve has wear, edge wear, ring wear, cut out top right edge, bottom edge unglued. MO and not PR.
Notes:
A1. Selfish Lover 3:26A2. Blue Soul 3:46A3. Stop Doing What You're Doing 3:26A4. Raging River 3:16A5. Some Kind Of Happy 5:00B1. Sweet, Sweet Beauty 3:14B2. Just For You 6:18B3. On Your Life 3:54B4. Leaves In The Wind 5:12
Barcode and Other Identifiers:
Matrix / Runout ST-C-763627-A ATMatrix / Runout ST-C-763628-A ATMatrix / Runout ST-C-763627-PRMatrix / Runout ST-C-763628-PRRights Society ASCAP
Phonographic Copyright (p) Atlantic Recording CorporationCopyright (c) Atlantic Recording CorporationProduced For Oak Records LtdManufactured By Atlantic Recording CorporationData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD is shiny, looks nearly new. Inserts and case are in nice shape with very light handling and shelf wear.
Notes:
1. We've Got It Goin' On 3:392. Quit Playing Games (With My Heart) 3:523. As Long As You Love Me 3:324. Everybody (Backstreet's Back) - Extended Version 4:455. All I Have To Give 4:366. Anywhere For You 4:407. Hey, Mr. DJ (Keep Playin' This Song) 4:248. I'll Never Break Your Heart 4:489. Darlin' 5:3110. Get Down (You're The One For Me) 3:5011. Set Adrift On Memory Bliss 3:3012. If You Want It To Be Good Girl (Get Yourself A Bad Boy) 4:49
Barcode and Other Identifiers:
Barcode 020831217224Barcode 0 20831-2172-2 4 7 3Matrix / Runout CPDX-000920 G2 2A 10Mastering SID Code IFPI L422Mould SID Code IFPI 7212Matrix / Runout CPDX-000920 G3 2A 09Mastering SID Code IFPI L423
Glass Mastered At Sony Music, PitmanData provided by Discogs
Backstreet Boys Millennium 2.0 - In celebration of the 25th anniversary of one of the best-selling albums ever, The Backstreet Boys are back with Millennium 2.0. This 2CD Deluxe Edition features all the original hits like "I Want It That Way," "The One," and "The Perfect Fan," along with 13 bonus tracks, including live and alternative versions, demos, and the never-before-heard track, "Hey." With brand new cover art, photos and "Thank Yous" from the band, Millennium 2.0 is a must-have for any fan.
Tracklist:
Larger Than Life
I Want It That Way
Show Me the Meaning of Being Lonely
It's Gotta Be You
I Need You Tonight
Don't Want You Back
Don't Wanna Lose You Now
The One
Back to Your Heart
Spanish Eyes
No One Else Comes Close
The Perfect Fan
Hey
I'll Be There For You
You Wrote The Book On Love
If You Knew What I Knew
My Heart Stays With You
I Want It That Way (Original Lyrics Version)
The Perfect Fan (Demo)
Larger Than Life (Live at the Conseco Fieldhouse - Indianapolis, Indiana)
Don't Wanna Lose You Now (Live at the Conseco Fieldhouse - Indianapolis, Indiana)
I Want It That Way (Live at the Conseco Fieldhouse - Indianapolis, Indiana)
Don't Want You Back (Live at the Conseco Fieldhouse - Indianapolis, Indiana)
The One (Live at the Conseco Fieldhouse - Indianapolis, Indiana)
Show Me the Meaning of Being Lonely (Live at the Conseco Fieldhouse - Indianapolis, Indiana)
UPC: 198028367721Label: Sony LegacyRelease Date: 7.11.25Format: CD
Get ready for a musical history lesson of the wildest kind! Vancouver's garage-punk specialists THE Bad Beats are back with a bang. On their new album "Shiver and Shake - 14 Canadian Cold Cuts," released via SOUNDFLAT RECORDS, the band pays homage to the musical heritage of their Canadian homelandwith 14 hard-hitting cover versions. After proving they have the 60s "fuzz" spirit in their DNA with albums like "His Vengeful Hand" and "Off the Hook," they've now dug deep into Canadian music history. Instead of the usual hits, THE Bad Beats present a selection of "Cold Cuts"raw, unpolished gems from cult bands that shaped the sound of the North. Look forward to high-energy reinterpretations of legends such as THE DEVRONS (who would later become THE GUESS WHO with the classic "She's Your Lover"), DAVID CLAYTON THOMAS & THE SHAYS (with the gripping "Take Me Back"), LES LUTINS ("Je Cherche") and of course, a tribute to the legendary NEIL YOUNG, with a gritty version of "Mr. Soul," is a must. The package is rounded off by a visual highlight: the cool artwork was designed by Tom Bagley (THE FORBIDDEN DIMENSIONS), whose style creates exactly the right look for these frost-bitten, red-hot garage tracks. "Shiver and Shake" is no mere nostalgia projectit is a loud, distorted sign of life from a band that knows how to catapult the past into the present. A must-have for fans of wild garage-beat and Canadian cult (garage-) rock! UPC: 4251896120242Label: SoundflatRelease Date: 5.15.26Format: Vinyl
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Generic
Record is in great shape as if played with care minimal to no surface noise. Generic sleeve. shop small.
