Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD is shiny, has some small scratches. Inserts are in great shape, case has moderate shelf wear.
Notes:
1. Blues Boys Tune 2. Bad Case Of Love 3. I'll Survive 4. Mean Ole' World 5. Blues Man 6. Broken Promise 7. Darlin' What Happened 8. Shake It Up And Go 9. Blues We Like 10. Good Man Gone Bad 11. If I Lost You 12. Tell Me Baby 13. I Got Some Outside Help I Don't Need 14. Blues In "G" 15. If That Ain't It I Quit
Barcode and Other Identifiers:
Barcode 008811187927Matrix / Runout MCAD11879 0539811694 MFG By UniversalMastering SID Code IFPI L771
Recorded At Dockside StudioMixed At SoundcastleMastered At Precision LacquerManufactured By UniversalData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD has superficial wear and hazy areas. Inserts are in great shape. Case has light shelf wear.
Notes:
1. B.B. King, Van Morrison - If You Love Me 5:472. B.B. King, Tracy Chapman - The Thrill Is Gone 5:013. B.B. King, Eric Clapton - Rock Me Baby 6:374. B.B. King, Mick Hucknall - Please Send Me Someone To Love 4:155. B.B. King, Bonnie Raitt - Baby I Love You 4:016. B.B. King, D'Angelo - Ain't Nobody Home 4:597. B.B. King, Dr. John - There Must Be A Better World Somewhere 4:288. B.B. King, Marty Stuart - Confessin' The Blues 4:219. B.B. King, The Rolling Stones - Paying The Cost To Be The Boss 3:3310. B.B. King, Joe Cocker - Dangerous Mood 4:5311. B.B. King, Heavy D - Keep It Coming 3:5512. B.B. King, David Gilmour, Paul Carrack - Cryin' Won't Help You Babe 3:5413. B.B. King, Willie Nelson - Night Life 4:30
Barcode and Other Identifiers:
Barcode 0 08811 17112 4Barcode 008811171124Matrix / Runout MCAD11711 0361109445 MFG BY UNIVERSALMastering SID Code IFPI L771Mould SID Code ifpi 2A05Matrix / Runout MCAD11711 0361108088 MFG BY UNIVERSALMastering SID Code IFPI L771Mould SID Code IFPI 2AO6Matrix / Runout MCAD11711 0361108088 MFG BY UNIVERSALMastering SID Code IFPI L771Mould SID Code IFPI 2AO8Matrix / Runout MCAD11711 0361109445 MFG BY UNIVERSALMastering SID Code IFPI L771Mould SID Code IFPI 2A1OMatrix / Runout MCAD11711 0361107946 MFG BY UNIVERSALMastering SID Code IFPI L771Mould SID Code IFPI 2AO6
Phonographic Copyright (p) MCA Records, Inc.Copyright (c) MCA Records, Inc.Distributed By Universal Music & Video Distribution, Inc.Recorded At Westside StudiosRecorded At SoundcastleRecorded At Conway StudiosRecorded At Cherokee StudiosRecorded At The Town HouseRecorded At Avatar StudiosRecorded At The Boiler Room, New OrleansRecorded At Ocean Way RecordingRecorded At NRG StudiosRecorded At Image Recording StudiosMixed At SoundcastleMixed At Image Recording StudiosMastered At Bernie Grundman MasteringManufactured By UniversalData provided by Discogs
Media Condition: Very Good (VG)
Sleeve Condition: Generic
Record is in great shape as if played sparingly. Cover sleeve little wear and tear, a bit of edge and corner wear. shop small.
Notes:
white promo label
A. Ghetto Woman 3:27B. Ghetto Woman 3:27
Barcode and Other Identifiers:
Data provided by Discogs
Media Condition: Very Good (VG)
Sleeve Condition: Generic
surface marks, no nics or scratches, overall decent shape
Notes:
A. Heartbreaker 2:33B. Raining In My Heart 2:26
Barcode and Other Identifiers:
Matrix / Runout AMP 45-14251Matrix / Runout AMP 45-14249Matrix / Runout ABC 14251Matrix / Runout ABC 14249
Data provided by Discogs
Media Condition: Very Good (VG)
Sleeve Condition: Good Plus (G+)
Sleeve is more of a VG-, splitting in upper right corner. Record sounds great with some light background noise in a few spots. Shop local :)
Notes:
This is a reissue of [r5235894, originally released in 1971 on [l59488.
