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His long association with Acid Jazz Records continues, as the label also steps into the classical world for the very first time. Recorded solo on a Steinway grand piano, Taylor performs some of his favorite pieces from the classical cannon, with familiar tunes alongside lesser-known works on this beautiful, atmospheric recording. His interpretations show a deep love of classical music. 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Cuomo's 'a raft, the sky, the wild sea' is a powerful concerto written for Grammy-winning saxophonist Joe Lovano, blending contemporary classical form with the expressive freedom of jazz. Structured in three movements, the work moves between moments of stillness and turbulence, inviting the listener into an unfolding, present-tense musical journey. Commissioned by the Fort Worth Symphony Orchestra, the London Philharmonic Orchestra and the Winston-Salem Symphony, the piece reflects a close creative partnership between Cuomo and Lovano, whose artistry and openness shape the music from within. Performed here with the Winston-Salem Symphony conducted by Michelle Merrill, the recording captures a distinctive sound world of lyricism, risk and emotional clarity. 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The Cello Suites, for example, have been regarded for almost 300 years as purely a set of tricky etudes that every virtuoso in the making simply must tackle. What recording engineers and their equipment can bring to the ears is quite astounding. So it was back in the Thirties with Pablo Casal's legendary recording against which every cellist is measured today and to whose perfection he aspires.Janos Starker's recording of the Suites from 1965 makes a lasting impression on the listener, even when compared with other recordings from the digital era, and even record producers who are well used to recorded excellence have been highly impressed. For Charlotte Gilbert of the Mercury record label, these recording sessions were one of five truly great events in all her 20 years of recording experience. Without a doubt, Starker allows his instrument to resound freely but without forcing the tone. Starker's full-bodied sound and technical brilliance are complemented by his finely chiselled interpretation that lends immense expression to Bach's thrilling harmony and verve to the strict rhythmic construction of the movements. Just listen to his organ-like double-stopped passages, the eloquent dialogues, and the pure excitement created by his highly individual treatment of tempo. 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In his \"\"Rhapsody In Blue\"\" Gershwin wanted to paint a musical kaleidoscope of America - our enormous melting pot, our typical national traits, our blues, our seething city life. 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Starker tackles this concerto with amazing confidence; technical difficulties encountered by others in it's performance appear unknown to him. Tonal purity, even in the dreaded upper register and the cadenzas, remains unscathed, so that one can concentrate wholly on the meditative magic of the music.Janos Starker has found worthy fellow musicians in Antal Dorati and the London Symphony Orchestra. The conductor and soloist set a benchmark in how to work together as a team in concert in that it is less the often lamented emulation than the interpretation which stands in the foreground in this performance. Rather, the two protagonists commit themselves to a chamber-music-like reading which is distinguished by the dynamically moderate intonation of the orchestra and the slender tone of the soloist throughout.An ever-welcome encore is found on side two with Bruch's \"\"Kol Nidrei\"\", performed with verve and a good portion of romantic, melting sweetness which allows this evergreen to flourish..\"\" Recording: July 1962 at Wembley Town Hall, London, by C.R. Fine and Robert EberenzProduction: Wilma Cozart.\"\" Anton¡n Dvor k: Concerto for Cello and Orchestra in B Minor,op. 104 \/ Max Bruch: Kol Nidrei, op. 47 - Janos Starker and the London Symphony Orchestra conducted by Antal Dorati.\"\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCello Concerto in B minor, Opus 104\u003c\/li\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003cli\u003eAdagio Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eFinale. 