Media Condition: Very Good Plus (VG+)
Sleeve Condition: Generic
Record is in great shape as if played with care. Generic black Chelsea Records sleeve. shop small.
Notes:
"Revised Record" both sides identical
A. She's My Lady 2:50B. She's My Lady 2:50
Barcode and Other Identifiers:
Pressing Plant ID BWMatrix / Runout 1898-RE-S-BWMatrix / Runout 1898-RE-S-BWMatrix / Runout BELL 1898 ReS 12-3-73Matrix / Runout BELL 1898 ReS 12-3-73
Pressed By Bestway Products Inc.Data provided by Discogs
Media Condition: Mint (M)
Sleeve Condition: Mint (M)
Brand New!
Notes:
1. Night Ain't Right 3:202. Eli 4:073. Small Room 5:114. Down And Out 2:445. There’s A Woman 4:566. Automobile 3:497. Kick Your Shoes Off 3:128. Lamp Post 4:149. Chromatic Blues 3:4610. Bill Monroe 3:0611. Headin' Downtown 4:1712. South Of The Border 2:1713. People 4:2514. Meet Me In The Bottom 4:3615. Hendrix 4:3216. Girl Where You Coming From 4:0617. Woodie 2:3818. Drifting Blues 4:35
Barcode and Other Identifiers:
Barcode 788065884024
Data provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD is shiny, has some small scratches. Inserts and case are in nice shape with light handling and shelf wear, hole in barcode.
Notes:
1. Exit 4 7:492. My Dear One 5:423. Estampas 7:004. Nat's Blues 6:355. Frenesi 5:216. Natalia 6:497. 402B Blues 4:508. Amelia 7:489. Liberty 9:23
Barcode and Other Identifiers:
Barcode 6 32375 73162 5
Data provided by Discogs
Media Condition: Very Good (VG)
Sleeve Condition: Good Plus (G+)
Vinyl is VG- due to the amount of scratches; album plays through perfectly but there are a lot of pops and clicks from the scratches but still a really clear and clean sound from the music that you would not get with a G+ record. Jacket is worn and most of the bottom edge is split, whole spine is taped and there is tape going across the top edge, surface wear, peel top right front cover.
Notes:
A1. Runnin' Wild A2. Honeysuckle Rose A3. When The Saints Go Marching In A4. It's Only A Paper Moon A5. Sweet Sue, Just You A6. Dark Eyes B1. Bill Bailey, Won't You Please Come Home B2. Stardust B3. Sweet Lorraine B4. Harvest Moon B5. Exactly Like You B6. I've Got You Under My Skin
Barcode and Other Identifiers:
Matrix / Runout L1528-AMatrix / Runout L1528-BMatrix / Runout L-1528-A 2Matrix / Runout L-1528-B 1
Record Company Tops Music Enterprises Inc.Printed By Globe Albums, Inc.Data provided by Discogs
Charlie Watts "Anthology" is an affectionate retrospective and a reflection of just how frequently Watts was able to exercise his jazz muscles between Rolling Stones commitments to create a bespoke discography of his own. Including 3 unreleased tracks. The names of Charlie's jazz heroes fell from his lips like a superfan turning the pages of a personal scrapbook. Charlie Parker, Gerry Mulligan, Chico Hamilton, Dave Green, Stan Tracey, Peter King, Courtney Pine, Gail Thompson, Brian Lemon, Gerard Presencer, the Red Rodney group and collaborator Jim Keltner. He knew every player, every session, every album, every outfit they wore on the cover, and he spoke about them with a deep and genuine reverence. He may have been a globally loved hero in the biggest band in the word, but he swatted away any compliment or comparison with his musical favourites. He counted himself their admirer, never their equal. The Anthology includes an extended essay by Paul Sexton which documents Charlie Watt's jazz career and the essential albums covered in the collection.