Publishers:
- A1, A3 to B6: Modern Music & Sounds Of Lucille BMI
- A2: Golden State Pub. BMI
A1. Please Love Me 2:57A2. Everyday I Have The Blues 2:55A3. Sweet Sixteen 6:20A4. 3 O'Clock Blues 3:10A5. Rock Me Baby 2:55B1. Sweet Little Angel 3:09B2. Baby Look At You 3:07B3. Woke Up This Morning 3:05B4. You Upset Me Baby 3:04B5. I've Got A Right To Love My Baby 3:08B6. Let Me Love You 3:10
Barcode and Other Identifiers:
Rights Society BMI
Published By Modern Music (7)Published By Sounds Of LucillePublished By Golden State Pub.Manufactured By Cadet Records, Inc.Record Company United Superior RecordsData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD has slight superficial wear, no major scratches. Inserts are in great shape. Case has light shelf wear.
Notes:
Recorded live at the Apollo Theater, NYC on November 10, 1990.
1. When Love Comes To Town 4:402. Sweet Sixteen 7:203. The Thrill Is Gone 3:304. Ain't Nobody's Bizness 2:405. Paying The Cost To Be The Boss 2:206. All Over Again 7:287. Nightlife 3:568. Since I Met You Baby 3:509. Guess Who 4:5710. Peace To The World 2:53
Barcode and Other Identifiers:
Barcode 0 11105-9637-2 5Matrix / Runout ✶CD1540✶ W. O. # E30457-4 GRD-9637 "MANUFACTURED BY AMERICAN HELIX"
Recorded At Apollo Theater-New York CityPhonographic Copyright (p) GRP Records, Inc.Copyright (c) GRP Records, Inc.Manufactured By GRP Records, Inc.Distributed By Uni Distribution Corp.Pressed By American HelixData provided by Discogs
Limited 180 gram vinyl re-release of B.B. King's classic album Live At The Regal. Recorded November 21, 1964 at the Regal Theater in Chicago and released the following year, the album is considered one of the greatest blues recordings ever, with Rolling Stone naming it 141 on it's 500 Greatest Albums of All Time. It is also included in the National Recording Registry at the Library of Congress. King, talking about the album, admitted "that particular day in Chicago, everything came together." Includes 'Sweet Little Angel', 'You Done Lost Your Good Thing Now', 'How Blue Can You Get?' and his signature song 'Every Day I Have The Blues'.Track List
Every Day I Have the Blues
Sweet Little Angel
It's My Own Fault
How Blue Can You Get?
Please Love Me
You Upset Me Baby
Worry Worry
Woke Up This Mornin'
You Done Lost Your Good Thing Now
Help the Poor
Limited 180 gram vinyl LP repressing of the classic B.B. King live album. Live In Cook County Jail. Recorded in Chicago's Cook County Jail on a hot fall day in 1970 and released the following year, the recording of this historic event was named #499 on Rolling Stone's list of the 500 Greatest Albums of All Time, hitting #1 on the Billboard R&B charts, #3 on the Jazz charts and #25 on the Top 200. One of several live albums King released, it features a selection of his best-known songs. Includes "How Blue Can You Get?", "Please Accept My Love" and his signature classics "The Thrill Is Gone" and "Every Day I Have The Blues".Track List
Introductions (Side A)
Every Day I Have the Blues (Side A)
How Blue Can You Get? (Side A)
Worry Worry (Side A)
Medley: 3 O'Clock Blues/ Darlin' You Know I Love You (Side B)
Sweet Sixteen (Side B)
The Thrill Is Gone (Side B)
Please Accept My Love (Side B)
Media Condition: Very Good (VG)
Sleeve Condition: Near Mint (NM or M-)
Record has wear to both sides, hairlines and bigger scuffs. Mild noise on both sides. Sleeve is NM and in great shape. Shop Small
Notes:
This album features hithero unissued tracks.
