{"title":"New Classical Vocal Crossover (CD)","description":"","products":[{"product_id":"pre-order-lyyra-rising-cd-mint-m","title":"Lyyra - Rising (CD) (New (N))","description":"\u003cp\u003eUS a cappella sextet Lyyra's debut album \"Rising\" is a captivating project showcasing stunning repertoire arranged for upper voices. \"Rising\" is not bound by genre or style, but revolves around themes of love, identity, and togetherness. The six women of Lyyra come from different musical and personal backgrounds, each bringing with them their unique style. When joined together, they create lush, chill-inducing harmonies, and a long-lasting impression. Including pop hits, Americana, jazz, traditional choral, and new compositions, highlights include a cover of Billie Eilish's iconic \"What Was I Made For\"; Simon \u0026amp; Garfunkel's \"America\"; and jazz standard \"A Nightingale Sang in Berkeley Square\".\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCaritas abundat\u003c\/li\u003e\n\u003cli\u003eDusk in June, Op. 82\u003c\/li\u003e\n\u003cli\u003eMoonrise\u003c\/li\u003e\n\u003cli\u003eA Nightingale Sang in Berkeley Square\u003c\/li\u003e\n\u003cli\u003eWill the Circle Be Unbroken\u003c\/li\u003e\n\u003cli\u003eRise Up My Love\u003c\/li\u003e\n\u003cli\u003eShe\u003c\/li\u003e\n\u003cli\u003eWhat Was I Made For?\u003c\/li\u003e\n\u003cli\u003eDark Out of the Night\u003c\/li\u003e\n\u003cli\u003eSomeday We'll All Be Free\u003c\/li\u003e\n\u003cli\u003eAmerica\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732984104\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55351857807528,"sku":"77014281","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4479303-3500453.jpg?v=1774069427"},{"product_id":"pre-order-third-angle-new-music-glass-1000-airplanes-on-the-roof-cd-mint-m","title":"Third Angle New Music - Glass: 1000 Airplanes On The Roof (CD) (New (N))","description":"\u003cp\u003ePhilip Glass's science fiction music drama, 1000 Airplanes on the Roof, premiered in 1988 at the Vienna International Airport (Hangar No.3). This one-act melodrama contains a text by renowned playwright and frequent Glass collaborator, David Henry Hwang, and originally featured set designs and projections by Jerome Sirlin. When Virgin records released the piece in 1989, the very curious decision was made to totally omit the Hwang text. The original score by Glass, was presented without the context of the drama. Following Third Angle New Music's 2023 staged production at the Evergreen Aviation \u0026amp; Space Museum - directly beneath Howard Hughes' infamous \"Spruce Goose\" - they endeavored to record this rarely-staged work. As the original recording was largely misunderstood, it is presented here for the first time with both the music and drama as one would hear it in the theater, alongside an additional music-only experience. Volume 1 includes the complete music drama with Hwang's text performed by Ithica Tell as M, and the sound design used in their staged production. Volume 2 presents the entire musical experience including vocals, but without the text and theatrical elements. The beautiful package design by Madeline Sorenson is a play on the formats of old science fiction trade paperbacks.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - 1000 Airplanes on the Roof\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - City Walk\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Girlfriend\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - My Building Started to Disappear\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Pebbles Dropped Into the Lake\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Screens of Memory\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - What Time Is Grey - Labyrinth\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Return to the Hive\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Three Truths\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - the Encounter\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Grey Cloud Over New York\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Where Have You Been Asked the Doctor\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - a Normal Person Running\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - 1000 Airplanes on the Roof (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - City Walk (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Girlfriend (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - My Building Started to Disappear (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Pebbles Dropped Into the Lake (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Screens of Memory (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - What Time Is Grey - Labyrinth (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Return to the Hive (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Three Truths (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - the Encounter (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Grey Cloud Over New York (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Where Have You Been Asked the Doctor (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - Ahas a Sound Ever Appeared (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGlass: 1000 Airplanes on the Roof - a Normal Person Running (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 801837017823\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Orange Mountain\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55351858135208,"sku":"82074365","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4483985-3504437.jpg?v=1774069430"},{"product_id":"pre-order-taylor-james-quartet-shadows-dreams-cd-mint-m","title":"Taylor James Quartet - Shadows \u0026 Dreams (CD) (New (N))","description":"\u003cp\u003eRevered for his Hammond organ work, soul-jazz grooves, and his three-decade career leading The James Taylor Quartet, maestro keyboard player James Taylor releases his first album of classical works. His long association with Acid Jazz Records continues, as the label also steps into the classical world for the very first time. Recorded solo on a Steinway grand piano, Taylor performs some of his favorite pieces from the classical cannon, with familiar tunes alongside lesser-known works on this beautiful, atmospheric recording. His interpretations show a deep love of classical music. Always one to evolve, just as the James Taylor Quartet introduced Herbie Hancock to the indie scene of the late '80s, Taylor in turn introduces his audience to a new repertoire, with a remarkable, fresh and modern solo classical piano album.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHasse: Polonaise in G Major, BWV 130\u003c\/li\u003e\n\u003cli\u003eBeethoven: Leichte Sonate (1st Movement from Sonata No. 20, Op. 49)\u003c\/li\u003e\n\u003cli\u003eBeethoven: Leichte Sonate (2nd Movement from Sonata No. 20, Op. 49)\u003c\/li\u003e\n\u003cli\u003eBach: Solfeggio in C Minor, H.220\u003c\/li\u003e\n\u003cli\u003eBeethoven: Sonate Pathetique (2nd Movement from Sonata No. 8)\u003c\/li\u003e\n\u003cli\u003eBach: Gavotte (French Suite No. 5 in G Major)\u003c\/li\u003e\n\u003cli\u003eMozart: Allegro (1st Movement from Sonata No. 16 in C Major, KV 545\u003c\/li\u003e\n\u003cli\u003eScarlatti: Allegretto (4th Movement from Sonata E Minor, K. 81)\u003c\/li\u003e\n\u003cli\u003eBeethoven: Moonlight Sonata (1st Movement from Sonata No. 14 Op. 27)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 0676499088647\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Acid Jazz\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55351858397352,"sku":"99958800","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4488855-3516566.jpg?v=1774069432"},{"product_id":"pre-order-pygmalion-raphael-pichon-bach-kothener-trauermusik-bwv-244a-cd-reissue-mint-m","title":"Pygmalion \/ Raphael Pichon - Bach: Kothener Trauermusik Bwv 244a (CD, Reissue) (New (N))","description":"\u003cp\u003eWhen Leopold of Anhalt-Cöthen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince's service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. Raphaël Pichon's first recording for harmonia mundi was voted recording of the year at the 2015 Victoires de la Musique Classique awards.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 1, Chorus \"Klagt, Kinder, Klagt Es Aller Welt\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 2, Recitativo \"O Land! Bestürztes Land!