Tracklist:
Stompin' at the Savoy (Live at Fulham Town Hall, London, 1986)
Flying Home (Live at Fulham Town Hall, London, 1986)
Practising, Practising, Just Great
Bluebird
Relaxing at Camarillo
Going, Going, Going, Gone
Blackbird - White Chicks
Cool Blues (Live at Ronnie Scott's, Birmingham, 1991)
Lover Man (Live at Ronnie Scott's, Birmingham, 1991)
Perdido (Live at Ronnie Scott's, Birmingham, 1991)
You Go to My Head
If I Should Lose You
My Ship
Long Ago (And Far Away)
Good Morning Heartache
Never Let Me Go
Roy Haynes - By Charlie Watts ; Jim Keltner
Airto - By Charlie Watts ; Jim Keltner
Elvin Suite - By Charlie Watts ; Jim Keltner
Roll 'Em Charlie (Live at Ronnie Scott's, London, 2001)
What's New (Live at Ronnie Scott's, London, 2001)
Tin Tin Deo (Live at Ronnie Scott's, London, 2001)
Sunset and the Mockingbird (Live at Ronnie Scott's, London, 2001)
Take the "A" Train (Live at Ronnie Scott's, London, 2001)
Rockhouse Boogie (Live at Swindon Arts Centre, Swindon, 1978)
Ain't Nobody Minding Your Store (Live at Swindon Arts Centre, Swindon, 1978)
Swindon Swing (Live at Swindon Arts Centre, Swindon, Jan 1978)
UPC: 4099964027662Label: Bmg Rights ManagemenRelease Date: 5.17.24Format: CD
Tracklist:
Timeless Place
You Send Me
Shipbuilding
Still Crazy After All These Years
Love Can't Love Alone
Stardust [Album Edit]
Love Is a Losing Game
Home
Willow, Weep for Me
Love
UPC: 663993250915Label: Stunt RecordsRelease Date: 4.3.26Format: Vinyl
Media Condition: Good Plus (G+)
Sleeve Condition: Very Good Plus (VG+)
CD has superficial wear and several scratches that should not affect play. Inserts and case are in nice shape with light handling and shelf wear. Hype sticker.
Notes:
DADC Code CTDP 101711 is not printed on the CD.
Made in USA
1. Dream A Dream (Elysium) 3:542. O Come, All Ye Faithful 3:223. The Little Drummer Boy 2:574. Mary's Boy Child 3:315. Ding Dong! Merrily On High 2:186. Winter Wonderland 3:047. The Christmas Song (Chestnuts Roasting On An Open Fire) 3:308. Hark! The Herald Angels Sing 3:179. The Coventry Carol (Lully Lullay) 2:3210. Joy To The World 2:1311. When A Child Is Born 2:3012. What Child Is This? 2:4713. God Rest Ye Merry, Gentlemen 2:0014. Draw Tua Bethlehem / Far Over Bethlehem 3:3715. Ave Maria 2:5016. Gabriel's Message 2:4317. O Holy Night 4:2218. Lo! How A Rose E'er Blooming 2:3319. Silent Night 3:47
Barcode and Other Identifiers:
Barcode 6 9699-89463-2 3Mastering SID Code IFPI L337Mould SID Code IFPI 5100Matrix / Runout IFPI L337 CTDP-101711 01Other 89463-S1
Distributed By Sony MusicManufactured By Sony Music Entertainment Inc.Phonographic Copyright (p) Sony Music Entertainment (UK) Ltd.Copyright (c) Sony Music Entertainment (UK) Ltd.Pressed By DADCPublished By A E Copyrights Ltd.Published By EMI MillsPublished By International Korwin Corp.Published By Bourne Co.Published By Wb Music Corp.Published By E. H. Morris & Co.Published By Beechwood Music Corp.Published By Cyhoeddiadau CuriadRecorded At Air Lyndhurst HallRecorded At Whitfield Street Recording StudiosRecorded At Blackheath HallsData provided by Discogs
Hurts Like Hell is Charlotte Cornfield's sixth album, the first she's recorded since the birth of her daughter, an inflection point for her as a person and an artist. The album's recurrent themes of personal growth and renewal, of love's perseverance through difficulty and shame and awkwardness, are rooted there. "That experience has pulled me out of myself and given me a different outlook on things," she says. "The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out." Hurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe's Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound's El Kempner, Lake Street Dive's Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album. The fruits of this process are immediately apparent on lead single "Hurts Like Hell," a country-saturated yearner Cornfield calls "a shy people love story," the band swelling to embrace Cornfield's idiosyncratic flow as if to cradle her protagonist's heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call. Much of Hurts Like Hell's magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it's a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On "Kitchen," Friedman mirrors Cornfield's sense of astonishment at finding herself in love, rendering the emotion at it's ethereal peak. On "Living With It," she's joined by Feist, who Cornfield connected through a group chat for mothers who are touring musicians. Cornfield has arrived at this album bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected - a group chat, songwriters she was fans of but wasn't acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every "yes," every voice memo, every shared file, every open door leading to this moment in Charlotte Cornfield's career. Call that moment what you will - an expansion, a rebirth, a breakthrough - Hurts Like Hell is big enough to meet it and has lost none of Cornfield's charm, wit, or urgency in the offing, at once a reaffirmation of her standing among the great singer-songwriters of her generation and the first articulation of her future, whatever uncertainty and love it may bring.