Alternate titles:
B2 Mashed Potato Twist
B4 Calypso Jazz.
A1. Slidin' & Glidin' 3:56A2. Blues With B.B. 9:40A3. King Of Guitar 2:40B1. Jumpin' With B.B. 2:55B2. 38th Street Blues 2:26B3. Feedin' The Rock 2:36B4. Goin' South 4:49B5. Step It Up 2:22
Barcode and Other Identifiers:
Data provided by Discogs
Media Condition: Mint (M)
Sleeve Condition: Mint (M)
CD is brand new and sealed. Cannot confirm all details since CD is not opened. Some wear to outer plastic wrapping.
Notes:
MCA Special Productions
(c) 1992, 1973, 1972 MCA Records, Inc.
1. The Thrill Is Gone 5:242. Ghetto Woman 5:143. Why I Sing The Blues 8:384. Ain't Nobody Home 3:345. Hummingbird 4:326. To Know You Is To Love You 8:307. How Blue Can You Get? 5:088. Sweet Sixteen 7:029. So Excited 5:3410. Chains And Things (With Carole King On Piano) 4:53
Barcode and Other Identifiers:
Barcode 0 7674-20256-2 5SPARS Code AADMatrix / Runout MCAD20256 S2B17N A 2Mastering SID Code noneMould SID Code none
Data provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Generic
Record in shiny and excellent condition with little wear. Generic sleeve. shop small.
Notes:
From the Album: SPS 5117 "[r=257503"
Distributed World Wide by Scepter Records Inc., New York, N.Y.
A. Express 3:25B. Express (Disco Mix) 5:00
Barcode and Other Identifiers:
Rights Society BMIMatrix / Runout S62126Matrix / Runout S62127Matrix / Runout Ƨ S62126-1D 12-23-74 [41564]Matrix / Runout Ƨ S62167-1C 12-23-74 [41562]
Phonographic Copyright (p) Scepter Records, Inc.Distributed By Scepter Records, Inc.Published By Triple-OPublished By Jeff-MarPressed By Shelley ProductsData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Clean copy, record with a few light scuffs, no scratches. plays well at VG+. Cover with light shelfwear only.
Notes:
NONBREAKABLE. "2-eye" logos red label with white print.
A1. Akiwowo (Chant To The Trainman) 3:37A2. Oya (Primitive Fire) 5:35A3. Odun De! Odun De! (Happy New Year) 4:38A4. Gin-Go-Lo-Ba (Drums Of Passion) 3:11B1. Kiyakiya (Why Do You Run Away?) 4:15B2. Baba Jinde (Flirtation Dance) 5:30B3. Oyin Momo Ado (Sweet As Honeybee) 4:54B4. Shango (Chant To The God Of Thunder) 7:04
Barcode and Other Identifiers:
Matrix / Runout XLP48615-1FMatrix / Runout XLP48616-1F
Data provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Near Mint (NM or M-)
Vinyl & cover are in great shape.
Notes:
Runouts are stamped, some runouts may have etched ticks.
This reissue version on 1967-70 Columbia 2 "eye" labels with "⟵”360 SOUND” STEREO “360 SOUND”⟶" at bottom, but without "NONBREAKABLE" that was removed in 1967.
US copies exported and sold in Europe had post-manufacture "CBS" stickers covering the Columbia logos on the cover & labels.
® Columbia
Printed in U.S.A.