\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 3, Aria \"Weh Und Ach\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 4, Recitativo \"Wie Wenn Der Blitze Grausamkeit\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 5, Aria \"Zage Nur, Du Treues Land\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 6, Recitativo \"Ah Ja! Wenn Tränen Oder Blut\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 7, Chorus \"Komm Wieder, Teurer Fürsten-Geist\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 8, Chorus \"Wir Haben Einen Gott, Der Da Hilft\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 9, Recitativo \"Betrübter Anblick Voll Erschrecken\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 10, Aria \"Erhalte Mich\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 11, Recitativo \"Jedoch Der Schwache Mensch Erzitte\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 12, Aria \"Mit Freuden Sei Die Welt Verlassen\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 13, Recitativo \"Wohl Also Dir\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 14, Chorus \"Repetatur Dictum\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 15, Aria \"Lass, Leopold, Dich Nicht Begraben\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 16, Recitativo \"Wie KÖNNT Es Möglich Sein\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 17, Aria \"Wird Auch Gleich Nach Tausend Zähren\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 18, Recitativo \"Und, Herr, Das Ist Die Spezerei\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 19, Aria \"Geh, Leopold, Zu Deiner Ruhe\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 20, Aria \"Bleibet Nur in Eurer Ruh\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 21, Recitativo \"Und Du, Betrübtes Fürstenhaus\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 22, Aria \"Hemme Dein Gequältes Kränken\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 23, Recitativo \"Nun Scheiden Wir\"\u003c\/li\u003e\n\u003cli\u003eBach: Köthener Trauermusik, BWV 244A (Reconstructed By Morgan Jourdain): No. 23, Chorus \"Die Augen Sehn Nach Deiner Leiche\"\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3149020957967\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Harmonia Mundi\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55351859183784,"sku":"81925694","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4483948-3504387.jpg?v=1774069442"},{"product_id":"pre-order-francesca-aspromonte-sonoro-arsenale-alessandro-scarlatti-vieni-o-notte-cd-mint-m","title":"Francesca Aspromonte  \/ Sonoro,Arsenale - Alessandro Scarlatti: Vieni, O Notte (CD) (New (N))","description":"\u003cp\u003eWith Vieni, o Notte, Francesca Aspromonte signs her first recording for Aparté with an all-Scarlatti program. Together with Arsenale Sonoro and Boris Begelman, she explores three cantatas (sometimes described as serenate) in which the composer makes the night the stage for his characters' thwarted loves. He gives them arias and recitatives that are painful, contemplative, or searing, complemented by two sonate a quattro with madrigalian lines, whose quartet performance by Arsenale Sonoro highlights the bold harmonic shifts, the shadows, and the light. The album closes with All'hor che stanco il sole, a world-premiere recording - a musical meditation on love and loss. Here, Aspromonte unfolds a mastery of line and text that reveals the full sensuality of this music.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Sinfonia. Grave - Allegro\u003c\/li\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Recitativo Accompagnato. Notte, Ch'in Carro D'ombre\u003c\/li\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Aria. Vieni, O Notte\u003c\/li\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Recitativo. E Tu, Ch'ognor Ti Vanti\u003c\/li\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Aria. Veloce E Labile\u003c\/li\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Recitativo. Ma Parmi Che Esaudite\u003c\/li\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Aria. Con L'idea D'un Bel Gioire\u003c\/li\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Recitativo. Ma Voi Non VI Chiudete\u003c\/li\u003e\n\u003cli\u003eScarlatti: Notte Ch'in Carro D'ombre, H. 480: Aria. SI, Che Priva Di Contento\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata IV a Quattro Senza Cembalo in D minor: I. Largo\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata IV a Quattro Senza Cembalo in D minor: II. Grave\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata IV a Quattro Senza Cembalo in D minor: III. Allegro\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata IV a Quattro Senza Cembalo in D minor: IV. Allegro\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata IV a Quattro Senza Cembalo in D minor: V. Minuet\u003c\/li\u003e\n\u003cli\u003eScarlatti: Silenzio Aure Volanti, H. 662: Aria - Recitativo. Silenzio, Aure Volanti... Venti Quietatevi E Contentatevi\u003c\/li\u003e\n\u003cli\u003eScarlatti: Silenzio Aure Volanti, H. 662: Aria. Ombre Cieche, Ombre Notturne\u003c\/li\u003e\n\u003cli\u003eScarlatti: Silenzio Aure Volanti, H. 662: Arioso. E Mentre Il Cor Del Mio Ben Sol Si Duole\u003c\/li\u003e\n\u003cli\u003eScarlatti: Silenzio Aure Volanti, H. 662: Aria. Adoro Un'ingrata\u003c\/li\u003e\n\u003cli\u003eScarlatti: Silenzio Aure Volanti, H. 662: Recitativo. Dunque, Così Schernita\u003c\/li\u003e\n\u003cli\u003eScarlatti: Silenzio Aure Volanti, H. 662: Aria. Piangerò Forse Chissà\u003c\/li\u003e\n\u003cli\u003eScarlatti: Silenzio Aure Volanti, H. 662: Recitativo. SI, SI Piangete Pure Occhi Dolenti\u003c\/li\u003e\n\u003cli\u003eScarlatti: Silenzio Aure Volanti, H. 662: Aria. Si Placa Una Crudel Sol Con la Morte\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata III a Quattro Senza Cembalo in G minor: I. (Allegro)\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata III a Quattro Senza Cembalo in G minor: II. Grave\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata III a Quattro Senza Cembalo in G minor: III. (Allegro)\u003c\/li\u003e\n\u003cli\u003eScarlatti: Sonata III a Quattro Senza Cembalo in G minor: IV. Minuet\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Sinfonia Largo - Allegro\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Recitativo. All'hor Che Stanco Il Sole\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Aria. Clori Bella, E Dove Sei?\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Aria. Se Del Tebro in Su Le Sponde\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Recitativo. Misero, a Che Son Giunto?\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Aria. Deh, Torna Mia Vita\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Recitativo. Ma Con Chi Parlo? Ahi Lasso!\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Aria. Aure Placide E Serene\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Recitativo. E Dite Alla Crudel Che Mi Lasciò\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Aria. Già Che More Un Disperato\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Aria. Ma Se Mosse a Pietà D'un Fido Amante\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Recitativo - Aria. Bastan L'amate Luci... S'alla Bocca Del Caro Mio Bene\u003c\/li\u003e\n\u003cli\u003eScarlatti: All'hor Che Stanco Il Sole, H. 33: Recitativo. 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Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G minor, K. 550: I. Molto Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G minor, K. 550: IV. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante Cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto Allegro\u003c\/li\u003e\n\u003cli\u003e\"Mia Speranza Adorata!... Ah Non Sai Qual Pena Sia\" K416\u003c\/li\u003e\n\u003cli\u003eVoi Avete Un Cor Fedele, K. 217\u003c\/li\u003e\n\u003cli\u003eNo, No, Che Non Sei Capace, K. 419\u003c\/li\u003e\n\u003cli\u003e\"Ma Che VI Fece, O Stelle... Sperai Vicino Il Lido\" K368\u003c\/li\u003e\n\u003cli\u003e\"Misera, Dove Son!... Ah! Non Son Io Che Parlo\" K369\u003c\/li\u003e\n\u003cli\u003e\"A Questo Seno Deh Vieni... Or Che Il Cielo a Me Ti Rende\" K374\u003c\/li\u003e\n\u003cli\u003eVorrei Spiegarvi, O Dio, K. 418\u003c\/li\u003e\n\u003cli\u003eAh Se in Ciel, Benigne Stelle, K. 538\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in C Major, Op. 21: I. Adagio Molto - Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in C Major, Op. 21: II. Andante Cantabile Con Moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro Molto E Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro Molto E Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": II. Marcia Funebre. Adagio Assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": III. Scherzo. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": IV. Finale. Allegro Molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in D Major, Op. 36: I. Adagio - Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in D Major, Op. 36: II. Larghetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in D Major, Op. 36: IV. Allegro Molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 5 in C minor, Op. 67: I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 5 in C minor, Op. 67: II. Andante Con Moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 5 in C minor, Op. 67: III. Allegro -\u003c\/li\u003e\n\u003cli\u003eSymphony No. 5 in C minor, Op. 67: IV. Allegro - Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in B-Flat Major, Op. 60: II. Adagio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in B-Flat Major, Op. 60: IV. Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in a Major, Op. 92: I. Poco Sostenuto - Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in a Major, Op. 92: II. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in a Major, Op. 92: III. Presto - Assai Meno Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in a Major, Op. 92: IV. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Tr\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": II. Scene Am Bach. Andante Molto Moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": III. Lustiges Zusammensein Der Landleute. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": IV. Gewitter. Sturm. Allegro -\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major, Op. 68 \"Pastoral\": V. Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93: I. Allegro Vivace E Con Brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93: II. Allegretto Scherzando\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93: III. Tempo Di Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93: IV. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in D minor, Op. 125 \"Choral\": I. Allegro Ma Non Troppo, Un Poco Maestoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in D minor, Op. 125 \"Choral\": II. Molto Vivace - Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in D minor, Op. 125 \"Choral\": III. Adagio Molto E Cantabile - Andante Moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in D minor, Op. 125 \"Choral\": IV. Presto - \"O Freunde, Nicht Diese Töne!