Tracklist:
Before
Hurts Like Hell
Lost Leader
Lucky
Living with It Feist
Number
Squiddd
Kitchen
Long Game
Bloody and Alive
UPC: 673855088129Label: Merge RecordsRelease Date: 3.27.26Format: CD
Hurts Like Hell is Charlotte Cornfield's sixth album, the first she's recorded since the birth of her daughter, an inflection point for her as a person and an artist. The album's recurrent themes of personal growth and renewal, of love's perseverance through difficulty and shame and awkwardness, are rooted there. "That experience has pulled me out of myself and given me a different outlook on things," she says. "The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out." Hurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe's Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound's El Kempner, Lake Street Dive's Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album. The fruits of this process are immediately apparent on lead single "Hurts Like Hell," a country-saturated yearner Cornfield calls "a shy people love story," the band swelling to embrace Cornfield's idiosyncratic flow as if to cradle her protagonist's heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call. Much of Hurts Like Hell's magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it's a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On "Kitchen," Friedman mirrors Cornfield's sense of astonishment at finding herself in love, rendering the emotion at it's ethereal peak. On "Living With It," she's joined by Feist, who Cornfield connected through a group chat for mothers who are touring musicians. Cornfield has arrived at this album bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected - a group chat, songwriters she was fans of but wasn't acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every "yes," every voice memo, every shared file, every open door leading to this moment in Charlotte Cornfield's career. Call that moment what you will - an expansion, a rebirth, a breakthrough - Hurts Like Hell is big enough to meet it and has lost none of Cornfield's charm, wit, or urgency in the offing, at once a reaffirmation of her standing among the great singer-songwriters of her generation and the first articulation of her future, whatever uncertainty and love it may bring.
Tracklist:
Before
Hurts Like Hell
Lost Leader
Lucky
Living with It Feist
Number
Squiddd
Kitchen
Long Game
Bloody and Alive
UPC: 673855088112Label: Merge RecordsRelease Date: 3.27.26Format: Vinyl
Hurts Like Hell is Charlotte Cornfield's sixth album, the first she's recorded since the birth of her daughter, an inflection point for her as a person and an artist. The album's recurrent themes of personal growth and renewal, of love's perseverance through difficulty and shame and awkwardness, are rooted there. "That experience has pulled me out of myself and given me a different outlook on things," she says. "The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out." Hurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe's Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound's El Kempner, Lake Street Dive's Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album. The fruits of this process are immediately apparent on lead single "Hurts Like Hell," a country-saturated yearner Cornfield calls "a shy people love story," the band swelling to embrace Cornfield's idiosyncratic flow as if to cradle her protagonist's heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call. Much of Hurts Like Hell's magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it's a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On "Kitchen," Friedman mirrors Cornfield's sense of astonishment at finding herself in love, rendering the emotion at it's ethereal peak. On "Living With It," she's joined by Feist, who Cornfield connected through a group chat for mothers who are touring musicians. Cornfield has arrived at this album bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected - a group chat, songwriters she was fans of but wasn't acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every "yes," every voice memo, every shared file, every open door leading to this moment in Charlotte Cornfield's career. Call that moment what you will - an expansion, a rebirth, a breakthrough - Hurts Like Hell is big enough to meet it and has lost none of Cornfield's charm, wit, or urgency in the offing, at once a reaffirmation of her standing among the great singer-songwriters of her generation and the first articulation of her future, whatever uncertainty and love it may bring.