Published by Blackwood Music Inc (BMI)
A1. Akiwowo (Chant To The Trainman) 3:37A2. Oya (Primitive Fire) 5:35A3. Odun De! Odun De! (Happy New Year) 4:38A4. Gin-Go-Lo-Ba (Drums Of Passion) 3:11B1. Kiyakiya (Why Do You Run Away?) 4:15B2. Baba Jinde (Flirtation Dance) 5:30B3. Oyin Momo Ado (Sweet As Honeybee) 4:54B4. Shango (Chant To The God Of Thunder) 7:04
Barcode and Other Identifiers:
Rights Society BMIMatrix / Runout XSM 48617Matrix / Runout XSM 48618Matrix / Runout XSM-48617-1JMatrix / Runout XSM-48618-1HMatrix / Runout o XSM-48617-1K PMatrix / Runout o XSM-48618-1H PMatrix / Runout o XSM-48617-1J P P IIIMatrix / Runout o XSM-48618-1J P A 3
Published By Blackwood Music Inc.Mastered At CustomatrixPressed By Columbia Records Pressing Plant, PitmanData provided by Discogs
Vinyl LP pressing. The Melodic Blue is the debut studio album by rapper and producer Baby Keem, originally released in 2021. The album features guest appearances by Kendrick Lamar, Travis Scott, Don Toliver and Brent Faiyaz.Track List
Trademark USA
Pink Panties
Scapegoats
Range Brothers - Baby Keem ; Kendrick Lamar
Issues
Gorgeous
South Africa
Lost Souls - Baby Keem Feat. Brent Faiyaz
Cocoa - Baby Keem Feat. Don Toliver
Family Ties - Baby Keem ; Kendrick Lamar
Scars
Durag Activity - Baby Keem ; Travis Scott
Booman
First Order of Business
Vent
16
Clear Smoke Vinyl. Less than a year after her album Through and Through, Baby Rose returns with Slow Burn, a collection of songs that explode her sonic palette from progressive R&B into a rawer, richer and more sprawling lens of American music. Here, Rose asserts herself as not only a once-in-ten-lifetimes vocalist, but as a formidable songwriter connecting the dots where Muscle Shoals meets psych, psych meets jazz, jazz meets Americana, and the right players bring it all together. Produced by BADBADNOTGOOD, Rose and the band found an instant but seemingly endless well of inspiration; what started as an introduction became a day, became a song, became a night, became Slow Burn.
Baby Rose was already a powerful position player - she can share the stage with Robert Glasper without breaking a sweat, or close an epic film like Creed III, for which she performed the closing credit song, with steely confidence. When Rose first met with BADBADNOTGOOD the idea was to say hello, get acquainted, see what a collaboration could, over time, potentially become. But the connection was instant, and together they put down lead single "One Last Dance" in just that first meeting. It was Rose's first freestyle vocal, and it snapped crucial pieces of her vision into focus. "I've known deep down there were new spaces and sounds that I could rise to," Rose explains. "I've always been into different sounds that bring in those rawer textures." And so while the speed of their collaboration thrilled and surprised Rose, the potential and the end results did not. "We moved quickly," she says, "and it really was a faucet. Once we got 'One Last Dance', it became clear everything was going to flow."
The songs on Slow Burn were inspired in part by Rose's experiences driving between her family's home bases: the noise and chaos of DC and the quiet, Carolina countryside. Rose would crank music and let her mind drift, making room for the internal monologues and imagined dialogues you might not otherwise dare to hear. There's a dreaminess in those moments, and they smolder on Slow Burn: memories lose their realities, feelings replace happenings. Slow Burn's title track, for example, sets soft, ambling drums against Rose's lyrical repetitions, as she traces those recollections-some lives, some felt- with patient, insistent desire.
The standout "One Last Dance" arrives disguised as a love song, but is actually an ode to a lost friendship, and an imagined dream of one more day like the old days. Reality blurs with feeling again, vocals layer into lullaby, and BADBADNOTGOOD's bassist Chester Hansen brings that dreamlike quality to a sneaky, cautious but loving undertone. In fact most of the songs on Slow Burn have that stealthy, shadowed feel, like they're arriving on tiptoe: intimate but a little dangerous, tender but a little mysterious.
