{"title":"Out This Week","description":null,"products":[{"product_id":"pre-order-mc-homeless-ice-t-goons-goblins-red-colored-vinyl-limited-edition-red-12-vinyl-new-n","title":"Pre-Order: Mc Homeless \/ Ice-T - Goons \u0026 Goblins (12\" Vinyl, Red) (New (N))","description":"\u003cp\u003eHip-hop pioneer Ice-T joins forces with North Carolina underground veteran MC Homeless for an explosive new collaborative EP that bridges coasts and generations. The project showcases one original collaboration alongside two reimagined classics from the vault, all produced by acclaimed beatsmith Marc Live (known for his work with Kool Keith, Raw Breed, and Analog Bros). The centerpiece track \"Goons And Goblins\" finds both MCs in peak form, delivering sharp social commentary wrapped in hard-hitting street narratives. MC Homeless brings his signature electric energy and unconventional wordplay, while Ice-T demonstrates why he remains one of hip-hop's most authentic voices, offering unflinching perspectives on street life and social media culture. The EP also features reworked versions of \"Feds In My Rearview\" and \"Red Or Blue,\" pulling unreleased MC Homeless verses from the Legends Recordings archives. 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In 2013, John Speight wrote his Soliloquy (track 7 and 8) at my request. Two more recent commissions are on the album, both from composers who play the violin: Fragile Stillness by Lilja Maria asmundsdottir and Aria by Maria Huld Markan. Iceland has a long tradition of violin playing and according to folklore every farmer in certain valleys up north was a fiddler. Ea Fantasia (track 4), my own composition, is inspired by the opening track Alia Fantasia by Nicola Matteis Jr. He was the London-born son of the Italian composer Nicola Matteis, who wrote Ayers and Grounds. Nicola Junior was a violinist like his father and lived in Vienna, where he composed numerous ballets for the imperial opera. His bariolage (arpeggios over four strings) remind me of the opening of Fratres by Arvo Part and Bach's Chaconne-key works in the violin repertoire-both of which have been a great inspiration to me. In Fragile Stillness (track 2), Lilja Maria asmundsdottir experiments with textures. Or as she puts it: \"The piece is inspired by a weather condition called froststillur. It is characterized by an intense calmness where there is no wind and a crisp, frozen atmosphere.Karolina wrote Meditation (track 3) in 1996 for violinist Hlif Sigurjonsdottir, who premiered the piece in June 1997. Meditation is in one movement, built on ideas which change and develop, and the composer describes it as \"variations without a theme.Aria (track 5) by Maria Huld Markan was written for me in 2023. Her solo piece is written under the influence of Maria Callas and her romanticism and lontano as she sings Puccini. Maria is reflecting on the concept of the genius, and motifs are flowing from all the fountains contemplating the romantic violin repertoire. On his Adagio (track 6), composer Tryggvi Baldvinsson writes: \"This small Adagio can be seen as a short play in which three distinct characters appear. Each has it's own traits, it's own personality. The encounter between these characters is bound to have a profound and lasting impact on them. As for the actual course of events, I leave that entirely to the listener's imagination. The piece was composed for Rut Ingolfsdottir, who premiered it in 1997.John Speight is an English-Icelandic singer and composer I got to know through working with the Reykjavik Chamber Orchestra, playing and recording his works. He wrote Soliloquy (track 7 and 8) in 2012 and it is the only piece on the album in two movements. The first movement is slow and thoughtful, while the second is crazy and furious. Tranquility (track 10) by Sveinn Ludvik Bjornsson is possibly the shortest piece I have ever played. The story of it is longer than the piece itself-and too good to omit. Sveinn Ludvik, who is visually impaired, was renting a studio in an old banana storage in Brautarholt, Reykjavik. To enter his studio he had to walk through the studio of artist Helgi Valgeirsson. Above the door there was a painting by Helgi which inspired Sveinn Ludvik deeply; he had the sense it was very somber in it's mood-a naked woman with her back turned. Moved by the scene he wrote Tranquility. Later, when discussing the piece with Helgi and admiring the tragic impact of the naked woman in the picture, Sveinn was shocked to discover that the painting, in fact, was of bananas and oranges.Veronique Vaka