\" (Ode to Joy)\u003c\/li\u003e\n\u003cli\u003eCoriolan Overture, Op. 62\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: Overture ; Introduction \"La Tempesta\"\u003c\/li\u003e\n\u003cli\u003eThe Ruins of Athens, Op. 113: Overture\u003c\/li\u003e\n\u003cli\u003eFidelio, Op. 72C: Overture\u003c\/li\u003e\n\u003cli\u003eLeonore Overture No. 1, Op. 138\u003c\/li\u003e\n\u003cli\u003eLeonore Overture No. 2, Op. 72A\u003c\/li\u003e\n\u003cli\u003eLeonore Overture No. 3, Op. 72B\u003c\/li\u003e\n\u003cli\u003eEgmont, Op. 84: Overture\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: Overture\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: Introdution \"La Tempesta\"\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: I. Poco Adagio - Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: II. Adagio - Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: III. Allegro Vivace\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: IV. Maestoso - Andante\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: V. Adagio - Andante Quasi Allegretto\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: VI. Un Poco Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: VII. Grave\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: VIII. Marcia. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: IX. Adagio\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: X. Pastorale. Allegro\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: XI. Coro Di Gioja. Andante\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: XII. Solo Di Gioja. Maestoso\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: XIII. Terzettino Grotteschi. Allegro\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: XIV. Solo Della Cassentini. Andante\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: XV. Solo Di Viganó. Andantino\u003c\/li\u003e\n\u003cli\u003eThe Creatures of Prometheus, Op. 43: XVI. Finale. Allegretto\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Kyrie (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Gloria in Excelsis Deo (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Qui Tollis (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Quoniam Tu Solus Sanctus (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Credo in Unum Deum (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Et Incarnatus Est (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Et Resurrexit (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Sanctus (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Benedictus (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Agnus Dei (Live)\u003c\/li\u003e\n\u003cli\u003eMissa Solemnis, Op. 123: Dona Nobis Pacem (Live)\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in C Major, Op. 15: I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in C Major, Op. 15: II. Largo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro Scherzando\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in C minor, Op. 37: I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in C minor, Op. 37: II. Largo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 4 in G Major, Op. 58: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 4 in G Major, Op. 58: II. Andante Con Moto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in E-Flat Major, Op. 73 \"Emperor\": I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in E-Flat Major, Op. 73 \"Emperor\": II. Adagio Un Poco Mosso\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in E-Flat Major, Op. 73 \"Emperor\": III. Rondo. Allegro\u003c\/li\u003e\n\u003cli\u003eTriple Concerto for Violin, Cello and Piano in C Major, Op. 56: I. Allegro\u003c\/li\u003e\n\u003cli\u003eTriple Concerto for Violin, Cello and Piano in C Major, Op. 56: II. Largo\u003c\/li\u003e\n\u003cli\u003eTriple Concerto for Violin, Cello and Piano in C Major, Op. 56: III. Rondo Alla Polacca\u003c\/li\u003e\n\u003cli\u003eRondo for Piano and Orchestra in B-Flat Major, Woo 6\u003c\/li\u003e\n\u003cli\u003eFantasia in C minor, Op. 80 \"Choral Fantasy\": I. 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Composed amidst a move from Warsaw to the Baltic coast, surrounded by the ocean's horizon and dense forestry, the album reflects curiously on what lies beyond and embracing the unknown. It is an ode to the courage to grow through uncertainty. The music unfolds as a journey of emotional phases, a narrative arc from the internal introspective questioning of \"Monologue,\" to a sonic leap into motion with the rhythmic propulsion of \"Blue\", and the cyclical farewell in \"Goodbye\". Known for her atmospheric, emotionally rich compositions, Czocher has expanded her sound world, while holding true to her classical roots. She uses percussive cello techniques, Moog synthesizers, non-analog electronics, and her own voice instrumentally and without lyrics, creating a texture of expression. 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Soprano and Chorus. Ihr Habt Nun Traurigkeit\u003c\/li\u003e\n\u003cli\u003eBrahms: Ein Deutsches Requiem, Op.45: VI. Baritone and Chorus. Denn Wir Haben Hie Keine Bleibende Statt\u003c\/li\u003e\n\u003cli\u003eBrahms: Ein Deutsches Requiem, Op.45: VII. Chorus. Selig Sind Die Toten, Die in Dem Herrn Sterben\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3149020957431\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Harmonia Mundi\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366501728424,"sku":"57173366","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4472350-3477860.jpg?v=1774553897"},{"product_id":"pre-order-matteo-bocelli-enamorarse-falling-in-love-spanish-version-uk-cd-new-n","title":"Matteo Bocelli - Enamorarse (Falling In Love Spanish Version) (Uk) (CD) (New (N))","description":"\u003cp\u003eSteeped in elegance and raw emotion, Enamorarse marks a new chapter for Matteo Bocelli as he reimagines his second studio album, Falling In Love, with a collection of romantic Spanish-language versions. 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His winning combination of tonal sumptuousness, clear interpretative focus, musical humility and effortless technical poise across a broad repertoire remains unmatched to this day. When Oistrakh played, one felt there was nothing coming between the composer and the listener... He combined fingers of steel with a heart of gold.\" The Strad magazine\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: II. Larghetto (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: I. Allegro\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: II. Largo\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: III. Rondo Alla Polacca\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: I. Allegro Non Troppo (Cadenza By J. Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: I. Allegro\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: II. Andante\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: III. Vivace Non Troppo\u003c\/li\u003e\n\u003cli\u003eAdagio for Violin and Orchestra in E Major, K. 261\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: II. Adagio Di Molto\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: III. Allegro Ma Non Tanto\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: I. Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: II. Scherzando\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: III. Intermezzo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: IV. Andante\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: V. Rondo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: II. Andante\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro Energico\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: III. Presto\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro Maestoso\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: III. Presto\u003c\/li\u003e\n\u003cli\u003eRondo for Violin and Orchestra in B-Flat Major, K. 269\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: I. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: I. Allegro (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: II. Andante Cantabile (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andantino Grazioso - Allegro Ma Non Troppo (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": I. Allegro Aperto (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": II. Adagio (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": III. Rondeau. 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Andante - Cadenza\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: IV. Burlesque. 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Many of these works are cycles of short pieces (Papillons, Variations, Symphonic Etudes) or sequences of miniatures, sometimes light and dance-like, sometimes virtuosic, but always imbued with poetry and depth.