As complete and compelling a work as this is, Slow Burn points to a bigger, higher ascent in Baby Rose's future. "I feel boundless," says Rose. "It's one thing carrying the weight of the emotion I'm going to bring as a vocalist and lyricist, but now I feel like I'm the head on a body with all these players and artists and other limbs. I'm in love with that process. When you have the right energy and the right synergy," she says, "all that's left is to trust yourself."Track List
On My Mind
Slow Burn
Caroline
Weekness
It's Alright
One Last Dance
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good (VG)
Vinyl & cover are good shape.
Notes:
A1. My Kinda Girl (Scratch Mix) 7:09A2. My Kinda Girl (Radio Mix) 5:08A3. My Kinda Girl (Racquet Gass Dub) 6:09B1. My Kinda Girl (L.A. Face Bonus Beats) 5:28B2. My Kinda Girl (Single Version) 4:10B3. My Kinda Girl (Instrumental) 4:30B4. My Kinda Girl (Dope Dutt Dub Mix) 5:30
Barcode and Other Identifiers:
Data provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD is shiny, looks nearly new. Inserts are in great shape. Case has light shelf wear.
Notes:
This version is differentiated from the other version with the same catalog number in that this one was pressed by Columbia Records Pressing Plant, Pitman, as evidenced by the "CMU P 64" in the mould area on the disc.
Issued in a standard jewel case with front and rear inserts, black disc tray.
1. It's No Crime 4:012. Tender Lover 4:163. Let's Be Romantic 5:004. Can't Stop My Heart 4:305. My Kinda Girl 4:356. Where Will You Go (Prelude) 0:387. Whip Appeal 5:468. Soon As I Get Home 5:069. Given A Chance 4:2110. Sunshine 5:0911. Where Will You Go 5:04
Barcode and Other Identifiers:
Barcode 074644528824Barcode 0 7464-45288-2SPARS Code AADMatrix / Runout 1A ZK45288 11 APressing Plant ID CMU P 64Matrix / Runout 1A ZK45288 03Pressing Plant ID CMU P 53Matrix / Runout 1A ZK45288 01Pressing Plant ID CMU P 18Matrix / Runout 1A ZK45288 01Pressing Plant ID CMU P 56Matrix / Runout 1A ZK45288 07 APressing Plant ID CMU P 62
Copyright (c) CBS Records Inc.Phonographic Copyright (p) CBS Records Inc.Manufactured By CBS Records Inc.Distributed By CBS Records Inc.Produced For LaFace Inc.Recorded At Elumba StudiosRecorded At Galaxy Sound StudiosRecorded At M'Bila StudiosPressed By Columbia Records Pressing Plant, PitmanData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD has extremely slight superficial wear, close to NM. Inserts are in great shape. Case is solid with light shelf wear, hype sticker.
Notes:
Produced by Babyface for ECAF Productions, Inc.
Track 5 Produced by Babyface & Co-Produced by Bradley for OS Productions
1. Every Time I Close My Eyes 4:562. Talk To Me 4:543. I Said I Love You 4:054. When Your Body Gets Weak 5:405. Simple Days 4:316. All Day Thinkin' 4:237. Seven Seas 4:028. The Day (That You Gave Me A Son) 4:299. How Come, How Long 5:1110. This Is For The Lover In You 4:01
Barcode and Other Identifiers:
Barcode 0 7464-67293-2 8Barcode 074646729328Matrix / Runout EK-67293 F2 2A 02Matrix / Runout EK-67293 F4 2A 06 IFPI L424 [barcode]Pressing Plant ID P 116Mastering SID Code IFPI L422Mastering SID Code IFPI L424Mould SID Code IFPI 7237Mould SID Code IFPI 7255Other 67293 S1Other DIDP 091218
Record Company Epic Records GroupRecord Company Sony MusicManufactured By EpicProduced For ECAF Productions, Inc.Produced For OS ProductionsPhonographic Copyright (p) Sony Music Entertainment Inc.Copyright (c) Sony Music Entertainment Inc.Pressed By DADC, PitmanData provided by Discogs
Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany made significant noise in 2024 when French film Anatomy of a Fall won an Academy Award for best original screenplay. Bacao's cover of 50 Cent's "PIMP" was featured so heavily in the film and plays such a huge role in the storyline that it became synonymous with it's success. Subsequently, they ushered in the first appearance of steel pans in the orchestra pit at the Academy Awards so they could play the tune as director Justine Triet walked on stage to accept the award. All of this brought a lot of new fans to Bacao and pushed the streaming numbers of "PIMP" well past 40 million. For those in the know, this tune made it's way into underground fame back in 2008 when it was first pressed on band leader Bjorn Wagner's own Mocambo imprint and was often mistaken for the original sample source from which 50 made his hit.