Notes:
Recorded at Power Play.
Mastered at Frankford/Wayne.
Published by Andi-Girl Music / Naughty Boy Music / Xilef Music / BMI.
(P) 1987 Easy Street Records
A1. Do You Wanna Dance (Club Dance) 7:13A2. Do You Wanna Dance (Piano Dance) 2:10B1. Do You Wanna Dance (Radio) 3:30B2. Do You Wanna Dance (Wanna "Dub") 5:00B3. Do You Wanna Dance (Dance "Chant") 0:45
Barcode and Other Identifiers:
Rights Society BMIMatrix / Runout SWS-1002-AMatrix / Runout SWS-1002-BMatrix / Runout SRC SWS-1002 A1 1-1 F/w cgMatrix / Runout SRC SWS-1002 B 1-1Pressing Plant ID T
Phonographic Copyright (p) Easy Street RecordsPublished By Andi-Girl MusicPublished By Naughty Boy MusicPublished By Xilef MusicRecorded At Power Play StudiosRecord Company Easy Street RecordsMastered At Frankford/Wayne Mastering LabsPressed By Specialty Records CorporationData provided by Discogs
Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of it's yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. The release includes the original liner notes by Ira Kaplan of Yo La Tengo. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering, and the record was pressed on special banana peel variant vinyl at Furnace Record Pressing.Track List
Sailin' on
Don't Need It
Attitude
The Regulator
Banned in D.C
Jah Calling
Supertouch/Shitfit
Leaving Babylon
Fearless Vampire Killers
I
Big Takeover
Pay to Cum
Right Brigade
I Luv I Jah
Intro
Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of it's yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. The release includes the original liner notes by Ira Kaplan of Yo La Tengo.This reissue marks the second release in the remaster campaign on the band's own Bad Brains Records imprint with Org Music. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering.
Tracklist:
Sailin' On
Don't Need It
Attitude
The Regulator
Banned In D.C.
Jah Calling
Supertouch/Shitfit
Leaving Babylon
Fearless Vampire Killers
I
Big Takeover
Pay To Cum
Right Brigade
I Luv I Jah
Intro
UPC: 711574899364Label: Org MusicRelease Date: 6.11.21Format: CD
Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of it's yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. The release includes the original liner notes by Ira Kaplan of Yo La Tengo.
This reissue marks the second release in the remaster campaign on the band's own Bad Brains Records imprint with Org Music. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.Track List
Sailin' On
Don't Need It
Attitude
The Regulator
Banned In D.C.
Jah Calling
Supertouch/Shitfit
Leaving Babylon
Fearless Vampire Killers
I
Big Takeover
Pay To Cum
Right Brigade
I Luv I Jah
Intro
Vinyl LP pressing. Bad Brains is the self-titled debut studio album recorded by hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as The Yellow Tape because of it's yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. This Punk Note edition comes with alternate packaging artwork from designer John Yates (Stealworks). The artwork is a nod to Reid Miles and Francis Wolff, and their amazing work at the Blue Note label.Track List
Sailin' on
Don't Need It
Attitude
The Regulator
Banned in D.C
Jah Calling
Supertouch/Shitfit
Leaving Babylon
Fearless Vampire Killers
I
Big Takeover
Pay to Cum
Right Brigade
I Luv I Jah
Intro
![the album cover for BABY GRANDMOTHERS - Baby Grandmothers - Deluxe Edition [Deluxe]](//tumbleweedsct.com/cdn/shop/t/2/assets/placeholder-pixel_small.png?v=33125877389226915141699336640)
![the album cover for BABY GRANDMOTHERS - Baby Grandmothers - Deluxe Edition [Deluxe]](http://tumbleweedsct.com/cdn/shop/files/4494500-3530961.jpg?crop=center&height=645&v=1774555023&width=465)
![the album cover for Babylon A.D. - When The World Stops [Limited Edition] [With Booklet]](http://tumbleweedsct.com/cdn/shop/files/4468995-3471042.jpg?crop=center&height=645&v=1774280179&width=465)
![the album cover for Backstreet Boys - Millennium 2.0 (25th Anniversary Edition) [Deluxe 2CD]](http://tumbleweedsct.com/cdn/shop/files/4409767-3337138.jpg?crop=center&height=645&v=1774281537&width=465)