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAbegg Variations, Op. 1: Thema\u003c\/li\u003e\n\u003cli\u003eAbegg Variations, Op. 1: Variation I\u003c\/li\u003e\n\u003cli\u003eAbegg Variations, Op. 1: Variation II\u003c\/li\u003e\n\u003cli\u003eAbegg Variations, Op. 1: Variation III\u003c\/li\u003e\n\u003cli\u003eAbegg Variations, Op. 1: Variation IV\u003c\/li\u003e\n\u003cli\u003eAbegg Variations, Op. 1: Finale Alla Fantasia\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: Introduzione\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 1, Allegro Comodo\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 2, Prestissimo\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 3, Allegro Molto\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 4, Presto\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 5, Più Andante\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 6, Allegro Molto - Poco Più Tranquillo\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 7, Semplice\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 8, Allegro Feroce - Poco Meno Mosso\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 9, Prestissimo\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 10, Vivo - Più Lento\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 11, Allegro Maestoso - Più Lento - in Tempo\u003c\/li\u003e\n\u003cli\u003ePapillons, Op. 2: No. 12, Finale. Con Brio - Più Lento\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Theme\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Variation I\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Variation II\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Variation III\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Variation IV\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Variation V\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Theme. Andante\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude I\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude II\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude III\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude IV\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude V\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude VI\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude VII\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude VIII\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude IX\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude X\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude XI\u003c\/li\u003e\n\u003cli\u003eSymphonic Etudes, Op. 13: Etude XII\u003c\/li\u003e\n\u003cli\u003eTheme and Variations in E-Flat Major, Woo 24 \"Geistervariationen\": Theme\u003c\/li\u003e\n\u003cli\u003eTheme and Variations in E-Flat Major, Woo 24 \"Geistervariationen\": Variation I\u003c\/li\u003e\n\u003cli\u003eTheme and Variations in E-Flat Major, Woo 24 \"Geistervariationen\": Variation II\u003c\/li\u003e\n\u003cli\u003eTheme and Variations in E-Flat Major, Woo 24 \"Geistervariationen\": Variation III\u003c\/li\u003e\n\u003cli\u003eTheme and Variations in E-Flat Major, Woo 24 \"Geistervariationen\": Variation IV\u003c\/li\u003e\n\u003cli\u003eTheme and Variations in E-Flat Major, Woo 24 \"Geistervariationen\": Variation V\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F-Sharp minor, Op. 11: I. Un Poco Adagio - Allegro Vivace\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F-Sharp minor, Op. 11: II. Aria. Senza Passione, Ma Espressivo\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F-Sharp minor, Op. 11: III. Scherzo. Allegrissimo\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F-Sharp minor, Op. 11: IV. Finale. Allegro Un Poco Maestoso\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in G minor, Op. 22: I. So Rasch Wie Möglich\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in G minor, Op. 22: III. Scherzo. Sehr Rasch Und Markiert\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in G minor, Op. 22: IV. Rondo. Presto\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732875679\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366516277416,"sku":"82431579","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4484217-3504869.jpg?v=1774554146"},{"product_id":"pre-order-aedes-mathieu-romano-poulenc-complete-works-for-a-cappella-choir-cd-new-n","title":"Aedes \/ Mathieu Romano - Poulenc: Complete Works For A Cappella Choir (CD) (New (N))","description":"\u003cp\u003eThis complete recording of the a cappella choral works of Francis Poulenc marks the celebration of the 20th anniversary of Ensemble Aedes and brings to a close a cycle initiated in 2009. Francis Poulenc's a cappella choral compositions form a unique ensemble, revealing a fragile interiority suffused with profound humanity. For him there was no sense of division between the secular and the sacred in his choral works: he appears to have considered them as a single entity, stemming from the same inspiration. From the Chanson à boire (1922) to the Laudes de saint Antoine de Padoue (1957), all of his compositions show the same fervor, clarity, and depth of feeling.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePoulenc: Un Soir de Neige, FP 126 I. [Le Feu.] de Grandes Cuillers de Neige\u003c\/li\u003e\n\u003cli\u003ePoulenc: Un Soir de Neige, FP 126 II. [Un Loup.] la Bonne Neige\u003c\/li\u003e\n\u003cli\u003ePoulenc: Un Soir de Neige, FP 126 III. [Derniers Instants.] Bois Meurtri\u003c\/li\u003e\n\u003cli\u003ePoulenc: Un Soir de Neige, FP 126 IV. [Du Dehors.] la Nuit Le Froid la Solitude\u003c\/li\u003e\n\u003cli\u003ePoulenc: Sept Chansons, FP 81 I. La Blanche Neige\u003c\/li\u003e\n\u003cli\u003ePoulenc: Sept Chansons, FP 81 II. A Peine Défigurée\u003c\/li\u003e\n\u003cli\u003ePoulenc: Sept Chansons, FP 81 III. Par Une Nuit Nouvelle\u003c\/li\u003e\n\u003cli\u003ePoulenc: Sept Chansons, FP 81 IV. Tous Les Droits\u003c\/li\u003e\n\u003cli\u003ePoulenc: Sept Chansons, FP 81 V. Belle Et Ressemblante\u003c\/li\u003e\n\u003cli\u003ePoulenc: Sept Chansons, FP 81 VI. Marie\u003c\/li\u003e\n\u003cli\u003ePoulenc: Sept Chansons, FP 81 VII. Luire\u003c\/li\u003e\n\u003cli\u003ePoulenc: Ave Verum Corpus, FP 154\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Motets Pour Un Temps de Pénitence, FP 97 I. Timor Et Tremor\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Motets Pour Un Temps de Pénitence, FP 97 II. Vinea Mea Electa\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Motets Pour Un Temps de Pénitence, FP 97 III. Tenebrae Factae Sunt\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Motets Pour Un Temps de Pénitence, FP 97 IV. Tristis Est Anima Mea\u003c\/li\u003e\n\u003cli\u003ePoulenc: Mass in G Major, FP 89 I. Kyrie\u003c\/li\u003e\n\u003cli\u003ePoulenc: Mass in G Major, FP 89 II. Gloria\u003c\/li\u003e\n\u003cli\u003ePoulenc: Mass in G Major, FP 89 III. Sanctus\u003c\/li\u003e\n\u003cli\u003ePoulenc: Mass in G Major, FP 89 IV. Benedictus\u003c\/li\u003e\n\u003cli\u003ePoulenc: Mass in G Major, FP 89 V. Agnus Dei\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Petites Prières de Saint François D'assise, FP 142 I. Salut, Dame Sainte\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Petites Prières de Saint François D'assise, FP 142 II. Tout Puissant, TRES Saint\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Petites Prières de Saint François D'assise, FP 142 III. Seigneur, Je Vous en Prie\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Petites Prières de Saint François D'assise, FP 142 IV. O Mes TRES Chers Frères\u003c\/li\u003e\n\u003cli\u003ePoulenc: Salve Regina, FP 110\u003c\/li\u003e\n\u003cli\u003ePoulenc: Figure Humaine, FP 120 I. de Tous Les Printemps Du Monde\u003c\/li\u003e\n\u003cli\u003ePoulenc: Figure Humaine, FP 120 II. en Chantant Les Servantes S'élancent\u003c\/li\u003e\n\u003cli\u003ePoulenc: Figure Humaine, FP 120 III. Aussi Bas Que Le Silence\u003c\/li\u003e\n\u003cli\u003ePoulenc: Figure Humaine, FP 120 IV. Toi Ma Patiente\u003c\/li\u003e\n\u003cli\u003ePoulenc: Figure Humaine, FP 120 V. Riant Du Ciel Et Des Planètes\u003c\/li\u003e\n\u003cli\u003ePoulenc: Figure Humaine, FP 120 VI. Le Jour M'étonne Et la Nuit Me Fait Peur\u003c\/li\u003e\n\u003cli\u003ePoulenc: Figure Humaine, FP 120 VII. La Menace Sous Le Ciel Rouge\u003c\/li\u003e\n\u003cli\u003ePoulenc: Figure Humaine, FP 120 VIII. Liberté\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Motets Pour Le Temps de Noël, FP 152 I. O Magnum Mysterium\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Motets Pour Le Temps de Noël, FP 152 II. Quem Vidistis Pastores Dicite\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Motets Pour Le Temps de Noël, FP 152 III. Videntes Stellam\u003c\/li\u003e\n\u003cli\u003ePoulenc: Quatre Motets Pour Le Temps de Noël, FP 152 IV. Hodie Christus Natus Est\u003c\/li\u003e\n\u003cli\u003ePoulenc: Petites Voix, FP 83 I. La Petite Fille Sage\u003c\/li\u003e\n\u003cli\u003ePoulenc: Petites Voix, FP 83 II. Le Chien Perdu\u003c\/li\u003e\n\u003cli\u003ePoulenc: Petites Voix, FP 83 III. en Rentrant de L'école\u003c\/li\u003e\n\u003cli\u003ePoulenc: Petites Voix, FP 83 IV. Le Petit Garçon Malade\u003c\/li\u003e\n\u003cli\u003ePoulenc: Petites Voix, FP 83 V. Le Hérisson\u003c\/li\u003e\n\u003cli\u003ePoulenc: Exultate Deo, FP 109\u003c\/li\u003e\n\u003cli\u003ePoulenc: Huit Chansons Françaises, FP 130 I. Margoton Va T'a L'iau\u003c\/li\u003e\n\u003cli\u003ePoulenc: Huit Chansons Françaises, FP 130 II. La Belle Se Sied Au Pied de la Tour\u003c\/li\u003e\n\u003cli\u003ePoulenc: Huit Chansons Françaises, FP 130 III. Pilons L'orge\u003c\/li\u003e\n\u003cli\u003ePoulenc: Huit Chansons Françaises, FP 130 IV. Clic, Clac, Dansez Sabots\u003c\/li\u003e\n\u003cli\u003ePoulenc: Huit Chansons Françaises, FP 130 V. C'est la Petit' Fill' Du Prince\u003c\/li\u003e\n\u003cli\u003ePoulenc: Huit Chansons Françaises, FP 130 VI. La Belle Si Nous Étions\u003c\/li\u003e\n\u003cli\u003ePoulenc: Huit Chansons Françaises, FP 130 VII. Ah ! Mon Beau Laboureur\u003c\/li\u003e\n\u003cli\u003ePoulenc: Huit Chansons Françaises, FP 130 VIII. Les Tisserands\u003c\/li\u003e\n\u003cli\u003ePoulenc: Chanson A Boire, FP 31\u003c\/li\u003e\n\u003cli\u003ePoulenc: Laudes de Saint Antoine de Padoue, FP 172 I. O Jesu, Perpetua Lux\u003c\/li\u003e\n\u003cli\u003ePoulenc: Laudes de Saint Antoine de Padoue, FP 172 II. O Proles Hispaniae\u003c\/li\u003e\n\u003cli\u003ePoulenc: Laudes de Saint Antoine de Padoue, FP 172 III. Laus Regi\u003c\/li\u003e\n\u003cli\u003ePoulenc: Laudes de Saint Antoine de Padoue, FP 172 IV. Si Quaeris\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5051083228824\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Aparte\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366516375720,"sku":"91680830","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4485843-3509726.jpg?v=1774554148"},{"product_id":"pre-order-andre-gavrilov-complete-warner-classics-recordings-cd-new-n","title":"Andre Gavrilov - Complete Warner Classics Recordings (CD) (New (N))","description":"\u003cp\u003eIn 1974, at just 18, Andrei Gavrilov stunned the world by winning the International Tchaikovsky Competition in Moscow. Weeks later, he replaced Sviatoslav Richter at the Salzburg Festival, where his dazzling program won rapturous acclaim and revealed a pianist of \"virtually unlimited technique\" (Frankfurter Allgemeine Zeitung). From this electrifying debut, Gavrilov was celebrated for fearless, spontaneous yet refined artistry. His brilliance set him apart, though his career was later shadowed by years of political confinement in the Soviet Union. This collection gathers all his Warner Classics recordings, a vivid portrait of a pianist whose artistry remains bold and captivating.