All accolades and international fame aside, "PIMP" is literally just the tip of the Bacao iceberg. With four full length albums and a tall stack of 7" singles that have become staples to DJs around the world, they have been prolific since signing with Big Crown in 2014. Despite the constant releases and elaborate catalog, every recording session has borne more fruit than could fit on an album, leaving a handful of tunes in the recording vault. Here on Big Crown Vaults Vol. 4 we open up that vault and give all (well, most of) those tunes a proper pressing and release.
The album opens up with their cover of the Bob James uber-classic breakbeat "Nautilus" and they put a spin on the original that puts it directly in the must have category for all hip hop and breakbeat enthusiasts. Keeping their foot on the gas, they give the BRSB treatment to the Khruangbin classic "Maria También" with their signature bottom heavy drums taking the energy of the tune to a whole new place. Infamous for digging deep in the crates when picking material to reinterpret, they next take on Royce the 5'9"'s J Dilla produced "Let's Grow". Originally the B side to the first pressing of "PIMP" (and making an appearance on the very limited first 2LP pressing of their debut album 55) we put the "PIMP (Version)" on here where they give their original recording the proper dub treatment with melodica and tape echo galore. They turn up the tempo and the funk covering the Jackson 5's "Great To Be Here" and again dive deep into obscurity with the Billy Jones dancefloor burner "Lookout Baby (Here I Come)". While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they are going to take on, it is equally intriguing to see what original tunes they've cooked up. While BCR Vaults Vol. 4 only has one original, "Kaiso Noir", it's an uptempo crowd-pleaser that sounds like a mix between a b-boy break and a James Bond score.
This collection of songs spans from 2008 to 2023 and runs a variety of genres from hip hop to jazz to soul and pop through the Bacao lens. The band is already at work on their 5th full length studio album and this compilation should be the perfect thing to hold fans over until it arrives.Track List
Nautilus
Maria También
Let's Grow
Pimp (Version)
Look Out Baby (Here I Come)
Great to Be Here
Juicy Fruit
8th Wonder
Murkit Gem
All for the Cash
Kaiso Noir
Guess Who's Back
Giana Sisters
Media Condition: Very Good (VG)
Sleeve Condition: Very Good (VG)
Few scuffs and scratches on either side of vinyl. Some shelf wear on sleeve.
Notes:
A1. Blown 4:17A2. Welcome Home 5:32A3. Stonegates 3:50A4. Let It Ride 4:21B1. Give It Time 5:44B2. Tramp 4:03B3. I Don't Have To Hide 4:24B4. Takin' Care Of Business 4:51
Barcode and Other Identifiers:
Matrix / Runout SRM-1-696A-CP3Matrix / Runout SRM-1-696B-CP4Matrix / Runout G.K.Matrix / Runout SRM-1-696A-CP4 G.K.Matrix / Runout SRN-1-696B-CP3 G.K.Rights Society BMIRights Society CAPAC
Manufactured By Phonogram, Inc.Copyright (c) Phonogram, Inc.Distributed By Phonogram, Inc.Recorded At Kaye-Smith StudiosPressed By Columbia Records Pressing Plant, PitmanPublished By Eventide Music (2)Published By Ranbach MusicPublished By Top Soil MusicPhonographic Copyright (p) Phonogram, Inc.Recorded At Kaye-Smith StudiosMixed At Kaye-Smith StudiosData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Notes:
Columbia, Santa Maria pressing with label variantions.