Tracklist:
Before
Hurts Like Hell
Lost Leader
Lucky
Living with It Feist
Number
Squiddd
Kitchen
Long Game
Bloody and Alive
UPC: 673855088105Label: Merge RecordsRelease Date: 3.27.26Format: Vinyl
Pianist Charlotte Hu presents Goyescas, an album featuring Granados' monumental Goyescas alongside two Spanish Dances. A cornerstone of Spanish piano literature, Goyescas was inspired by the paintings of Francisco Goya and unfolds as a richly poetic suite where passion, tenderness, shadow, and light coexist across six vividly characterised movements. From the playful charm of "Los requiebros" to the lyrical intimacy of "La maja y el ruiseñor" and the profound emotional summit of "El amor y la muerte," Granados' masterwork reveals a world of dramatic contrasts and refined storytelling. Hu captures both the virtuosic brilliance and the deeply intimate narrative of the music, illuminating it's modern harmonic language and unmistakable Spanish spirit with freshness and reverence.Complementing the suite are two Spanish Dances: the hauntingly introspective No. 2, "Oriental," and the vibrant, guitar-inflected No. 5, "Andaluza." Together, they offer concentrated glimpses into Granados' expressive range - from quiet longing and poetic reflection to radiant joy and folkloric vitality. This release marks her second album on PENTATONE, following her debut, Liszt: Metamorphosis, released in 2024. UPC: 8717306265225Label: PentatoneRelease Date: 6.5.26Format: CD
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Vinyl & cover are in great shape.
Notes:
A1. Sweet And Easy, Soft And Slow 2:43A2. Surround Me With Love 3:57A3. Sleepin' With The Radio On 2:53A4. That's All A Woman Lives For 3:00A5. You And Me 2:53B1. The Very Best Is You 2:46B2. I'm Out Of My Mind 2:55B3. I've Never Loved Anyone More 2:53B4. He's Back 2:51B5. Love Left Over 2:45
Barcode and Other Identifiers:
Barcode 0 7464-37108-1Barcode 074643710817Matrix / Runout AL 37108Matrix / Runout BL 37108Matrix / Runout P PAL 37108-1QMatrix / Runout PBL 37108-1E SPressing Plant ID P
Recorded At CBS Studios, NashvilleMastered At CBS Studios, NashvilleManufactured By Epic RecordsPhonographic Copyright (p) CBS Inc.Pressed By Columbia Records Pressing Plant, PitmanData provided by Discogs
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Excellent condition, shiny, looks never played. Shop small!
Notes:
Recorded at Slugs', New York City, March 31, 1970.
Total Time, 80:42
1. Ray's Idea 10:132. So Long Eric 16:273. If I Should Lose You 5:484. I Can't Get Started 8:565. Dizzy Atmosphere 8:196. Peggy's Blue Skylights 13:507. Better Git It In Your Soul 11:378. Orange Was The Colour Of Her Dress 9:21
Barcode and Other Identifiers:
Barcode 8014264940431Label Code LC 3801SPARS Code AADRights Society S.I.A.E.
Distributed By FONAC S.R.L.Recorded At Slugs' SaloonData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
CD appears pristine. Inserts and case are in nice shape with light handling and shelf wear. Holepunch in barcode.
Notes:
Made in USA
Printed in Canada
1. Juicy Lucy 4:572. Bobblin' 3:193. Gone Into It 4:094. Have You Met Miss Jones 3:535. It's You Or No One / Shades 5:126. Marsh Bars 4:397. Which Way 3:218. Just Squeeze Me 7:389. Blue Monk 7:2610. Trickle Toe 4:2811. Comeback 4:1812. Sometimes 3:1913. Sonnymoon For Two 4:4714. Soleá 5:01
Barcode and Other Identifiers:
Barcode 7 98747 70262 1Label Code LC 7588Matrix / Runout 133424-D1-5168-2 DISCTRONICS USA **IOCD 7026**SPARS Code ADD
Edited At Klangstudio LeyhMastered At Klangstudio LeyhManufactured By Disctronics USAPhonographic Copyright (p) In+Out RecordsCopyright (c) In+Out RecordsDistributed By Rounder RecordsData provided by Discogs
Chase Atlantic / BEAUTY IN DEATH [LP] - Amassing over 350 million streams domestically and receiving acclaim from Billboard, OnesToWatch, mxdwn, PopCrush, Alternative Press, Substream Magazine, and Rock Sound (of which they graced the cover), the Australia-born and Los Angeles-based trio Chase Atlantic boldly push forward on BEAUTY IN DEATH, their debut album for Fearless Records. LP Packaging: Standard black vinyl.Track List
Paranoid
Pleasexanny
Out the Roof
Slide
Beauty in Death
Please Stand By
Aleyuh
Molly
Call Me Back
I Think I'm Lost Again
Empty
Wasted
Limited black and silver colored vinyl LP pressing. Chase Atlantic's 2014 EP features the tracks, "Hold Your Breath" and "Run Away." Pressed on black and silver smush color vinyl. Includes an exclusive trading card as well as 1/5 of a code that unlocks an exclusive Chase Atlantic "Charm!"