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFrench Suite No. 1 in D minor, BWV 812: I. Allemande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 1 in D minor, BWV 812: II. Courante\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 1 in D minor, BWV 812: III. Sarabande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 1 in D minor, BWV 812: IV. Menuet I\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 1 in D minor, BWV 812: V. Menuet II\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 1 in D minor, BWV 812: VI. Gigue\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 2 in C minor, BWV 813: I. Allemande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 2 in C minor, BWV 813: II. Courante\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 2 in C minor, BWV 813: III. Sarabande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 2 in C minor, BWV 813: IV. Air\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 2 in C minor, BWV 813: V. Menuet\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 2 in C minor, BWV 813: VI. Gigue\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 3 in B minor, BWV 814: I. Allemande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 3 in B minor, BWV 814: II. Courante\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 3 in B minor, BWV 814: III. Sarabande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 3 in B minor, BWV 814: V. Anglaise\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 3 in B minor, BWV 814: IV. Menuet ; Trio\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 3 in B minor, BWV 814: VI. Gigue\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 4 in E-Flat Major, BWV 815: I. Allemande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 4 in E-Flat Major, BWV 815: II. Courante\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 4 in E-Flat Major, BWV 815: III. Sarabande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 4 in E-Flat Major, BWV 815: IV. Gavotte\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 4 in E-Flat Major, BWV 815: V. Air\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 4 in E-Flat Major, BWV 815: VI. Air\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 4 in E-Flat Major, BWV 815: VII. Gigue\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 5 in G Major, BWV 816: I. Allemande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 5 in G Major, BWV 816: II. Courante\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 5 in G Major, BWV 816: III. Sarabande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 5 in G Major, BWV 816: IV. Gavotte\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 5 in G Major, BWV 816: V. Bourrée\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 5 in G Major, BWV 816: VI. Loure\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 5 in G Major, BWV 816: VII. Gigue\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 6 in E Major, BWV 817: I. Allemande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 6 in E Major, BWV 817: II. Courante\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 6 in E Major, BWV 817: III. Sarabande\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 6 in E Major, BWV 817: IV. Gavotte\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 6 in E Major, BWV 817: V. Polonaise\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 6 in E Major, BWV 817: VI. Menuet\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 6 in E Major, BWV 817: VII. Bourrée\u003c\/li\u003e\n\u003cli\u003eFrench Suite No. 6 in E Major, BWV 817: VIII. Menuet\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in D minor, BWV 1052: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in D minor, BWV 1052: II. Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 1 in D minor, BWV 1052: III. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in E Major, BWV 1053: I\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in E Major, BWV 1053: II. Siciliano\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in E Major, BWV 1053: III. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in D Major, BWV 1054: I\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in D Major, BWV 1054: II. Adagio E Piano Sempre\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in D Major, BWV 1054: III. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 4 in a Major, BWV 1055: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 4 in a Major, BWV 1055: II. Larghetto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 4 in a Major, BWV 1055: III. Allegro Ma Non Tanto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in F minor, BWV 1056: I\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in F minor, BWV 1056: II. Largo\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in F minor, BWV 1056: III. Presto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 6 in F Major, BWV 1057: I\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 6 in F Major, BWV 1057: II. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 6 in F Major, BWV 1057: III. Allegro Assai\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 7 in G minor, BWV 1058: I\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 7 in G minor, BWV 1058: II. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 7 in G minor, BWV 1058: III. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in a Major, HWV 426: I. Prelude\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in a Major, HWV 426: II. Allemande\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in a Major, HWV 426: III. Courante\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in a Major, HWV 426: IV. Gigue\u003c\/li\u003e\n\u003cli\u003eSuite No.10 in D minor (1996 Remastered Version): I. Allemande (Allegretto Con Moto)\u003c\/li\u003e\n\u003cli\u003eSuite No.10 in D minor (1996 Remastered Version): II. Allegro\u003c\/li\u003e\n\u003cli\u003eSuite No.10 in D minor (1996 Remastered Version): III. Air (Lentement)\u003c\/li\u003e\n\u003cli\u003eSuite No.10 in D minor (1996 Remastered Version): IV. Gigue (Presto)\u003c\/li\u003e\n\u003cli\u003eSuite No.10 in D minor (1996 Remastered Version): V. Menuetto (Andantino)\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in E minor, HWV 429: I. Fugue (Allegro)\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in E minor, HWV 429: II. Allemande\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in E minor, HWV 429: III. Courante\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in E minor, HWV 429: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in E minor, HWV 429: V. Gigue\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in F-Sharp minor, HWV 431: I. Prélude\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in F-Sharp minor, HWV 431: II. Largo\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in F-Sharp minor, HWV 431: III. Fuga (Allegro)\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in F-Sharp minor, HWV 431: IV. Gigue (Presto)\u003c\/li\u003e\n\u003cli\u003eSuite No.13 in B Flat Major (1996 Remastered Version): I. Allemande (Allegro Moderato)\u003c\/li\u003e\n\u003cli\u003eSuite No.13 in B Flat Major (1996 Remastered Version): II. Courante (Allegro Con Moto)\u003c\/li\u003e\n\u003cli\u003eSuite No.13 in B Flat Major (1996 Remastered Version): III. Sarabande (Andante)\u003c\/li\u003e\n\u003cli\u003eSuite No.13 in B Flat Major (1996 Remastered Version): IV. Gigue (Vivo)\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in G minor, HWV 432: I. Ouverture\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in G minor, HWV 432: II. Andante\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in G minor, HWV 432: III. Allegro\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in G minor, HWV 432: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in G minor, HWV 432: V. Gigue\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in G minor, HWV 432: VI. Passacaille\u003c\/li\u003e\n\u003cli\u003eSuite No.11 in D minor (1996 Remastered Version): I. Allemande (Andantino)\u003c\/li\u003e\n\u003cli\u003eSuite No.11 in D minor (1996 Remastered Version): II. Courante (Allegro Moderato)\u003c\/li\u003e\n\u003cli\u003eKeyboard Suite in D minor, HWV 437: III. Sarabande\u003c\/li\u003e\n\u003cli\u003eSuite No.11 in D minor (1996 Remastered