Early re-issue; "Chicago Skyline" labels.
Recorded and Mixed at Kaye-Smith Studios, Seattle, Washington
℗ 1973 Phonogram Inc.
A1, A4 published by Eventide Music (CAPAC)-Ranbach Music & Top Soil Music (BMI)
A2, B2, B4 published by Ranbach Music & Top Soil Music (BMI)
A3, B1, B3 published by Eventide Music (CAPAC)
A1. Blown 4:17A2. Welcome Home 5:32A3. Stonegates 3:50A4. Let It Ride 4:21B1. Give It Time 5:44B2. Tramp 4:03B3. I Don't Have To Hide 4:24B4. Takin' Care Of Business 4:51
Barcode and Other Identifiers:
Matrix / Runout SRM-1-696A-CS5 2S G.K.Matrix / Runout SRM-1-696B-CS5 2S G.K.Rights Society ASCAPRights Society CAPACMatrix / Runout SRM-1-696B-CS5 2 G.KMatrix / Runout SRM-1-696B-CS6 2 G.KMatrix / Runout SRM-1-696A-CS6 1 G.K.Matrix / Runout SRM-1-696B-CS6 1 G.K
Manufactured By Phonogram, Inc.Distributed By Phonogram, Inc.Pressed By Columbia Records Pressing Plant, Santa MariaPhonographic Copyright (p) Phonogram, Inc.Published By Eventide Music (2)Published By Ranbach MusicPublished By Top Soil MusicRecorded At Kaye-Smith StudiosMixed At Kaye-Smith StudiosData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Shiny record with a couple light scuffs, plays VG++. Sleeve has a little shelf wear to cover, edges, and corners.
Notes:
A1. For The Weekend 4:18A2. Just Look At Me Now 4:40A3. My Sugaree 3:45A4. City's Still Growin' 5:44B1. Another Fool 5:30B2. Lost In A Fantasy 4:14B3. Toledo 4:10B4. Service With A Smile 4:35
Barcode and Other Identifiers:
Matrix / Runout CPL-1-1010A SM-1 EDP M 3Matrix / Runout CPL-1-1010B SM-1 EDP M 3Rights Society BMI
Marketed By Compleat Entertainment CorporationManufactured By Compleat Entertainment CorporationDistributed By PolyGram Records, Inc.Phonographic Copyright (p) Compleat Entertainment CorporationCopyright (c) Compleat Entertainment CorporationPublished By Randy Bachman MusicPublished By Paxton MusicPublished By Turnup Music Ltd.Recorded At Little Mountain Sound StudiosMixed At Little Mountain Sound StudiosData provided by Discogs
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good (VG)
Vinyl still in great shape, solid NM- with only a couple very light marks. Minor shelf wear on sleeve.
Notes:
℗ 1977 Phonogram Inc.
Original release label variations:
1. Artist on top, on 2 lines; title underneath
2. Cat# at left, STEREO at right
3. Side indicator numeric
Custom (cardstock) inner sleeve contains lyrics, credits
Recorded at Phase One Studios, Scarborough, Ontario, Canada
All selections published by Ranbach Music & Top Soil Music
A1. Can We All Come Together 5:54A2. Life Still Goes On (I'm Lonely) 4:14A3. Shotgun Rider 5:17A4. Just For You 4:43B1. My Wheels Won't Turn 5:20B2. Down, Down 4:13B3. Easy Groove 5:00B4. Freeways 4:53
Barcode and Other Identifiers:
Pressing Plant ID CPMatrix / Runout SRM-1-3700 A-CP6 G.K. MASTERDISKMatrix / Runout SRM-1-3700 B-CP4 G.K. MASTERDISKMatrix / Runout P SRM-1-3700 A-CP5 MASTERDISK G.K. 3AMatrix / Runout P SRM-1-3700 B-CP4 MASTERDISK G.K. 3C
Recorded At Phase One StudiosMastered At MasterdiskPressed By Columbia Records Pressing Plant, PitmanManufactured By Phonogram, Inc.Distributed By Phonodisc, Inc.Published By Ranbach MusicPublished By Top Soil MusicPhonographic Copyright (p) Phonogram, Inc.Copyright (c) Phonogram, Inc.Data provided by Discogs
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good (VG)
Shiny record, no scratches, great sound. Sleeve has shelf wear to edges and corners, bottom left corner is cut.