Tracklist:
Anchor Tattoo
Gravity
Hold Your Breath
Run Away
Gravity
UPC: 4099964230949Label: Bmg Rights ManagemenRelease Date: 4.24.26Format: Vinyl
Chase Atlantic's 2015 EP features the tracks, "Friends" and "Meddle About." Pressed on white vinyl. Includes an exclusive trading card as well as 1/5 of a code that unlocks an exclusive Chase Atlantic "Charm!"
Tracklist:
Roxanne
Vibes
Meddle About
Talk Slow
Friends
UPC: 4099964230956Label: Bmg Rights ManagemenRelease Date: 4.24.26Format: Vinyl
Chase Atlantic's 2016 EP features the tracks, "Slow Down" and "Moonlight." Pressed on black ice vinyl with pink/blue splatter. Includes an exclusive trading card as well as 1/5 of a code that unlocks an exclusive Chase Atlantic "Charm!"
Tracklist:
Paradise
Slow Down
Moonlight
Obsessive
Falling
UPC: 4099964230963Label: Bmg Rights ManagemenRelease Date: 4.24.26Format: Vinyl
Chase Atlantic's 2019 sophomore album features the tracks, "HEAVEN AND BACK" and "HER." Pressed on ghostly purple and pink color vinyl. Includes an exclusive trading card as well as 1/5 of a code that unlocks an exclusive Chase Atlantic "Charm!"
Tracklist:
Intro
Angels
Phases
Love Is (Not) Easy
Her
No Rainbows
Heaven and Back
Stuckinmybrain
Even Though I'm Depressed
Too Late
I Never Existed
I Don't Like Darkness
UPC: 4099964230994Label: Bmg Rights ManagemenRelease Date: 4.24.26Format: Vinyl
There's a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to it's absolute zenith, then God's Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.Track List
Slaughterhouse
Why
Pamela
Wicked Puppet Dance
Anywhere
Tropical Beaches Inc.
The Mask
I Don't Care If I Burn
grimace_smoking_weed.jpeg
*NOW AVAILABLE ON GRIMACE PURPLE VINYL!!! Received an 8.4 Best New Music rating from Pitchfork. There's a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to it's absolute zenith, then God's Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.
Having lived alongside the heaps of toxic refuse that the band derives it's name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on it's debut album. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by "... lots and lots and lots and lots and lots and lots of THC," God's Country is as much of an acknowledgement of the Earth's most assured demise as it is a snarling violent act of defiance against it. Within it's over forty minute runtime, the album displays both Chat Pile's most aggressively unhinged and contemplatively nuanced moments to date, drawing from it's preceding two EPs and it's score for the 2021 film, Tenkiller. In the band's own words, the album is, at it's heart, "Oklahoma's specific brand of misery." A misery intent on taking all down with it and it's cacophonous chaos on it's own terms as opposed to idly accepting it's otherwise assured fall. This is what the end of the world sounds like.
Sub Pop and Oklahoma City noise-rock powerhouse Chat Pile present a limited-edition 7"" single featuring two studio tracks: one brand new original, and the other a burly reimagining of the early Nirvana song ""Sifting."" The new pressing of the single is on blue marble vinyl, while supplies last. Sub Pop is thrilled that Chat Pile graced us with these two massive songs, and we couldn't be happier to add them to the list of greats who have released a Sub Pop 7"". The band kindly shared their perspective on this release, so we'll let them elaborate further! ""It's a true dream to put out a single on Sub Pop, and our new song 'Masks' hopefully honors the spirit of the mythical, sometimes mystical, city of Seattle. Thanks in part to the movie Hype, we have long been obsessed with Seattle, the American underground of the late '80s, and Sub Pop and their tools of world domination. Everything we learned about packaging Chat Pile we learned from Sub Pop co-founders Jonathan Poneman and Bruce Pavitt.""We wanted to cover a song from the early Sub Pop era, and something off Bleach seemed the obvious choice. Songs like 'Paper Cuts,' 'Negative Creep,' and especially 'Sifting' are fairly lateral to the type of sounds we make with Chat Pile. (Perhaps next time we'll take on a TAD song!)""P.S. - Fuck ICE.""