Version): IV. Gigue (Allegro)\u003c\/li\u003e\n\u003cli\u003eSuite No.15 in D minor (1996 Remastered Version): I. Allemande (Andantino Quasi Allegretto)\u003c\/li\u003e\n\u003cli\u003eSuite No.15 in D minor (1996 Remastered Version): II. Courante (Allegro Assai)\u003c\/li\u003e\n\u003cli\u003eSuite No.15 in D minor (1996 Remastered Version): III. Sarabande (Andantino)\u003c\/li\u003e\n\u003cli\u003eSuite No.15 in D minor (1996 Remastered Version): IV. Gigue (Allegro)\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in C Major, K. 394: I. Fantasia\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in C Major, K. 394: II. Fugue\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 12 in F Major, K. 332: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 12 in F Major, K. 332: II. Adagio\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 12 in F Major, K. 332: III. Allegro Assai\u003c\/li\u003e\n\u003cli\u003eFantasia for Piano in D minor, K. 397\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 11 in a Major, Op. 6 No. 2, K. 331 \"Alla Turca\": I. Tema Con Variazioni\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 11 in a Major, Op. 6 No. 2, K. 331 \"Alla Turca\": II. Menuetto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 11 in a Major, Op. 6 No. 2, K. 331 \"Alla Turca\": III. Allegretto. Turkish March\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in B-Flat minor, Op. 35 \"Funeral March\": I. Grave - Doppio Movimento\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in B-Flat minor, Op. 35 \"Funeral March\": II. Scherzo\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in B-Flat minor, Op. 35 \"Funeral March\": III. Marche Funèbre. Lento\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in B-Flat minor, Op. 35 \"Funeral March\": IV. Finale. 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The doors to these masterpieces are left ajar, and the pianist is modestly sketching the personal history of her relationship with Bach's music. She offers us the keys to a universe rich in colors and contrasts: a diversity that rhymes with eternity.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBach: Concerto for 4 Harpsichords (After Antonio Vivaldi), BWV 1065 (Transc. for Piano By Florian Noack) I. Allegro\u003c\/li\u003e\n\u003cli\u003eBach: Piano Concerto in G Major (After Antonio Vivaldi), BWV 973 II. Largo\u003c\/li\u003e\n\u003cli\u003eBach: Fantasia in a Minor, BWV 922\u003c\/li\u003e\n\u003cli\u003eBach: Matthäuspassion, BWV 244 Part II Aria \"Aus Liebe Will Mein Heiland Sterben\" (Transc. for Piano By Alexandre Tharaud)\u003c\/li\u003e\n\u003cli\u003eBach: Organ Concerto in D minor, BWV 596 IV. Largo E Spiccato\u003c\/li\u003e\n\u003cli\u003eBach: Goldberg Variations, BWV 988 I. Aria\u003c\/li\u003e\n\u003cli\u003eBach: 9 Kleine Präludien, BWV 924-932 No. 1, Prelude in C Major, BWV 924\u003c\/li\u003e\n\u003cli\u003eBach: Fantasia and Fugue in a Minor, BWV 904 II. Fuga\u003c\/li\u003e\n\u003cli\u003eBach: Piano Concerto in D minor (After Alessandro Marcello), BWV 974 II. Adagio\u003c\/li\u003e\n\u003cli\u003eBach: Das Orgelbüchlein, BWV 599-644 No. 41 in F minor, \"Ich Ruf Zu Dir, Herr Jesu Christ\", BWV 639 (Arr. for Piano By Ferrucci\u003c\/li\u003e\n\u003cli\u003eBach: Goldberg Variations, BWV 988 XXV. Adagio\u003c\/li\u003e\n\u003cli\u003eBach: English Suite No. 6 in D minor, BWV 811 IV. Sarabande\u003c\/li\u003e\n\u003cli\u003eDutilleux: Au GRÉ Des Ondes V. Hommage A Bach\u003c\/li\u003e\n\u003cli\u003eBach: Partita in D Major, BWV 828 V. Sarabande\u003c\/li\u003e\n\u003cli\u003eRameau: Suite in a Minor, RCT 1 I. Prélude\u003c\/li\u003e\n\u003cli\u003eBach: Das Wohltemperierte Klavier I, BWV 846-869 No. 2, Prelude and Fugue in C minor, BWV 847: I. 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Allegro amabile\u003c\/li\u003e\n\u003cli\u003eBrahms: Violin Sonata No. 2 in A Major, Op. 100 II. Andante tranquillo - Vivace\u003c\/li\u003e\n\u003cli\u003eBrahms: Violin Sonata No. 2 in A Major, Op. 100 III. Allegretto grazioso, quasi andante\u003c\/li\u003e\n\u003cli\u003eFibich: Poeme in D-Flat Major, Op. 39a (Arr. for Violin and Piano by Kubelík)\u003c\/li\u003e\n\u003cli\u003eGrieg: Violin Sonata No. 3 in C Minor, Op. 45 I. Allegro molto ed appassionato\u003c\/li\u003e\n\u003cli\u003eGrieg: Violin Sonata No. 3 in C Minor, Op. 45 II. Allegro espressivo alla Romanza\u003c\/li\u003e\n\u003cli\u003eGrieg: Violin Sonata No. 3 in C Minor, Op. 45 III. 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When white light hits a prism, it breaks down into the full spectrum of rainbow colors. These colors have always existed but only become visible through refraction. Music is similar. The pieces on this album are like a prism, unfolding the fundamental human emotions into their infinite facets, and creating a tribute to the timeless power of music, that resonates with the entire color palette of the human soul. The selection of pieces therefore follows an inner logic: that of emotion, timbre, and the moment. Each piece unfolds it's own microcosm and invites the listener to lose themselves within it. 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It embraces a variety of musical genres: the Violin Concerto No 2 (with the Philharmonia Orchestra under it's principal conductor Santtu-Matias Rouvali); the Sonata for Solo Violin; the Sonata for Two Violins (with Johan Dalene), and (with pianist Laure Favre-Kahn), the Five Melodies Op.35bis and arrangements of excerpts from the ballets Romeo and Juliet and Cinderella, the opera The Love for Three Oranges, and the 'Classical' Symphony.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eViolin Concerto No. 2 in G Minor, Op. 63: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G Minor, Op. 63: II. Andante assai\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1 in D Major, Op. 25 \"Classical\": III. Gavotte (Arr. Heifetz for Violin and Piano)\u003c\/li\u003e\n\u003cli\u003eSonata for Two Violins in C Major, Op. 56: I. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSonata for Two Violins in C Major, Op. 56: II. Allegro\u003c\/li\u003e\n\u003cli\u003eSonata for Two Violins in C Major, Op. 56: III. Commodo quasi allegretto\u003c\/li\u003e\n\u003cli\u003eSonata for Two Violins in C Major, Op. 56: IV. Allegro con brio\u003c\/li\u003e\n\u003cli\u003eCinderella, Op. 87: Mazurka (Arr. Fichtenholz for Violin and Piano)\u003c\/li\u003e\n\u003cli\u003eSonata for Solo Violin in D Major, Op. 115: I. Moderato\u003c\/li\u003e\n\u003cli\u003eSonata for Solo Violin in D Major, Op. 115: II. Tema con variazioni. Andante dolce\u003c\/li\u003e\n\u003cli\u003eSonata for Solo Violin in D Major, Op. 115: III. Con brio. Allegro precipitato\u003c\/li\u003e\n\u003cli\u003eThe Love of the Three Oranges, Op. 33: March (Arr. Heifetz for Violin and Piano)\u003c\/li\u003e\n\u003cli\u003e5 Mélodies, Op. 35bis: No. 1, Andante\u003c\/li\u003e\n\u003cli\u003e5 Mélodies, Op. 35bis: No. 2, Lento ma non troppo\u003c\/li\u003e\n\u003cli\u003e5 Mélodies, Op. 35bis: No. 3, Animato, ma non allegro\u003c\/li\u003e\n\u003cli\u003e5 Mélodies, Op. 35bis: No. 4, Allegretto\u003c\/li\u003e\n\u003cli\u003e5 Mélodies, Op. 35bis: No. 5, Andante non troppo\u003c\/li\u003e\n\u003cli\u003eRomeo and Juliet, Op. 64: Capulets and Montagues (Arr. Grjunes for Violin and Piano)\u003c\/li\u003e\n\u003cli\u003eRomeo and Juliet, Op. 64: Masks (Arr. Heifetz for Violin and Piano)\u003c\/li\u003e\n\u003cli\u003eRomeo and Juliet, Op. 64: Mercutio (Arr. Baich ; Fletzberger for Violin and Piano)\u003c\/li\u003e\n\u003cli\u003eRomeo and Juliet, Op. 64: Tybalt's Death (Arr. Baich ; Fletzberger for Violin and Piano)\u003c\/li\u003e\n\u003cli\u003eCinderella, Op. 87: Grand Waltz (Arr. Sedlar for Violin, Piano and Ensemble)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5026854355443\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366525485224,"sku":"103061028","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4489857-3519603.jpg?v=1774554286"},{"product_id":"pre-order-fazil-say-berg-schubert-piano-sonatas-cd-new-n","title":"Pre-Order: Fazil Say - Berg \u0026 Schubert - Piano Sonatas (CD) (New (N))","description":"\u003cp\u003eFazil Say brings together two, highly contrasted Viennese piano sonatas, composed at either end of the Romantic era. Conceived on an epic scale in four movements, Schubert's Sonata in B flat major was written shortly before his death in 1828, while in 1909 Alban Berg ushered in Modernism with his opus 1, the compact, haunting Piano Sonata in B minor. \"Schubert was only thirty when he died,\" writes Fazil Say. \"There is unique depth of sorrow and melancholy here, the pain of parting from this world. At the same time, we feel Schubert's joy of life, his vitality, his attachment, his passion, even his defiance.\" While the Schubert sonata is a recent addition to Say's repertoire, he explains that \"I first encountered Alban Berg's piano sonata at the age of 15, and I performed it as a student in Ankara... he became one of the main figures who opened the door for me to contemporary music... His opus 1, while anchored in B minor, sails boldly toward atonality and modern expression... The piano is used almost orchestrally, full of colour and intensity. It is a remarkably beautiful piece.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePiano Sonata in B Minor, Op. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 21 in B-Flat Major, D. 960: I. Molto moderato\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 21 in B-Flat Major, D. 960: II. Andante sostenuto\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo. Allegro vivace con delicatezza\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 21 in B-Flat Major, D. 960: IV. Allegro ma non troppo\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5054197697487\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366528237736,"sku":"100051792","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4488941-3516695.jpg?v=1774554343"},{"product_id":"pre-order-jakub-orlinski-biel-michal-if-music-cd-new-n","title":"Pre-Order: Jakub Orlinski  \/ Biel,Michal - If Music (CD) (New (N))","description":"\u003cp\u003eIf music... showcases star countertenor Jakub Józef Orlinski in 17 songs and arias by three composers of the Baroque era: Purcell, Handel and Fux. Perhaps unexpectedly, he is partnered not by an ensemble of period instruments but by a pianist - his long-standing colleague Michal Biel. \"On this album we have combined arias and songs that inspire and speak to us, \" says Jakub Józef Orlinski. \"I love thinking of albums as pages out of my diary. They are a statement of where I am as an artist.\" As Michal Biel, who draws on all the possibilities of a Steinway grand piano, freely admits: \"If music... is not an answer to the question of how to perform these masterpieces with historical authenticity.\" He sees each aria or song as \"a carefully considered transcription that reveals it's appeal transcending instrumentation\".\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOedipus, Z. 583: No. 2, Song. \"Music for a While\"\u003c\/li\u003e\n\u003cli\u003eKing Arthur, Z. 628, Act 5: The Final Masque. \"Fairest Isle\"\u003c\/li\u003e\n\u003cli\u003eKing Arthur, Z. 628, Act 3: Cold Song. \"What Power Art Thou?\"\u003c\/li\u003e\n\u003cli\u003eCome, Ye Sons of Art Away, Z. 323: No. 5, Ritornello. \"Strike the Viol\"\u003c\/li\u003e\n\u003cli\u003eIf Music Be the Food of Love, Z. 379 (Third Version)\u003c\/li\u003e\n\u003cli\u003ePausanius, Z. 585: Song. \"Sweeter Than Roses\"\u003c\/li\u003e\n\u003cli\u003eIf Music Be the Food of Love, Z. 379 (First Version)\u003c\/li\u003e\n\u003cli\u003eBonduca, Z. 574, Act 5: Solo. \"O, Lead Me\"\u003c\/li\u003e\n\u003cli\u003eThe Tempest, Z. 631, Act 5: Recitative and Song. \"Your Awful Voice\"\u003c\/li\u003e\n\u003cli\u003eIl fonte della salute, aperto dalla grazia nel calvario, K. 293: \"Non t'amo per il ciel\"\u003c\/li\u003e\n\u003cli\u003eAgrippina, HWV 6, Act 2: Recitativo. \"Otton, qual portentoso fulmine è questi?\" (Ottone)\u003c\/li\u003e\n\u003cli\u003eAgrippina, HWV 6, Act 2: Aria. \"Voi che udite\" (Ottone)\u003c\/li\u003e\n\u003cli\u003eRodelinda, regina de' Longobardi, HWV 19, Act 3: Aria. \"Un zeffiro spirò\" (Rodelinda)\u003c\/li\u003e\n\u003cli\u003eSerse, HWV 40, Act 1: Largo. \"Ombra mai fu\" (Serse)\u003c\/li\u003e\n\u003cli\u003eRinaldo, HWV 7, Act 2: Aria. \"Siam prossimi al porto\" (Eustazio)\u003c\/li\u003e\n\u003cli\u003ePartenope, HWV 27, Act 2: Aria. \"Furibondo spira il vento\" (Arsace)\u003c\/li\u003e\n\u003cli\u003eSemele, HWV 58, Act 2: Aria. \"Where'er You Walk\" (Jupiter)\u003c\/li\u003e\n\u003cli\u003eHerz und Mund und Tat und Leben, BWV 147: X. Jesu, Joy of Man's Desiring (Arr. Hess for Piano)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732985316\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Erato\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366530629800,"sku":"103042051","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4489806-3519599.jpg?v=1774554368"},{"product_id":"pre-order-vyacheslav-gryaznov-marshall-wayne-rhapsody-in-black-cd-new-n","title":"Vyacheslav Gryaznov  \/ Marshall,Wayne - Rhapsody In Black (CD) (New (N))","description":"\u003cp\u003eAfter Bess's departure, what becomes of Porgy? Having fallen in love with Gershwin's Porgy and Bess, the brilliant pianist and arranger Vyacheslav Gryaznov decided to answer this question by taking up the opera's themes. With Rhapsody in Black, a concerto for piano and orchestra, he picks up the story where the opera leaves off: Bess in New York, Porgy following in her footsteps. Neither a pastiche nor a simple arrangement, Rhapsody in Black reclaims Gershwin's legacy by blending electrifying improvisations, big-band sonorities, and poetic ballads. With this New York fresco, complemented by Rhapsody in Blue, Gryaznov creates an extraordinarily vibrant diptych, superbly brought to life by the Radio-Symphonieorchester Wien and Wayne Marshall, a leading specialist and outstanding interpreter of Gershwin.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGryaznov\/Gershwin: Rhapsody in Black (On Themes from Porgy and Bess) I. Day In New York\u003c\/li\u003e\n\u003cli\u003eGryaznov\/Gershwin: Rhapsody in Black (On Themes from Porgy and Bess) II. Night. Bess\u003c\/li\u003e\n\u003cli\u003eGryaznov\/Gershwin: Rhapsody in Black (On Themes from Porgy and Bess) III. 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Under Michael Waldron, the London Choral Sinfonia pairs Britten with the one composer he privately mentored: Arthur Oldham. The program brings together familiar works by Britten with a substantial selection of Oldham's choral music, placing the two composers in direct conversation. At the center is Britten's Serenade for tenor, horn and strings, a cycle of nocturnal poetry (Tennyson, Blake, Keats and others) framed by the horn's natural harmonics in the Prologue and Epilogue. Horn soloist Annemarie Federle and Tenor Nick Pritchard trace it's shifting atmosphere, with string accompaniment from the London Choral Sinfonia. Britten's Te Deum in C appears in the rarely heard orchestrated version for strings and harp, presented here as a world premiere recording. Oldham's music completes the program: the cantata Laudes Creaturarum on the text of St Francis of Assisi (with Carolyn Sampson), the carol Remember, O thou man, and the ceremonial Sacerdos et Pontifex for chorus and organ - also recorded here for the first time.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBritten: Te Deum in C (Version for Choir ; Orchestra) Te Deum in C (Version for Choir ; Orchestra)\u003c\/li\u003e\n\u003cli\u003eBritten: Serenade for Tenor, Horn and Strings, Op. 31 I. Prologue\u003c\/li\u003e\n\u003cli\u003eBritten: Serenade for Tenor, Horn and Strings, Op. 31 II. Pastoral\u003c\/li\u003e\n\u003cli\u003eBritten: Serenade for Tenor, Horn and Strings, Op. 31 III. Nocturne\u003c\/li\u003e\n\u003cli\u003eBritten: Serenade for Tenor, Horn and Strings, Op. 31 IV. Elegy\u003c\/li\u003e\n\u003cli\u003eBritten: Serenade for Tenor, Horn and Strings, Op. 31 V. Dirge\u003c\/li\u003e\n\u003cli\u003eBritten: Serenade for Tenor, Horn and Strings, Op. 31 VI. Hymn\u003c\/li\u003e\n\u003cli\u003eBritten: Serenade for Tenor, Horn and Strings, Op. 31 VII. Sonnet\u003c\/li\u003e\n\u003cli\u003eBritten: Serenade for Tenor, Horn and Strings, Op. 31 VIII. Epilogue\u003c\/li\u003e\n\u003cli\u003eOldham: Remember, O Thou Man Remember, O Thou Man\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures I. Altissimu, Omnipotente Bon Signore\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures II. Laudatu Sie, Mi Signore Cum Tucte Le Tue Creature\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures III. Laudatu Si', Mi Signore, Per Sora Luna\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures IV. Laudatu Si', Mi Signore, Per Frate Uento\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures V. Laudatu Si', Mi Signore, Per Sor'acqua\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures VI. Laudatu Si', Mi Signore, Per Frate Focu\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures VII. Laudatu Si', Mi Signore, Per Sora Nostra Matre Terra\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures VIII. Laudatu Si', Mi Signore, Per Quelli Che Perdonano Per Lo Tuo Amore\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures IX. Laudatu Si', Mi Signore, Per Sora Nostra Morte Corporale\u003c\/li\u003e\n\u003cli\u003eOldham: Laudes Creaturarum\u003c\/li\u003e\n\u003cli\u003eThe Canticle of All Creatures X. Laudate E Benedicite Et Rengratiate\u003c\/li\u003e\n\u003cli\u003eOldham: Sacerdos Et Pontifex Sacerdos Et Pontifex\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060189564712\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Orchid Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366532825256,"sku":"106583635","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4491166-3522319.jpg?v=1774554403"},{"product_id":"pre-order-aline-piboule-archipel-cd-new-n","title":"Aline Piboule - Archipel (CD) (New (N))","description":"\u003cp\u003eAn oceanic dialogue between two composers from the first wave of the modern musical era: such is Aline Piboule's daring new solo venture. Here the epic La Mer sprays it's rainbow of colors as idiomatically as if Debussy had written it for solo piano, like D'un cahier d'esquisses and the famous Clair de lune. In echo, John Ireland's piano triptychs, Sarnia and Decorations, conjure up the Channel Islands in bewitching musical poetry.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIreland: Sarnia, An Island Sequence: No. 1, Le Catioroc. Quasi Lento\u003c\/li\u003e\n\u003cli\u003eIreland: Sarnia, An Island Sequence: No. 2, in a May Morning. Con Moto Moderato\u003c\/li\u003e\n\u003cli\u003eIreland: Sarnia, An Island Sequence: No. 3, Song of the Springtides. Allegro Comodo\u003c\/li\u003e\n\u003cli\u003eDebussy: Nocturne in D-Flat Major, L. 82\u003c\/li\u003e\n\u003cli\u003eDebussy: Suite Bergamasque, L. 75: III. Clair de Lune. Andante TRES Expressif\u003c\/li\u003e\n\u003cli\u003eDebussy: D'un Cahier D'esquisses, L. 99\u003c\/li\u003e\n\u003cli\u003eIreland: Decorations: No. 1, the Island Spell. Allegretto\u003c\/li\u003e\n\u003cli\u003eIreland: Decorations: No. 2, Moon-Glade. Poco Lento\u003c\/li\u003e\n\u003cli\u003eIreland: Decorations: No. 3, the Scarlet Ceremonies. Con Moto\u003c\/li\u003e\n\u003cli\u003eDebussy: La Mer, L. 109 (Arr. for Solo Piano By y. Ollivo): I. de L'aube A Midi Sur la Mer. TRES Lent\u003c\/li\u003e\n\u003cli\u003eDebussy: La Mer, L. 109 (Arr. for Solo Piano By y. Ollivo): II. Jeux de Vagues. Allegro\u003c\/li\u003e\n\u003cli\u003eDebussy: La Mer, L. 109 (Arr. for Solo Piano By y. Ollivo): III. Dialogue Du Vent Et de la Mer. 