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While the earlier works in the genre were viewed in their time with scepticism due to the \"rare difficulty\" and \"learnedness\" of their piano part, the later sonatas however display an increasingly marked independence of the violin part. For this reason, the A major Violin Sonata (which was dedicated to the French violinist Rodolph Kreutzer), and the so-called Spring Sonata (whose nickname was added by an unknown hand) soon became two of the most famous representatives of their genre.David Oistrakh, the brilliant violinist in this Philips re-release, certainly needs no further introduction. All the more attention, therefore, should be given to the great achievement of the less well-known pianist, Lev Oborin, a frequent chamber-music partner of Oistrakh's. Every possible facet of the instrumental dialogue is captured in Oborin's performance. He is restrained in passages where the melody is given over to the violin; he and his partner toss the motifs back and forth between them; and he takes the reins firmly into his hands when the music demands it. All this takes place with the precision of a Swiss clock but by no means with mere mechanical virtuosity..\".\" Beethoven: Sonatas for Piano and Violin Nos. 5 \u0026amp; 9 - Lew Oborin and David Oistrach.\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eViolin Sonata No.9 in a Major Op.47 \"\"Kreutzer\"\"\u003c\/li\u003e\n\u003cli\u003e1st Mov.: Adagio Sostenuto - Presto\u003c\/li\u003e\n\u003cli\u003e2nd Mov.: Andante Con Variazion\u003c\/li\u003e\n\u003cli\u003e3rd Mov.: Finale (Presto)\u003c\/li\u003e\n\u003cli\u003eViolin Sonata No.5 in F Major Op.24 \"\"Spring\"\"\u003c\/li\u003e\n\u003cli\u003e1st Mov.: Allegro\u003c\/li\u003e\n\u003cli\u003e2nd Mov.: Adagio Molto Espressivo\u003c\/li\u003e\n\u003cli\u003e3rd Mov.: Scherzo (Allegro Molto)\u003c\/li\u003e\n\u003cli\u003e4th Mov.: Rondo (Allegro Ma Non Troppo)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019710758\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55704912855208,"sku":"63326212","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/2293062.jpg?v=1783429609"},{"product_id":"pre-order-joho-pohjonen-ravel-masks-mirrors-lp-new-n","title":"Pre-Order: Joho Pohjonen - Ravel: Masks \u0026 Mirrors (LP) (New (N))","description":"\u003cp\u003eThis new recording from Finnish pianist Juho Pohjonen follows Ravel across more than two decades, from the youthful Menuet antique to the wartime reflections of Le Tombeau de Couperin, revealing a composer whose voice remained unmistakably his own even as it evolved. Pohjonen explores Ravel's fascination with history, literature and illusion, as ancient dances are transformed through a modern harmonic language, fountains shimmer into life in Jeux d'eau, and Gaspard de la nuit pushes the piano to it's expressive and technical limits in three haunting musical visions inspired by Aloysius Bertrand. Recorded on a Bösendorfer concert grand at the Liszt-Zentrum Raiding, this is Pohjonen's second solo recording for Orchid Classics, following Visionaries of the Keyboard, and presents a portrait of Ravel that looks beyond impressionistic surface to reveal a composer of structural clarity, wit and emotional restraint\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRavel: Menuet antique (1895)\u003c\/li\u003e\n\u003cli\u003eRavel: Pavane pour une infante défunte (1899)\u003c\/li\u003e\n\u003cli\u003eRavel: Jeux d’eau (1901)\u003c\/li\u003e\n\u003cli\u003eRavel: Gaspard de la nuit (1908) Ondine\u003c\/li\u003e\n\u003cli\u003eRavel: Gaspard de la nuit (1908) Le gibet\u003c\/li\u003e\n\u003cli\u003eRavel: Gaspard de la nuit (1908) Scarbo\u003c\/li\u003e\n\u003cli\u003eRavel: Le tombeau de Couperin (1914–1917) Prélude\u003c\/li\u003e\n\u003cli\u003eRavel: Le tombeau de Couperin (1914–1917) Fugue\u003c\/li\u003e\n\u003cli\u003eRavel: Le tombeau de Couperin (1914–1917) Forlane\u003c\/li\u003e\n\u003cli\u003eRavel: Le tombeau de Couperin (1914–1917) Rigaudon\u003c\/li\u003e\n\u003cli\u003eRavel: Le tombeau de Couperin (1914–1917) Menuet\u003c\/li\u003e\n\u003cli\u003eRavel: Le tombeau de Couperin (1914–1917) Toccata\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060189569847\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Orchid Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55750870401192,"sku":"280479198","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4527883-3667156.jpg?v=1784045198"},{"product_id":"pre-order-mark-kaplan-brahms-the-violin-sonatas-lp-new-n","title":"Pre-Order: Mark Kaplan - Brahms: The Violin Sonatas (LP) (New (N))","description":"\u003cp\u003eMark Kaplan has long been recognised as one of the world's leading violinists. His career spans decades and a discography of more than forty-five recordings. Here, for the first time on record, he is joined in Brahms's three violin sonatas by his son, pianist David Kaplan, himself an artist of growing international presence and critical acclaim. Brahms's three violin sonatas provide a natural meeting point for this unique collaboration between father and son, shaped by the close and equal dialogue between violin and piano. Together, they trace a path from the inward lyricism of the G major Sonata, Op. 78, through the warmth of the A major, Op. 100, to the darker, more dramatic world of the D minor Sonata, Op. 108, whose finale ranks among Brahms's most powerful chamber works.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrahms: Violin Sonata No. 1 in G major, Op. 78 I. 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