Tracklist:
Masks
Sifting
UPC: 098787171709Label: Sub PopRelease Date: 8.7.26Format: 7" Vinyl
A wild animal with a kraut pop instinct, Chaton Laveur prowls the depths of minimalism in search of light, intoxicating melodies to make his prey. Raw and authentic, the duo always opts for the shortest route, lined with repetitive rhythms, analogue sounds and soft voices in French, which also reveal a darker side. After more than 70 dates in France, Germany, Benelux, and the UK, Chaton Laveur returns with a second album, Labyrinthe, due to out March 13th 2026, a record for fans of kraut/pop sounds and intense emotions.
Tracklist:
IN
Contre-La-Montre
La Source
Fantasia
Aventura
Brise, Brume
Vertige
Bonhomme De Neige
Mirada
OUT
UPC: 3700398739267Label: KuronekoRelease Date: 4.24.26Format: Vinyl
A wild animal with a kraut pop instinct, Chaton Laveur prowls the depths of minimalism in search of light, intoxicating melodies to make his prey. Raw and authentic, the duo always opts for the shortest route, lined with repetitive rhythms, analogue sounds and soft voices in French, which also reveal a darker side. After more than 70 dates in France, Germany, Benelux, and the UK, Chaton Laveur returns with a second album, Labyrinthe, due to out March 13th 2026, a record for fans of kraut/pop sounds and intense emotions.
Tracklist:
IN
Contre-La-Montre
La Source
Fantasia
Aventura
Brise, Brume
Vertige
Bonhomme De Neige
Mirada
OUT
UPC: 3700398739274Label: KuronekoRelease Date: 4.24.26Format: Vinyl
Che Noir and acclaimed production duo The Other Guys release their collaborative project, No Validation, OUT NOW!!! via HiPNOTT Records. The album features Skyzoo, Smoke DZA, 38 Spesh, Ransom, Von Pea, Jae Skeese, and Jack Davey.The project is produced in its entirety by The Other Guys and includes instrumental versions on Side B.
Tracklist:
Incense Burning (Ft: Jack Davey)
Smooth Jazz (38 Spesh)
Sugar Water
Moroccan Mint (Ft: Jae Skeese)
Katastwof (Ft: Ransom & Skyzoo)
Dollar Tree (Ft: Skyzoo & Von Pea)
Ego Trips (Ft: DJ Eveready)
Susie (Ft: Smoke DZA)
UPC: 810096659385Label: Hipnott RecordsRelease Date: 3.27.26Format: Vinyl
New record from indisputable, indispensable American rock n' roll band Cheap Trick as they celebrate their 50th anniversary as a band.
Tracklist:
All Washed Up
All Wrong Long Gone
The Riff That Won't Quit
Bet It All
The Best Thing
Twelve Gates
Bad Blood
Dancing With The Band
Love Gone
A Long Way To Worchester
Wham Boom Bang
UPC: 4099964190366Label: Bmg Rights ManagemenRelease Date: 11.14.25Format: CD
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good (VG)
CD has superficial wear and small, faint scratches. Insert has light wear from handling. Packaging has light shelf wear, unfortunate mark across the front.