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Bertrand)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3149020955741\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Harmonia Mundi\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366537543848,"sku":"106750320","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4491135-3522305.jpg?v=1774554476"},{"product_id":"pre-order-richard-hosford-gaudier-quintets-for-clarinet-strings-cd-new-n","title":"Richard Hosford  \/ Gaudier - Quintets For Clarinet \u0026 Strings (CD) (New (N))","description":"\u003cp\u003eThis recording brings together three closely related works for clarinet and strings, linking Classical elegance with 20th-century English lyricism. At it's heart is Wolfgang Amadeus Mozart's Clarinet Quintet in A major, K.581, written for Anton Stadler and one of the defining masterpieces of the clarinet repertoire. From the poised opening Allegro to the intimate, aria-like Larghetto and the finely judged closing variations, Mozart places the clarinet at the centre of a richly expressive chamber dialogue. Gordon Jacob's Clarinet Quintet (1940), composed for Frederick Thurston, reflects a clear admiration for Mozart's clarity of form while speaking in a distinctly English voice. Concise, lyrical and expertly balanced, the work moves from an autumnal opening through urgency and rhapsodic reflection to a characterful set of variations. The program concludes with a rarity: the unfinished Allegro of a second Mozart clarinet quintet, completed by Duncan Druce, offering an intriguing glimpse of a work Mozart never completed. Performed by the Gaudier Ensemble with clarinettist Richard Hosford, this recording combines stylistic authority with warm, natural chamber sound, the clarinet's expressive range and it's evolution across two centuries.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMozart: Clarinet Quintet in a Major, K. 581 I. Allegro\u003c\/li\u003e\n\u003cli\u003eMozart: Clarinet Quintet in a Major, K. 581 II. Larghetto\u003c\/li\u003e\n\u003cli\u003eMozart: Clarinet Quintet in a Major, K. 581 III. Menuetto - Trio 1 - Trio 2\u003c\/li\u003e\n\u003cli\u003eMozart: Clarinet Quintet in a Major, K. 581 IV. Allegretto Con Variazioni\u003c\/li\u003e\n\u003cli\u003eJacob: Clarinet Quintet I. Tempo Moderato\u003c\/li\u003e\n\u003cli\u003eJacob: Clarinet Quintet II. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eJacob: Clarinet Quintet III. Rhapsody: Poco Lento\u003c\/li\u003e\n\u003cli\u003eJacob: Clarinet Quintet IV. 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United by the elegant symmetry of sextet forces, these pieces showcase the rhythmic vitality, harmonic clarity, and emotional depth that have defined Reich's music for generations. From the scintillating textures of Sextet, the driving power and poignancy of Double Sextet, and the hypnotic time-bending sonorities of Six Marimbas, the album offers a journey through Reich's unparalleled sound world. Colin Currie Group's fresh interpretation of Dance Patterns adds a lesser-known gem to this celebration, highlighting the composer's enduring fascination with movement and pattern. Recorded with the insight and precision that have become hallmarks of the ensemble, this album is both a tribute and a testament to Reich's lifelong influence and to the Colin Currie Group's deep connection with his music. 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Carillon\u003c\/li\u003e\n\u003cli\u003eDebussy: La plus que lente, L. 121 (Arr. For Cello and Piano by L. Roques)\u003c\/li\u003e\n\u003cli\u003eDebussy: Cello Sonata in D Minor, L. 135: I. Prologue. Lent, sostenuto et molto risoluto\u003c\/li\u003e\n\u003cli\u003eDebussy: Cello Sonata in D Minor, L. 135: II. Sérénade. Modérément animé\u003c\/li\u003e\n\u003cli\u003eDebussy: Cello Sonata in D Minor, L. 135: III. Finale. Animé, léger et nerveux\u003c\/li\u003e\n\u003cli\u003eSaint-Saëns: Le Carnaval des animaux, R. 125: XIII. Le Cygne. Andantino grazioso\u003c\/li\u003e\n\u003cli\u003eMarais: Pièces de viole, Book 4, Suite in A Minor: VI. Musette\u003c\/li\u003e\n\u003cli\u003eMarais: Pièces de viole, Book 2, Suite in D Minor: XX. Couplets de Folies (Les Folies d'Espagne)\u003c\/li\u003e\n\u003cli\u003eHaydn: Baryton Trio in D Major, Hob. XI:113: Allegro di molto (Arr. for Cello and Piano by Gregor Piatigorsky)\u003c\/li\u003e\n\u003cli\u003eKreisler: 3 Old Viennese Dances: I. 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Dancing; joyous\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060189568802\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Orchid Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366568050856,"sku":"114803888","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4494683-3531250.jpg?v=1774554972"},{"product_id":"pre-order-trio-moreau-schubert-piano-trios-cd-new-n","title":"Pre-Order: Trio Moreau - Schubert: Piano Trios (CD) (New (N))","description":"\u003cp\u003eSchubert: Piano Trios marks the first official album of Trio Moreau, uniting Edgar, David, and Jérémie Moreau in their personal statement of identity as an ensemble. The program combines Schubert's Piano Trios No. 1 \u0026amp; 2 with Lieder arrangements for piano, cello and violin. The two Schubert Piano Trios stand as cornerstones of the chamber music repertoire, as they reveal an extraordinary sense of space, emotional depth and melodic richness from a composer celebrated above all as a master of song. To frame these trios, the Moreau brothers have created their own arrangements of some of Schubert's most beloved Lieder (Du bist die Ruh, and the celebrated Hirt auf dem Felsen). In these versions, violin, cello and piano share the melodic line, each taking turns to \"sing\" in a dialogue of lyricism and color.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePiano Trio No. 1 in B-Flat Major, Op. 99, D. 898: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 1 in B-Flat Major, Op. 99, D. 898: II. Andante un poco mosso\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 1 in B-Flat Major, Op. 99, D. 898: III. Scherzo. Allegro - Trio\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 1 in B-Flat Major, Op. 99, D. 898: IV. Rondo. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eDer Hirt auf dem Felsen, Op. 129, D. 965 (Arr. Moreau for Piano Trio)\u003c\/li\u003e\n\u003cli\u003eAuf dem Wasser zu singen, Op. 72, D. 774 (Arr. Soudoplatoff for Piano Trio)\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 2 in E-Flat Major, Op. 100, D. 929: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 2 in E-Flat Major, Op. 100, D. 929: III. Scherzando. Allegro moderato - Trio\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 2 in E-Flat Major, Op. 100, D. 929: IV. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eDu bist die Ruh, Op. 59 No. 3, D. 776 (Arr. Moreau for Piano Trio)\u003c\/li\u003e\n\u003cli\u003eSchwanengesang, D. 957: No. 4, Ständchen (Arr. Soudoplatoff for Piano Trio)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732940261\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Erato\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.22.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55366568738984,"sku":"115380238","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4495197-3532864.jpg?v=1774554978"},{"product_id":"pre-order-ridout-timothy-jonathan-ware-alto-appassionato-cd-new-n","title":"Ridout ,Timothy \/ Jonathan Ware - Alto Appassionato (CD) (New (N))","description":"\u003cp\u003eFrom the tenderness of Fauré's songs to the famous Sonata by Franck, via Honnoré, Büsser and Enescu, the viola here champions the French School in it's widest sense: full of lyricism, sophistication and intensity, here is a program to match the abilities of Timothy Ridout and his partner at the piano, Jonathan Ware.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHonnoré: Morceau de concert, Op. 23\u003c\/li\u003e\n\u003cli\u003eFauré: Mai, Op. 1 No. 2 (Arr. for Viola and Piano by Timothy Ridout)\u003c\/li\u003e\n\u003cli\u003eFauré: Le Papillon et la Fleur, Op. 1 No. 1, (Arr. for Viola and Piano by Timothy Ridout)\u003c\/li\u003e\n\u003cli\u003eBüsser: Appasionato, Op. 34, C-Sharp Minor\u003c\/li\u003e\n\u003cli\u003eFauré: Les Berceaux, Op. 23 No. 1 (Arr. for Viola and Piano by Timothy Ridout)\u003c\/li\u003e\n\u003cli\u003eFauré: Clair de lune, Op. 46 No. 2 (Arr. for Viola and Piano by Timothy Ridout)\u003c\/li\u003e\n\u003cli\u003eEnescu: Concertstück\u003c\/li\u003e\n\u003cli\u003eFauré: Après un rêve, Op. 7 No. 2 (Arr. for Viola and Piano by Timothy Ridout)\u003c\/li\u003e\n\u003cli\u003eFauré: Nell, Op. 18 No. 1 (Arr. for Viola and Piano by Timothy Ridout)\u003c\/li\u003e\n\u003cli\u003eFranck: Violin Sonata, FWV 8, A Major (Arr. for Viola and Piano by Timothy Ridout): I. Allegretto ben moderato\u003c\/li\u003e\n\u003cli\u003eFranck: Violin Sonata, FWV 8, A Major (Arr. for Viola and Piano by Timothy Ridout): II. Allegro\u003c\/li\u003e\n\u003cli\u003eFranck: Violin Sonata, FWV 8, A Major (Arr. for Viola and Piano by Timothy Ridout): III. Recitativo-Fantasia. Ben moderato - Mol\u003c\/li\u003e\n\u003cli\u003eFranck: Violin Sonata, FWV 8, A Major (Arr. for Viola and Piano by Timothy Ridout): IV. 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