Notes:
Recorded at Phase One Studios, Scarbarough, Ontario, Canada
Runouts are etched, except for "MASTERDISK", which is stamped.
Promotional copies come with a press kit.
A1. Can We All Come Together 5:54A2. Life Still Goes On (I'm Lonely) 3:55A3. Shotgun Rider 5:17A4. Just For You 4:43B1. My Wheels Won't Turn 5:20B2. Down, Down 4:13B3. Easy Groove 5:00B4. Freeways 4:53
Barcode and Other Identifiers:
Rights Society BMICRights Society BMIPrice Code 0798Pressing Plant ID TMatrix / Runout SRM-1-3700 A-CT1 IT MASTERDISK G.K.Matrix / Runout SRM-1-3700 B-CT3 2T MASTERDISK G.K.Matrix / Runout SRM-1-3700 A-CP6 MASTERDISK G.K.Matrix / Runout SRM-1-3700 I T G.K. Matrix / Runout SRM-1-3700 A-CT1 2 T G.K. MASTERDISKMatrix / Runout SRM-1-3700 A-CP6 G.K. MASTERDISKMatrix / Runout SRM-1-3700 A-CT2 1T G.K. MASTERDISKMatrix / Runout SRM-1-3700 B-CT3 2T G.K. MASTERDISK
Distributed By Phonodisc, Inc.Manufactured By Phonogram, Inc.Phonographic Copyright (p) Phonogram, Inc.Copyright (c) Phonogram, Inc.Pressed By Columbia Records Pressing Plant, Terre HautePublished By Ranbach MusicPublished By Top Soil MusicRecorded At Phase One StudiosMastered At MasterdiskData provided by Discogs
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
CD has one extremely faint scratch. Inserts are pristine. Case has one very small scuff on front. Not sealed but a solid copy.
Notes:
Recorded in Chicago, March 8, 1974 except (7)
1. Let It Ride 3:552. Give It Time 5:173. Roll On Down The Highway 4:074. Welcome Home 6:255. Takin' Care Of Business 7:046. Slow Down Boogie 6:557. You Ain't Seen Nothing Yet 3:448. Interview 30:21
Barcode and Other Identifiers:
Barcode 707108803921Matrix / Runout 70710880392 + + 84541-01 SONOPRESS USAMastering SID Code IFPI L027Mould SID Code IFPI 1045
Phonographic Copyright (p) King Biscuit Flower Hour Records, Inc.Copyright (c) King Biscuit Flower Hour Records, Inc.Manufactured By BMG MusicDistributed By BMG MusicData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Good Plus (G+)
Strong VG+ much closer to NM- with only a few light scuffs on either side, no scratches! Sleeve has wear, edge wear, ring wear, cut out top right edge, bottom edge unglued. MO and not PR.
Notes:
A1. Selfish Lover 3:26A2. Blue Soul 3:46A3. Stop Doing What You're Doing 3:26A4. Raging River 3:16A5. Some Kind Of Happy 5:00B1. Sweet, Sweet Beauty 3:14B2. Just For You 6:18B3. On Your Life 3:54B4. Leaves In The Wind 5:12
Barcode and Other Identifiers:
Matrix / Runout ST-C-763627-A ATMatrix / Runout ST-C-763628-A ATMatrix / Runout ST-C-763627-PRMatrix / Runout ST-C-763628-PRRights Society ASCAP
Phonographic Copyright (p) Atlantic Recording CorporationCopyright (c) Atlantic Recording CorporationProduced For Oak Records LtdManufactured By Atlantic Recording CorporationData provided by Discogs