Notes:
DBS Discbox Slider packaging
EK 66015 appears on the disc, 88697 42901 2 appears on the spine and inner packaging
Track 13 is listed as, "Based On "In The Street""
1. I Want You To Want Me 3:442. Ain't That A Shame 5:163. Southern Girls (Single Version) 3:354. Surrender 4:145. Stop This Game 3:576. Dream Police 3:537. If You Want My Love (Alternate Version) 4:268. Tonight It's You 4:479. Everything Works If You Let It (Full Length Version) 3:5610. Mandocello 4:4711. I Can't Take It (Live) 3:3312. She's Tight 2:5813. That 70's Song 2:5014. Walk Away 3:4115. Can't Stop Fallin' Into Love 3:4916. The Flame (Live) 6:48
Barcode and Other Identifiers:
Barcode 8 8697-42901-2 4Matrix / Runout 88697429012 [arvato digital services BERTELSMANN logo] + + HS91601Mastering SID Code IFPI L028Mould SID Code IFPI 10F0
Copyright (c) Sony Music Entertainment Inc.Phonographic Copyright (p) Cheap Trick UnlimitedPhonographic Copyright (p) Volcano Entertainment II, L.L.C.Phonographic Copyright (p) Sony Music Entertainment Inc.Manufactured By Coral GraphicsPressed By Arvato Digital Services Bertelsmann, USAData provided by Discogs
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Vinyl looks and sounds great! Jacket also in great shape; some light wear. Inset booklet included (also in great shape)!
Notes:
Recorded in Japan, April 1978
Issued in a gatefold sleeve with 12-page booklet in English & Japanese.
Released on dark blue Epic labels with fade at bottom; "℗ 1978 CBS Inc." appears on two lines rather than one.
"T" or "1T" etched in runouts denotes a Columbia-Terre Haute pressing.
Mastering variation from [r5037728, in that no "STERLING" stamps are in the runouts.
A1. Hello There 2:27A2. Come On Come On 3:03A3. Look Out 3:15A4. Big Eyes 3:47A5. Need Your Love 9:07B1. Ain't That A Shame 5:10B2. I Want You To Want Me 3:38B3. Surrender 4:40B4. Goodnight Now 2:42B5. Clock Strikes Ten 4:11
Barcode and Other Identifiers:
Rights Society BMIPressing Plant ID TMatrix / Runout AL 35795Matrix / Runout BL 35797Matrix / Runout P AL 35795-1AF 0 1TMatrix / Runout PBL35795-1L 0 1TMatrix / Runout P AL 35795-1AE 1T D13Matrix / Runout PBL 35795-1L 1TMatrix / Runout P AL 35795-1G 1TMatrix / Runout BL-35795-1K 1T
Mixed At Record Plant, N.Y.C.Mixed At Record Plant, Los AngelesMastered At CustomatrixPressed By Columbia Records Pressing Plant, Terre HautePublished By Screen Gems-EMI Music Inc.Published By Adult Music (3)Published By Unart Music Corp.Phonographic Copyright (p) CBS Inc.Copyright (c) CBS Inc.Manufactured By EpicManufactured By CBS Inc.Data provided by Discogs
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
CD has extremely minimal superfical wear. Inserts have wear from handling.
Notes:
Tracks 12 and 13 are previously unreleased outtakes.
Includes 8-panel foldout booklet with liner notes, credits and pictures (no lyrics).
Recorded at The Record Plant, Los Angeles, CA, and Sound City, Van Nuys, CA.
Mixed at The Record Plant, Los Angeles, CA.
Mastered at Sterling Sound, New York, NY (original).
Mastered at Sony Music Studios, NY (reissue).
1. Surrender 4:162. On Top Of The World 4:013. California Man 3:444. High Roller 3:585. Auf Wiedersehen 3:426. Takin' Me Back 4:527. On The Radio 4:338. Heaven Tonight 5:259. Stiff Competition 3:4010. How Are You? 4:2111. Oh Claire 1:10. Bonus Tracks: 12. Stiff Competition 4:0313. Surrender 4:52
Barcode and Other Identifiers:
Barcode 0 7464-65648-2 0Barcode 074646564820Matrix / Runout DIDP-096288 G3 1A 03Mastering SID Code IFPI L423Mould SID Code IFPI 7298Matrix / Runout DIDP-096288 G3 1A 03Mastering SID Code IFPI L423Mould SID Code IFPI 7267Matrix / Runout DIDP-096288 K4 1A 07Mould SID Code IFPI 5100Mastering SID Code IFPI L424Matrix / Runout DIDP-096288 H2 1A 06Mastering SID Code L422Mould SID Code IFPI 5100
Pressed By DADCRecorded At Record Plant, Los AngelesRecorded At Sound City StudiosMixed At Record Plant, Los AngelesMastered At Sterling SoundRemastered At Sony Music Studios, New York CityData provided by Discogs
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