Jacques, a Canadian-Icelandic composer and trained classical cellist, grounds her work in the geology and topography of Iceland. In Ofdune (track 9), a map of North Iceland serves as groundwork, with the geographical details of a descending river abstractly translated into the work's time progression, using the river's path through hills and valleys as a loose blueprint. This concept of descent is echoed in the title, Ofdune, which is derived from the Old English meaning \"downwards\" or \"off the hill\".Jon Nordal's Hvert orstutt spor (Each Tiny Step, track 11) is from the play Silfurtunglid by Icelandic Nobel Prize-winning author Halldor Laxness. This is a famous Icelandic song, here in my gospel music influenced arrangement for solo violin. 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Centered around funk and soul, it elevates into light yet profound pop through a rhythm section delivering solid grooves, the guitar work of Gt \u0026amp; Vo. Momoko, and her soft yet core-filled vocals. 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Recorded with longtime friend and engineer Jonathan Kirchner and featuring appearances from Jerry Douglas, Lindsay Lou, Trey Hensley, and more, Cover To Cover reinvents tunes by the likes of Sheryl Crow, Bob Dylan, Nitty Gritty Dirt Band, and Emmylou Harris, offering up a fresh perspective on the American roots canon.\u003cbr\u003e\u003cbr\u003eThe songs are delivered with joy and reverence here, several are drawn from the band’s earliest days playing bars and cafes around Santa Cruz. The arrangements are dynamic and spacious, with plenty of room for dazzling solos and lush harmonies. Add it all up and you’ve got a love letter from AJ Lee \u0026amp; Blue Summit to the songs that shaped them, a whirlwind journey through the last century of American roots music delivered by some of the brightest young torchbearers of their generation. 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The subtle melodies and carefully crafted arrangements reveal an artist who is both a custodian of the great griot epics and an attentive listener of global music, able to draw sparing references from jazz as well as pop. Ali Boulo Santo's identity is highly singular, far from the usual clichés associated with kora players. 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When the band regrouped in summer 2025 to work on a follow-up, after three albums written and recorded very much as in-the-studio projects, Editors felt they wanted to go back to a more natural approach, something that harked back to their earliest days, sat in a practice room in Stafford, facing each other as they worked through songs together. \u003c\/p\u003e\r\n\u003cp\u003eLike on last year’s solo record There is Nothing In The Dark That Isn’t There In The Light, frontman Tom Smith took a similar stripped back, acoustic-based approach to the new Editors material, bringing a selection of songs to the band for them to play together, trying different things out, and seeing where they went. 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With a unique guitar style blending blues, swing, and the dance rhythm of his region, the \"\"Didadi,\"\" he delivers a striking and subtle production. With three fabulous female singers with extraordinary voices and a few unusual instruments, he lays the first stone of a unique universe, soft and sensual, reminiscent of the long evenings of southern Mali.\"\"A major album... essential listening.\"\" Vibrations - Elisabeth Stoudmann.\"\"Another gem released by Frikyiwa.\"\" Télérama FFF - Eliane Azoulay.\"\"An album that will stand the test of time.\"\" Mondomix - Benjamin Minimum.\"\"A graceful guitarist as we rarely find anymore.\"\" Africultures - Gérald Arnaud.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKassoumaye\u003c\/li\u003e\n\u003cli\u003eLa Priere\u003c\/li\u003e\n\u003cli\u003eLe Kumpo de Reve\u003c\/li\u003e\n\u003cli\u003eLe Chasseur D'ombre\u003c\/li\u003e\n\u003cli\u003eBignona Ballade\u003c\/li\u003e\n\u003cli\u003eMalik Song\u003c\/li\u003e\n\u003cli\u003eLes Oiseaux\u003c\/li\u003e\n\u003cli\u003eLes Enfants Du Matin\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 0826596017518\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":55704944443560,"sku":"264948557","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5456\/8872\/files\/4526669-3651166.jpg?v=1783431140"}],"url":"https:\/\/tumbleweedsct.com\/collections\/bt-out-this-week.oembed?page=12","provider":"Tumbleweeds Record Shop \u0026 Culture Shop","version":"1.0","type":"link"}